Michael Shannon & More Set for A Red Orchid Theatre's 2015-16 Season
A Red Orchid Theatre announces additional Ensemble casting for its 2015-2016 season.
A Red Orchid Theatre announces additional Ensemble casting for its 2015-2016 season.
?A Red Orchid Theatre announces its 2015-2016 Season, including the World Premieres of Pilgrims Progress by Ensemble Member Bret Neveu (The Opponent), and Sender by Ike Holter, both directed by Ensemble Member Shade Murray (Mud Blue Sky, Accidentally like a Martyr) and The Mutilated by Tennessee Wil
Due to overwhelming demand, A Red Orchid Theatre announces the extension of Accidentally, Like a Martyr, written by Grant James Varjas and directed by Ensemble Member Shade Murray and featuring Ensemble Members Steve Haggard, and Doug Vickers with David Cerda, Layne Manzer, Luce Metrius, Troy West a
A Red Orchid Theatre continues its 22nd Season with the Chicago premiere of Red Handed Otter, written by Ethan Lipton, directed by Ensemble Member Dado, and featuring Ensemble Members Guy Van Swearingen and Mierka Girten with Bob Kruse, Luce Metrius and Ashley Neal.
A Red Orchid Theatre opens its 22nd Season with the US premiere of Strandline, written by Abbie Spallen and directed by JR Sullivan (The Faith Healer).
A Red Orchid Theatre opens its 22nd Season with the US premiere of Strandline, written by Abbie Spallen and directed by JR Sullivan (The Faith Healer).
The 46th Annual Jeff Awards ceremony honoring excellence in professional theatre produced within the immediate Chicago area is tonight, October 13 at Drury Lane Oakbrook, 100 Drury Lane, Oakbrook Terrace.
A Red Orchid Theatre's Incubator (an off & late night series dedicated to getting to know new and/or up-and-coming theatre artists in Chicago) presents A Night Out by Harold Pinter, directed by Dado.
A Red Orchid Theatre opens its 22nd Season with the US premiere of Strandline, written by Abbie Spallen and directed by JR Sullivan (The Faith Healer).
Chicago actress, TV and film star Jane Lynch did the honor today of announcing the nominees for the 2013-2014 Equity Jeff Awards.
Steppenwolf Theatre Company's world-premiere production of The Qualms by ensemble member Bruce Norris is currently in previews, and BroadwayWorld has a first look at the cast in action below! Tony Award-winner Pam MacKinnon (Steppenwolf's Who's Afraid of Virginia Woolf?) directs a cast of nine featu
Steppenwolf Theatre Company's world-premiere production of The Qualms by ensemble member Bruce Norris is a provocative comedy marks Steppenwolf's eighth production and seventh world premiere by the Pulitzer Prize- and Tony Award-winning author of Clybourne Park.
A Red Orchid Theatre (Kirsten Fitzgerald, Artistic Director; Rebecca Easton, Managing Director), Chicago's critically acclaimed resident theater company, in association with Bisno Productions (Debbie Bisno, Roberta Pereira), have announced the launch of a new collaborative partnership, A Red Orchi
Rehearsals are underway for Steppenwolf Theatre Company's world-premiere production of The Qualms by ensemble member Bruce Norris.
A Red Orchid Theatre announces that its smash-hit, world premiere production of Ensemble Member Brett Neveu's The Opponent, directed by fellow Ensemble Member Karen Kessler, is transferring to NY's 59E59 Theatre this summer, July 31-September 7, 2014.
Casting is complete for Steppenwolf Theatre Company's world-premiere production of The Qualms by ensemble member Bruce Norris.
A Red Orchid Theatre announces its 2014-2015 Season to include the US premiere of Abbie Spallen's Strandline directed by JR Sullivan (Faith Healer); the Chicago premiere of Accidentally Like a Martyr by Grant James Varjas, directed by Ensemble Member Shade Murray (Mud Blue Sky, The Aliens, Abigail's
A Red Orchid Theatre announces a five week extension of its hit Chicago Premiere production of Marisa Wegrzyn's Mud Blue Sky directed by Ensemble Member Shade Murray.
A Red Orchid Theatre presents the Chicago Premiere of Mud Blue Sky written by Marisa Wegrzyn and directed by Ensemble Member Shade Murray.
'Solstice,' especially when interpreted with as much depth and heart as A Red Orchid's current production, is excellent fodder for play-analysts' theses and leaves its audience with just as much material for post-play discussion.