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Premieres of Two Operas and Broadcast of Peter Rosen Documentary, 10/19-21

Premieres of Two Operas and Broadcast of Peter Rosen Documentary, 10/19-21

by A.A. Cristi — September 6, 2017

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye P

HGOco Commissions New 'Song of Houston' Operas

HGOco Commissions New 'Song of Houston' Operas

by Julie Musbach — August 7, 2017

HGOco, Houston Grand Opera's community collaboration and education arm, has launched the next phase of itsSong of Houston initiative with commissions from two rising composer/librettist teams.

CCO Opens 35th Season with Premieres of Two Getty Operas

CCO Opens 35th Season with Premieres of Two Getty Operas

by A.A. Cristi — August 3, 2017

The New York premieres and world premiere production of Gordon Getty's "Scare Pair," a double-bill by the San Francisco-based composer, pairs his two one act-operas -- Usher House and The Canterville Ghost -- together for the first time on October 19 and 21 (7:30pm) at The Sylvia and Danny Kaye P

Houston Grand Opera Closes Strong 2016-17 Season

Houston Grand Opera Closes Strong 2016-17 Season

by BWW News Desk — June 2, 2017

Houston Grand Opera announced at its annual meeting today that its 2016-17 season closed on a strong financial footing despite recent pressures on the Houston economy.

Trans Day of Visibility Comes to Harvey Milk Park 3/31

Trans Day of Visibility Comes to Harvey Milk Park 3/31

by A.A. Cristi — March 29, 2017

The City of Long Beach, in collaboration with Work Evolution, will be hosting Trans Day of Visibility (TDOV) at Harvey Milk Park and Equality Plaza (Harvey Milk Park) on Friday, March 31, 2017 from 6:00 to 7:30 pm.

Opera AMERICA Announces THE OPERA FUND: AUDIENCE DEVELOPMENT GRANTS Recipients

Opera AMERICA Announces THE OPERA FUND: AUDIENCE DEVELOPMENT GRANTS Recipients

by Christina Mancuso — March 2, 2017

OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce it has awarded grants to 10 opera companies through The Opera Fund: Audience Development grant program, which promotes deep learning experiences about new or infr

Pittsburgh Opera to Tell Transgender Story with AS ONE Chamber Opera

Pittsburgh Opera to Tell Transgender Story with AS ONE Chamber Opera

by BWW News Desk — February 18, 2017

Pittsburgh Opera continues its 78th season with the Pennsylvania premiere of As One, a chamber opera for two voices and string quartet, by composer Laura Kaminsky and co-librettists Mark Campbell and Kimberly Reed, at Pittsburgh Opera Headquarters February 18th - 26th, 2017.

Photo Flash: First Look at Pittsburgh Opera's Transgender Story, AS ONE

Photo Flash: First Look at Pittsburgh Opera's Transgender Story, AS ONE

by Christina Mancuso — February 17, 2017

Pittsburgh Opera continues its 78th season with the Pennsylvania premiere of As One, a chamber opera for two voices and string quartet, by composer Laura Kaminsky and co-librettists Mark Campbell and Kimberly Reed, at Pittsburgh Opera Headquarters February 18th - 26th, 2017.

Pittsburgh Opera to Tell Transgender Story with AS ONE Chamber Opera

Pittsburgh Opera to Tell Transgender Story with AS ONE Chamber Opera

by BWW News Desk — January 3, 2017

Pittsburgh Opera continues its 78th season with the Pennsylvania premiere of As One, a chamber opera for two voices and string quartet, by composer Laura Kaminsky and co-librettists Mark Campbell and Kimberly Reed, at Pittsburgh Opera Headquarters February 18th - 26th, 2017.

Opera Colorado's STEAL A PENCIL FOR ME Features Holocaust Love Story

Opera Colorado's STEAL A PENCIL FOR ME Features Holocaust Love Story

by Christina Mancuso — November 16, 2016

Opera Colorado has announced their 2017 - 2018 season, which continues to enrich and diversify the scope of its programming with their second world premiere in two years, while also staging enduring works from the classic repertoire.


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