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Tipping Point Theatre Presents HATE MAIL

Preston simply wanted to gift his girlfriend a snow globe of New York City after his visit. Too bad fate has other plans for him. One broken souvenir and a strongly worded letter requesting a refund later, he now finds himself in an ongoing battle via letters with one D. Markle from The Big Apple Shop. Could either one of them just let it go? Probably. Are they too stubborn to? Most definitely. Experience the drama and comedy these two polar opposites bring into each other's lives in Hate Mail by Bill Corbett and Kira Obolensky.

Trademark Presents Audioplay Of 2018 Hit UNDERSTOOD; Plans For Digital Workshops In 20/21 Season

Trademark Theater is announcing their re-imagined 2020-2021 season today. The season includes an audio play version of the company's 2018 interpersonal/socio-political drama Understood written by local playwright Tyler Mills, as well as two workshops of commissioned new works by David Darrow, Kira Obolensky and Harrision David Rivers, each presented digitally.

3-Course Play BREAKFAST LUNCH DINNER' Gets Live Streamed Reading By Echo Theater Company

The Echo Theater Company, named LA Weekly's a?oeBest Bet for Ballsy Original Plays,a?? presents an online reading of a three-course play with recipes by Kira Obolensky. Ingredients: a middle-class Midwestern family, a modest urban kitchen, a larger-than-life mother who visits, a striving woman, a somewhat supportive man, and a daughter named Hurricane. Mix with the world outside, the never-ending attempt to nourish and be nourished, and a 21-year time span filled with changes, both epic and ever so small.

Playwrights' Center Announces 2020-2023 Core Writers Gives Significant Resources To Further Playwrights' Careers

The Playwrights' Center is continuing its commitment to developing playwrights and new work through their Core Writers program. Seven of the country's most thrilling playwrights are joining the program. The 2020-2023 Core Writers are Sharon Bridgforth, Mashuq Mushtaq Deen, Andrew Rosendorf, Riti Sachdeva, Charly Evon Simpson, Crystal Skillman, and Jonathan Spector.

McKnight Foundation and Playwrights' Center Announce The 2020-2021 National Residency & Commission and Fellowships

The McKnight Foundation and Playwrights' Center are continuing to invest in the future of theater by supporting some of today's most promising playwrights through the McKnight National Residency and Commission and McKnight Fellowships in Playwriting. The awards are all the more pertinent as many theater-makers face unprecedented challenges during this moment of crisis.

Queens Theatre To Present Comedy RELIC This May

The Queens Theatre may cause a stir when it premieres Relic, or, I Was Bubbie's Favorite by Joel Feinman (as told to Lojo Simon), an outrageous new comedy by playwright Lojo Simon and directed by Will Pomerantz, that explores the cult of celebrity, religion and idolatry in modern times. The play, set in the Queens neighborhood of Rego Park, revolves around an out-of-work actor who finds what purports to be the world's greatest relic in his grandmother's attic, offering him the fame and fortune he always sought. He discovers, however, that it may not be all he wants! Performances will be held Friday, May 10th through Sunday, May 19th (Fridays, Saturdays, Sundays).

Bay Street Theater Announces Title Wave @ Bay Street

Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce Title Wave at Bay Street: The 6th Annual New Works Festival, May 3 - 5. All readings are free, but tickets are required, as these events typically sell out. Tickets are available now at baystreet.org or by calling the Bay Street Theater Box Office at 631-725-9500, open Tuesday through Saturday 11 am to 5 pm, or until show time.

BWW Review: World Premiere of Fast, Funny, Smart STEWARDESS! at History Theatre

Briskly written and dynamically staged, this world premiere tells a complicated, true, little known story with wit and economy. From the early days of commercial airlines, stewardesses were hired based on looks, required to pass weekly weight checks, forbidden to wear glasses or marry, and fired automatically when they reached age 32. They were also not allowed to apply for the higher paying bursar jobs. Though it took decades, literally, a stewardess named Mary Pat Laffey got all that to change, persisting with a lawsuit under Equal Employment statutes that derive directly from the Civil Rights Act of 1964.

Playwrights' Center Welcomes New Core Writers

The Core Writer program at the Playwrights' Center gives 25-30 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. The Center is announcing new Core Writers Darren Canady, Erin Courtney, Marisela Treviño Orta, Stacey Rose, Ariel Stess and Ray Yamanouchi. In addition, the Playwrights' Center is pleased to welcome three new student playwrights to its Core Apprentice program for 2018-19: Lily Padilla, Drew Paryzer and Lauren Wimmer.

New Harrison David Rivers Play Closes Playwrights' Center Season

The 2017-18 Ruth Easton New Play Series at the Playwrights' Center closes April 9 and 10 with Core Writer Harrison David Rivers' new play 'the bandaged place.' The readings begin at 7 p.m. at the Playwrights' Center, located at 2301 E. Franklin Avenue in Minneapolis. They are free, but reservations are recommended and can be made at pwcenter.org.

THREE QUARTER INCHES OF SKY Coming Up At The Playwrights' Center

January's Ruth Easton New Play Series readings at the Playwrights' Center were standing room only, so theater fans will want to reserve their tickets early for February's offering: 'Three Quarter Inches of Sky' by Core Writer Sherry Kramer. The readings are February 5 and 6 at 7 p.m. at the Playwrights' Center, 2301 E. Franklin Avenue in Minneapolis. The readings are free, but reservations are recommended and can be made at pwcenter.org.

Anna May Wong Bioplay By Core Writer John Olive Next Up At The Playwrights' Center

Actress Anna May Wong (1905-1961) was incredibly prolific, appearing in silent movies, 'talkies,' television, plays and vaudeville. She was also stifled by a close-minded industry which largely limited the Chinese American actress to stereotyped roles, and the Hays code which kept her out of romantic leads.

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