August Strindberg Repertory Theatre will present Strindberg's THE STORM, adapted and directed by Robert Greer, October 4 to 30 as part of an exploration of the author's final works. The piece deals with the marriage foibles of an elderly government minister. Strindberg named it Opus 1 of his 'Chamber Plays' and wrote it for his Intimate Theater in Stockholm, where it was produced in 1907-8. It will be performed in rotating repertory during the month of October with BURNT HOUSE, Opus 2 of the Chamber Plays, which is also adapted by Robert Greer but directed by Whitney Gail Aronson. Both productions are at Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company.
The human condition of gays in contemporary Russia mirrors life in a phantasmagoric insane asylum. That's the view of a new play, 'That Queer Blind Silence' (www.thatqueerblindsilence.com) by emigre playwright Sophia Romma. Her political farce, written in English but in the style of Russian Expressionism, depicts the ordeals of a fictional figure skater whose character was inspired partly by the life and career of bronze medalist Johnny Weir. Underground International Voices of Theatre, in association with The O'Neill Film and Theatrical Foundation, will present the play's world premiere run tonight, August 5 to 23 at 13th Street Repertory Company, 50 West 13th Street, NYC, directed by John Beshaw-Farrell.
The human condition of gays in contemporary Russia mirrors life in a phantasmagoric insane asylum. That's the view of a new play, 'That Queer Blind Silence' (www.thatqueerblindsilence.com) by emigre playwright Sophia Romma. Her political farce, written in English but in the style of Russian Expressionism, depicts the ordeals of a fictional figure skater whose character was inspired partly by the life and career of bronze medalist Johnny Weir. Underground International Voices of Theatre, in association with The O'Neill Film and Theatrical Foundation, will present the play's world premiere run August 5 to 23 at 13th Street Repertory Company, 50 West 13th Street, NYC, directed by John Beshaw-Farrell. Ten percent of ticket sales will be donated to Underground International Voices of Theatre to support that organization's efforts for equal rights of the LGBTQ community in the Russian Federation.
Ed Graczyk's 1976 drama 'Come back to the Five and Dime, Jimmy Dean' has a simple premise: It's September 30, 1975, and a small town dime store in West Texas is hosting the reunion of a James Dean Fan Club to mark the 20-year anniversary of Giant, which was filmed nearby. The underlying premise is you can't go home again.
Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre tonight, March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.
Strindberg's 'Kristina' (1903) is the unacknowledged basis for the Garbo film 'Queen Christina.' In this skillful study of a neurotic and complex woman, Strindberg reveals the power of his dramatic conceptions and the mastery he had acquired of his craft. The play was the last of a series of Strindberg's later historical dramas that are among the most powerful plays of the kind produced in modern times. August Strindberg Repertory Theatre will present the masterpiece at the Gene Frankel Theatre March 13 to 29 translated from the Swedish by Wendy Weckwerth, directed by Whitney Aronson.
ENFAGROW TODDLER BOWL follows a field of talented tots ages 1to3 as they go diaper to diaper in a series of physical challenges and brain-boosting games that represent crucial learning and growth developmental stages for toddlers.
It's your last week to vote for the 2014 BroadwayWorld Memphis Regional Awards! Check out the latest live stats as of December 26th. Voting closes at the end of the year, in under one week!
Time is ticking on your last chance to vote for the 2014 BroadwayWorld Memphis Regional Awards! Check out the latest live stats as of December 19th. Voting closes at the end of the year!
From today, October 21 to November 8, August Strindberg Repertory will transport Strindberg's 'Miss Julie' to an antebellum Louisiana plantation in a new interpretation conceived by Artistic Director Robert Greer and adapted by Edgar Chisholm from a translation by Greer. The production will include a ballet sequence, which Strindberg specified in the original manuscript and which has never been performed before. The piece will be directed by Robert Greer and choreographed by Ja' Malik.
From October 21 to November 8, August Strindberg Repertory will transport Strindberg's 'Miss Julie' to an antebellum Louisiana plantation in a new interpretation conceived by Artistic Director Robert Greer and adapted by Edgar Chisholm from a translation by Greer. The production will include a ballet sequence, which Strindberg specified in the original manuscript and which has never been performed before. The piece will be directed by Robert Greer and choreographed by Ja' Malik.
There's a moment in the first act of Nicky Silver's THE LYONS when dying patriarch 'Ben' is asked whether he is in pain; his response, a monosyllabic 'Yes,' hardly ranks with any of the brilliantly barbed lines scattered throughout the play, but as intoned by veteran actor Ron Gephart, it acquires a startling variety of shades. As uttered by this gifted performer, a number of insights can be gained into the unfortunate Ben's character: Frustration, resignation, intolerance. If Mr. Gephart can manage that by simply saying 'Yes,' imagine what he is able to do with the dialogues and monologs that follow.
In this dark comedy, Rita Lyons is the matriarch of a family facing major crossroads. Her husband Ben is dying, her adult children are wrestling with their own secrets, and what's worse - she can't decide how to redecorate her living room! As they gather in Ben's hospital room to say goodbye, these four very isolated people, who are as afraid of closeness as they are of solitude, attempt human connection with hysterical results. 'A terrific gem. You can't stop laughing.' - The Associated Press
In this dark comedy, Rita Lyons is the matriarch of a family facing major crossroads. Her husband Ben is dying, her adult children are wrestling with their own secrets, and what's worse - she can't decide how to redecorate her living room! As they gather in Ben's hospital room to say goodbye, these four very isolated people, who are as afraid of closeness as they are of solitude, attempt human connection with hysterical results. 'A terrific gem. You can't stop laughing.' - The Associated Press
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast today, April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village).
On Monday, March 24, 2014, The Negro Ensemble Company, Inc. (Charles Weldon, Artistic Director; Karen Brown, Executive Director) and Signature Theatre (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) will unite in a day-long celebration of the life and works of Tony Award-nominated playwright Leslie Lee. Lee passed away in New York City on January 20, 2014.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.
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