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Chicago Philharmonic Announces 2019-2020 Season

Following a season of record-breaking audiences, an inaugural international music festival, and prestigious recognition and awards from the Illinois Council of Orchestras, the Chicago Philharmonic shines a light on family and celebrates 30 years of making beautiful music for Chicago.

COT's Epic MOBY DICK Sets Sail April 25

Chicago Opera Theater (COT) caps its 2018/2019 season with the Chicago premiere of "Moby-Dick," an epic adaptation of Herman Melville's 1851 classic "Moby-Dick; or, The Whale" at the Harris Theater for Music and Dance (205 E. Randolph Street) Thursday, April 25 and Sunday, April 28.

MOBY DICK Caps Chicago Opera Theater's 2018/19 Season

Chicago Opera Theater (COT) caps its 2018/2019 season with the Chicago premiere of "Moby-Dick," an epic adaptation of Herman Melville's 1851 classic "Moby-Dick; or, The Whale" at the Harris Theater for Music and Dance (205 E. Randolph Street) Thursday, April 25 and Sunday, April 28. The production is co-produced by Utah Opera, Pittsburgh Opera, San Jose Opera and Gran Teatre del Liceu.

Chicago Opera Theater Announces 2019/2020 Season

Chicago Opera Theater's Orli and Bill Staley Music Director Lidiya Yankovskaya and Stefan Edlis and Gael Neeson General Director Ashley Magnus today announced the plans for the company's 47th season, to include productions of two exciting contemporary operas, a Chicago premiere by Rachmaninov, and the company's second world premiere commission. Yankovskaya will conduct each of these Chicago Opera Theater (COT) productions.

Trinity Church Wall Street's Time's Arrow Festival to Focus on Female Artists

Trinity Church Wall Street's Time's Arrow festival (March 5-9), known for its signature combination of early and new music, focuses this spring on amplifying the voices of female artists and exploring sensitive contemporary themes. The centerpiece of the festival is a juxtaposition of two musical portraits of the biblical figure Susanna: Handel's oratorio Susanna, and Artemisia, an opera by Laura Elise Schwendinger, with a libretto by Ginger Strand. Complementing these large-scale pieces is a concert centered on works by Barbara Strozzi, the most prolific composer of secular vocal music in Venice in the mid-17th century and a renowned poet who likely wrote many of her own texts. Performed by Trinity Choir soprano Molly Netter, the concert also features world premieres by Jessica Meyer, Doug Balliett, Alyssa Weinberg, and others (March 8). A Pipes at One concert on that same day, featuring Trinity Associate Organist Janet Yieh, will also reflect the Time's Arrow theme, with compositions by Rachel Laurin, Florence Price, Lili Boulanger, Clara Schumann, and others. All performances take place in the intimate surroundings of St. Paul's Chapel, a Georgian-era gem just a few blocks north of Trinity, and the oldest public building in continuous use in Manhattan.

Chicago Opera Theater's Board Of Directors Announces Ashley Magnus New General Director

Chicago Opera Theater's (COT) Board of Directors today announces the promotion of Ashley Magnus to the role of Stefan Edlis and Gael Neeson General Director. Previously the company's General Manager of Strategy and Development, Magnus will join Orli and Bill Staley Music Director Lidiya Yankovskaya at the helm, making COT one of few multimillion-dollar opera companies led by women at both the board and executive level. Magnus assumes her new role immediately.  

WNO's American Opera Initiative Festival To Host Premiere of TAKING UP SERPENTS and More

Washington National Opera (WNO) presents the seventh season of its acclaimed American Opera Initiative (AOI) with four world premieres from January 11-13, 2019, in the Kennedy Center Terrace Theater. A comprehensive commissioning program that originates and develops new works, the American Opera Initiative provides rare opportunities for emerging composers and librettists to partner and write for the opera stage. The Initiative encourages and ensures the future of contemporary American opera through development, mentorship, and performance, with works based on American themes and stories. Since its inception, the annual program has commissioned 28 chamber operas, with some going on to future productions around the country; notables include this summer's successful production by Opera Theatre of Saint Louis of An American Soldier, an AOI commission in 2014, and Opera Omaha's and Miller Theater's recent productions of AOI's 2018 commission, Proving Up.

Chicago Opera Theater Presents Tchaikovsky's IOLANTA In Season-Opening Performances

Chicago Opera Theater (COT) will kick off the 2018/2019 season with "Iolanta," a Chicago premiere of legendary composer P.I. Tchaikovsky's final opera. Internationally renowned and award-winning conductor Lidiya Yankovskaya will make her conducting debut as Chicago Opera Theater's Staley Music Director and set the tone for the season to come. Acclaimed stage director Paul Curran, known for his work at Santa Fe Opera, Lyric Opera Chicago and more, will shape the retelling of this joyous love-story, featuring an almost entirely Chicago-based cast including soprano Katherine Weber as Iolanta, and renowned Russian bass Mikhail Svetlov as Rene. The opening night and press performance takes place on Saturday, November 10 at 7:30 p.m. at the historic Studebaker Theater (410 S. Michigan Ave.) Additional performances will take place Thursday, November 15 at 7:30 p.m. and Sunday, November 18 at 3 p.m.

Washington National Opera Announces The 2019 American Opera Initiative Festival

Washington National Opera (WNO) presents the seventh season of its acclaimed American Opera Initiative (AOI) with four world premieres from January 11-13, 2019, in the Kennedy Center Terrace Theater. A comprehensive commissioning program that originates and develops new works, the American Opera Initiative provides rare opportunities for emerging composers and librettists to partner and write for the opera stage. The Initiative encourages and ensures the future of contemporary American opera through development, mentorship, and performance, with works based on American themes and stories. Since its inception, the annual program has commissioned 28 chamber operas, with some going on to future productions around the country; notables include this summer's successful production by Opera Theatre of Saint Louis of An American Soldier, an AOI commission in 2014, and Opera Omaha's and Miller Theater's new productions of AOI's 2018 commission, Proving Up.

Turn The Spotlight Launches To Mentor Exceptional Women And People Of Color

Today, twenty-one arts leaders and activists announce the launch of Turn The Spotlight, a foundation created to pair top-tier mentors with exceptional women, people of color, and other equity-seeking groups in the arts. Beth Stewart, a New York City-based arts entrepreneur and classical music publicist, will lead the foundation, which is supported by an Advisory Board of arts world luminaries, including soprano Julia Bullock, journalists Anne Midgette and Celeste Headlee, conductors Lidiya Yankovskaya and Nicole Paiement, stage director Francesca Zambello, classical music publicist Mary Lou Falcone, arts advocates Monica Yunus and Camille Zamora, and women's rights advocate Amanda Mejia.

OPERA America Awards Opera Grants For Female Composers: Commissioning Grants

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the latest recipients of Commissioning Grants from the Opera Grants for Female Composers program, made possible through the generosity of the Virginia B. Toulmin Foundation.

The Solti Foundation U.S. Announces Career Assistance Awards To 8 American Conductors

Penny Van Horn, Board Chair of The Solti Foundation U.S. and Elizabeth Buccheri, Artistic and Awards Committee Chair, today announced the names of the eight recipients of the 2018 Solti Foundation Career Assistance Awards. The young conductors hold positions throughout the United States, with posts in Arkansas, California, Florida, Georgia, Idaho, Illinois, New Jersey, and New York.

BWW Speaking Out: Creating a New American Operatic Canon

Why do we need a program to train opera composers and librettists? Mozart and Da Ponte--together, creators of LE NOZZE DI FIGARO, DON GIOVANNI and COSI FAN TUTTE--didn't go through training programs!

National Sawdust Celebrates Women & Gender Non-Binary Artists with Hildegard Month

National Sawdust, the artist-led nonprofit incubator and venue, announces June 2018 as Hildegard Month at the Williamsburg space that serves as a dynamic home for artists and new music of all kinds. Named for the influential medieval composer Hildegard von Bingen and celebrating the contribution of women and gender non-binary artists to music of all genres, including contemporary classical music, the Hildegard Month festivities center around the June 12 concert featuring premieres from Hildegard Competition winners Emma O'Halloran, X. Lee, and Kayla Cashetta performed by The Refugee Orchestra under the baton of Lidiya Yankovskaya.

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