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40th Anniversary CAPA Summer Movie Series Lineup Announced, Runs 6/4-7/25

The CAPA Summer Movie Series, the longest-running classic film series in America, celebrates its 40th anniversary in 2010 with an impressive assembly of classics, cult favorites, and much beloved films. The 2010 series, made possible through the generous support of PNC, will run June 4 - July 25 at the historic Ohio Theatre (39 E. State St.).

40th Anniversary CAPA Summer Movie Series Lineup Announced, Runs 6/4-7/25

The CAPA Summer Movie Series, the longest-running classic film series in America, celebrates its 40th anniversary in 2010 with an impressive assembly of classics, cult favorites, and much beloved films. The 2010 series, made possible through the generous support of PNC, will run June 4 - July 25 at the historic Ohio Theatre (39 E. State St.).

Southern Rep Announces Winners of New Play Riot Contest

Artistic Director Aimée Hayes is proud to announce the winners of the SOUTHERN REP NEW PLAY RIOT, the 10-minute play contest held along side the SOUTHERN REP NEW PLAY BACCHANAL, a three-week long festival of workshops, readings, and other events.

SILENT MOVIE MONDAYS Return To STG's Paramount Theatre

Seattle Theatre Group (STG) presents SILENT MOVIE MONDAYS this November at The Paramount Theatre, Mondays at 7pm. This all-classic silent film series is accompanied by live music featuring the historic Mighty Wurlitzer Organ, one of the last three remaining organs of its kind to reside in its original environment, played by critically acclaimed organist Jim Riggs.

Town Hall Theater Screens THE PHANTOM OF THE OPERA With Live Organ

Few films are as memorable and downright scary as the silent classic The Phantom of the Opera. When it was originally shown in 1925, however, it wasn't exactly silent. Many theaters were equipped with booming theaters organs that would match each the frightening action with spine-tingling music.

REVIEW: Andrew Lloyd Webber's THE PHANTOM OF THE OPERA Opens at the Fox Theatre for Extended Run

THE PHANTOM OF THE OPERA is really a triumph of staging with Harold Prince's direction presenting and coordinating these spectacular set pieces with cinematic precision. The constant movement of actors and curtains and backdrops provides a dazzling display of theatrical technique and technical virtuosity. Maria Bjornsson's amazing production design and Andrew Bridge's moody concert lighting scheme also contribute immensely. And, of course, there's Webber's full-bodied orchestral score (with lyrics by Charles Hart and Richard Stilgoe) to contend with as well.

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