Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults' production of The Crucible by Arthur Miller, directed by Jonathan Berry.
Kicking off the 2017-2018 Steppenwolf for Young Adults (SYA) season is Arthur Miller's The Crucible, directed by Jonathan Berry. Steppenwolf Education presents this American classic as part of the SYA season which asks, "When does a lie become the truth?"
Victory Gardens Theater announces the lineup for the 2017 IGNITION Festival of New Plays, including Tuvalu, or The Saddest Song by Antoinette Nwandu; This Land Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspension by Kristiana Rae Colon.
Victory Gardens Theater announces the lineup for the 2017 IGNITION Festival of New Plays, including Tuvalu, or The Saddest Song by Antoinette Nwandu; This Land Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspension by Kristiana Rae Colon.
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces casting for the full 2017-2018 season, which includes The Legend of Georgia McBride by Matthew Lopez, The Book of Will by Lauren Gunderson, Skeleton Crew by Dominique Morisseau, The Beauty Queen of Leenane by Martin McDonagh and Cry It Out by Molly Smith Metzler.
Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults' production of The Crucible by Arthur Miller, directed by Jonathan Berry.
A Red Orchid Theatre hosts a benefit reading of Angels in America, Part One: Millennium Approaches by Tony Kushner. Conceived as a response from Chicago theatre artists to the current political climate, the event's proceeds will benefit A Red Orchid Theatre and the Chicago chapter of the American Civil Liberties Union (ACLU).
The New Colony continues its 2017 Season with the world premiere of Connor McNamara's political thriller SCAPEGOAT; OR (WHY THE DEVIL ALWAYS LOVED US), directed by Kristina Valada-Viars, playing April 13 - May 7, 2017 at The New Colony's resident home, The Den Theatre's Upstairs Main Stage, 1333 N. Milwaukee Ave. in Chicago's Wicker Park neighborhood. Tickets are currently available at www.thenewcolony.org.
Route 66 Theatre Company will launch its ninth season with the world premiere of Gabriel McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing tonight, March 2, through April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago. The press opening is Tuesday, March 7 at 7:30 pm. THE SOURCE features Kristina Valada-Viars and Cody Proctor, and BroadwayWorld has a first look at the duo onstage below!
Route 66 Theatre company is pleased to launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets for THE SOURCE are currently available at route66theatre.brownpapertickets.com. The press opening is Tuesday, March 7 at 7:30 pm.
Route 66 Theatre Company will launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago.
The New Colony has announced casting for its world premiere of Connor McNamara's political thriller SCAPEGOAT; OR (WHY THE DEVIL ALWAYS LOVED US), directed by Kristina Valada-Viars.
Route 66 Theatre company is pleased to launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets for THE SOURCE are currently available at route66theatre.brownpapertickets.com. The press opening is Tuesday, March 7 at 7:30 pm.
The New Colony is pleased to announce its full 2017 Season, featuring four world premiere productions by four Chicago playwrights. The season kicks off this winter with ensemble member Sean Kelly's fantasy adventure PSYCHONAUT LIBRARIANS, directed by Krissy Vanderwarker.
Route 66 Theatre Company will launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago.
With new stage magic and Chicago favorites, Goodman Theatre's A Christmas Carol takes the stage in its 39th year. Returning for his fourth year, Henry Wishcamper directs Charles Dickens' tale of hope and redemption.
With new stage magic and Chicago favorites, Goodman Theatre's A Christmas Carol takes the stage in its 39th year. Returning for his fourth year, Henry Wishcamper directs Charles Dickens' tale of hope and redemption.
In Caitlin Parrish's new play THE BURIALS, Steppenwolf for Young Adults has found an informative and moving new play that tackles the realities of gun violence in schools with intensity and heart under the direction of Erica Weiss. Loosely based on the Greek tragedy ANTIGONE, THE BURIALS smartly addresses this topical issue from a personal and human perspective, which will allow school-aged audiences to engage with the material without ever feeling spoon-fed. THE BURIALS follows successful high school senior and social media lover Sophie Martin (the superlative Olivia Cygan), who has her world turned upside down when her younger brother Ben (a haunting Matt Farrabee) opens fire inside her school and kills 16 students and one teacher...using her father's guns. In the wake of this incident, Sophie, her younger sister Chloe (Becca Savoy) and their father, Ryan Martin (Coburn Goss)-an extremely conservative junior senator running for office-must process the experience under intense scrutiny from the public eye. In the case of Sophie and Chloe, they must also face their high school peers, who have been traumatized and some of whom look to the surviving Martin siblings to blame. When Mr. Martin decides to take a public stance advocating for the mandatory presence of guns in schools as a method of preventing future shootings, Sophie must decide if she will stand by her father-or if she will take a different stance.
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