Houstonian's own Robert Askins brings to the Alley Theatre the life of THE CARPENTER, which after seeing its performance reminds those seeing it that there is more to Houston than oil and NASA.
Joseph Castillo-Midyett talked to BroadwayWorld about The Alley Theatre production of PICASSO AT THE LAPIN AGILE, a production that BroadwayWorld reviewer Gary Laird calls a 'laff riot.' Take a look at the conversation!
The Alley Theatre and interim artistic director James Black announce the cast and crew of the new Sherlock Holmes adventure Holmes and Watson byJeffrey Hatcher and directed by Mark Shanahan. This version of the play was written for the Alley by Hatcher. Based on the characters of Sir Arthur Conan Doyle,Holmes and Watson plays the Hubbard Theatre June 22 - July 22, 2018. Tickets are available at alleytheatre.org or by calling the Box Office at 713.220.5700.
Tomorrow, August 5, 2017, The Pilot Dance Project will present six performances of REQUIEM, a forty-five minute modern, site-specific dance work from Jennifer Mabus. Using the landmark Morales Funeral Home, Houston's first Hispanic-owned funeral home, Mabus will immerse audiences in the communal rituals of grief and mourning. BroadwayWorld guest blogger Adam Castaneda, who performs in REQUIEM, offers his insight into the dance event.
Musiqa, two-time winner of the Chamber Music America/ASCAP Award for Adventurous Programming, is proud to announce its 2017-18 season. Our sixteenth season features the same bold programming that allowed previous seasons to stand out, complete with world premieres, interdisciplinary collaboration, and community and educational programming.
Society for the Performing Arts presents the 2017 Ballet Hispanico Summer Dance Intensive June 6-16 at Episcopal High School, with registration extended through May 26.
Lyric Opera of Chicago presents the thrilling story of a deadly love triangle set to Georges Bizet's most vivid and exciting music. No wonder it's so popular! Carmen heats up this winter in a new Lyric coproduction with two smoking-hot casts.
Sarah Burgess's DRY POWDER, now in its last week at the Alley, is a peek into the world of private equity, and an exploration of 21st century morality, that had a pretty simple beginning.
Before the 24 hour news cycle and "I am not a crook" became one of the defining pop culture phrases of the '70s, Richard Nixon went to China, the first time a U.S. president ever visited the People's Republic.
Lyric Opera of Chicago presents the thrilling story of a deadly love triangle set to Georges Bizet's most vivid and exciting music. No wonder it's so popular! Carmen heats up this winter in a new Lyric coproduction with two smoking-hot casts.
HGO's production of Gounod's FAUST puts the 'grand' in grand opera. The current production has all the bells and whistles - a timeless story, a top-notch cast, the costumes, sets and lighting of an all-out extravaganza. In short, it has everything the word 'opera' conjures up. And it's at the Wortham, all for you.
Alley Theatre's Hubbard Theatre season opener, William Shakespeare's A Midsummer Night's Dream is the Alley's 22nd Shakespearean production, celebrating the new stage enhancements with an expansive set, live music and 43 detailed costumes outfitting a full 19-member cast. The production features members of the Resident Acting Company and runs now through November 5. BroadwayWorld has a first look at the cast in action below!
Summer Chills at the Alley Theatre is all about entertainment. There are no axes to grind; no hidden depths to plumb, which is great, because it's too hot to do much besides sit in air-conditioned comfort and watch other people exert themselves.
Garson Kanin's BORN YESTERDAY premiered on Broadway in 1946, and seventy years later it still entertains and gently enlightens. Regardless of the time period, the play is far more relevant than you'd think. Directed by Jonathan Moscone, the play is about wealth, political corruption, education and opportunity. As we drag along into the current presidential election, there is plenty to say on these topics, and evidently Kanin felt the same way back in the forties.