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Possible STOMP OUT LITTER: From NYC to MNL

Possible STOMP OUT LITTER: From NYC to MNL

by Rocky Christopher Fajardo — June 15, 2014

One of the most memorable campaigns that STOMP ever got involved in was STOMP OUT LITTER, which began in San Francisco and eventually moved to New York, and having further varied incarnations in countries all over the world such as Germany and Scotland, to name a few.

VIDEO: Cresswell, Morrison Give Advice to Wannabe STOMPERS

VIDEO: Cresswell, Morrison Give Advice to Wannabe STOMPERS

by Rocky Christopher Fajardo — June 15, 2014

With a novel theatrical spectacle like STOMP--sans dialogue and conventional lyrics-- the parameters set by orthodox stage direction take a backseat to the unique, personal touch that each new performer brings into any STOMP production wherever in the world it may be staged.

VIDEO: STOMP Supports Environmental Causes

VIDEO: STOMP Supports Environmental Causes

by Rocky Christopher Fajardo — June 15, 2014

"Whenever we can, we support any outreach programs," STOMP Co-Creator Luke Cresswell shares on STOMP's long and steady involvement in environmental causes geared toward recycling, re-using, and clean-up drives all over the world.

VIDEO: The Inevitable Element of Danger in Each STOMP Routine

VIDEO: The Inevitable Element of Danger in Each STOMP Routine

by Rocky Christopher Fajardo — June 15, 2014

STOMP Co-Creator Luke Cresswell and Rehearsal Director Fraser Morrison laugh peevishly together like schoolboys having fun on a playground as they recall the wildest experiments they have ever concocted throughout the creative journeys they had to take in finding instruments for the show and develop

VIDEO: The Ultimate Source of STOMP Inspiration

VIDEO: The Ultimate Source of STOMP Inspiration

by Rocky Christopher Fajardo — June 15, 2014

'The nice thing about STOMP is that there are so many different inspirations, and everyone brings all those different inspirations into the show,' shares Fraser Morrison, STOMP rehearsal director.

VIDEO: STOMP Routines: 10 Minutes to 10 Years in the Making

VIDEO: STOMP Routines: 10 Minutes to 10 Years in the Making

by Rocky Christopher Fajardo — June 15, 2014

All the numbers in STOMP's high-octane, innovative repertoire are polished consistently by the extensive years of STOMPING experience that the creative and production teams have accumulated, coupled with the unique, personal flair and flavors that each STOMP performer brings to every production.

VIDEO: In The Beginning: Stuck in a Sticky STOMPing Situation

VIDEO: In The Beginning: Stuck in a Sticky STOMPing Situation

by Rocky Christopher Fajardo — June 15, 2014

STOMP Co-Creator Luke Cresswell vividly looks back on the early days when he would unknowingly gather unlikely inspiration from the oddest places--sometimes even during his gigs with internationally-renowned club DJ and recording artist Fatboy Slim.

STOMP (Reboot) Returns to Manila Next Week, 6/17-22

STOMP (Reboot) Returns to Manila Next Week, 6/17-22

by Rocky Christopher Fajardo — June 11, 2014

With the people behind STOMP already having a general idea on how Filipino audiences respond to the show's unique theatricality--based on how it had wowed audiences in its first run at the Cultural Center of the Philippines (CCP) in 2011--perhaps the biggest surprise that awaits STOMP's impending re

Revisiting STOMP's High Octane Acts

Revisiting STOMP's High Octane Acts

by Oliver Oliveros — May 31, 2014

After STOMP creators Luke Cresswell and Steve McNicholas' statements on Cameron Mackintosh's purchase and plans for the show's current London home, the Ambassadors Theatre, BWW's Philippines-based reporters joined a media contingent on a trip to London to experience the one-of-a-kind noise and energ

Video: STOMP Returns to Manila with Two Additional Acts, 6/17-22

Video: STOMP Returns to Manila with Two Additional Acts, 6/17-22

by Oliver Oliveros — April 17, 2014

Following its Philippine premiere in 2011, London's West End and Off-Broadway's percussion sensation, STOMP, will return to the Cultural Center of the Philippines' (CCP) main theater for a limited eight-performance engagement from Tuesday, June 17, to Sunday, June 22, producers Lunchbox Theatrical P


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