FADE IN: The open ocean, 1974. Filming is delayed...again. The lead actors- theatre and film vet Robert Shaw and up-and-coming Hollywood hotshots Richard Dreyfuss and Roy Scheider- are crammed into a too-small boat, entirely at the mercy of foul weather and a faulty mechanical star. Alcohol flows, egos collide, and tempers flare on a chaotic voyage that just might lead to cinematic magic... if it doesn’t sink them all...
Words...pulled directly from Director David Jenkins most recent Facebook post, promoting Jobsite Theater’s most recently launched production of Ian Shaw’s The Shark is Broken.
Let me start with a question, if you shall indulge me for a moment. What happens when one of the greatest storytelling musicians of modern times, and the master of horror/suspense and the downright weird, decides to form a partnership?
What happens when you take a story, stretch the lore, change the pace, add in some elements of mystery, love, deception, intrigue, and perhaps murder?
What then happens when you set the story to a gritty, no-holds-barred, blues/folk score that shakes you to the very being of your core?
It's great when everything comes together--the acting, the singing, the staging, the set and the tech. What a show! It’s safe to say that Into the Woods is Stephen Sondheim’s most produced and most popular work. Schools, community theaters, and probably even psychiatric hospitals have taken a stab at it. It offers something for everyone: For the kiddos, it’s a cool retelling of the classic stories and fairy tales that have been around for ages
The Butterfly’s Evil Spell was the first play written by twentieth-century playwright and poet Federico Garcia Lorca. Drawing much of its inspiration from the works of Yeats and Maeterlinck, the plot of Lorca’s play deals with the journey of an injured butterfly who is temporarily stranded amongst other insects, but does indeed fly away despite the love of a cockroach.
This evening, or rather last evening, during their “Final Preview,” I was once again regaled to my seat with baited breath as I waited for the lights to fall on McDonagh’s masterpiece and, forthrightly, my favorite play, The Pillowman.
Jobsite Theater will present Shakespeare's MACBETH on stage, January 17 - February 9 in the Jaeb Theater at the Straz Center, where Jobsite is resident theater company.
Jobsite Theater once again dives headfirst into a world only they know how to portray. A world reveling in the strange, the unorthodox, and yet proving to be a masterclass of all things twisted and warped. This production which harkens back to their production of Shockheaded Peter, a few seasons back, once again dives into a little unfamiliar territory than we normally witness in the area, but an area so well known to Jobsite and its followers. Perfectly demented and, perfectly placed this deranged grouping of child-like tales have a bleak ending for most of the characters involved.
Alice Paul...remember her? In 1920, she was THE WOMAN, THE SUFFRAGIST, who secured the right to vote for women, and wrote the unratified Equal Rights Amendment. Further explanation of her movement can be found in the recent musical Suffs, Shaina Taub’s musical which more recently won Best Book of a Musical at this years Tonys Ceremony.
However, this is not Suffs, nor is this a musical. Instead, this is the blistering, hilarious, farcical take on women in the White House behind every dumb ass that could’ve ever held power. Its borderline lumbering subtitle says it all, “Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive.” Selina Fillinger’s hilarious play proves just that. Women are in power, and behind every great man is a woman trying to save the day. Feminism at its finest, and proving that this is the moment to be alive.
Something we knew we always wanted, but unexpected is how much we would need a show like this. Who’d of thought, Rocky Horror in July? If ever there was a truer testament to the old saying, “If you build it, they will come...,” then that would be none other than Jobsite and their production of Richard O’Brien’s titillating cult behemoth The Rocky Horror Show.
Many times, I look at the cultural landscape and all its vast plethora of fortune we have been given in the Tampa Bay area alone, and one things for certain, I will move mountains, stop at nothing to experience theatre that moves me and thrills me to the core. Taking me out of the present worldview, away from daily trials and tribulations and into the stories of many characters, or in this case, one singular character that will allow me to invest time in their plight.
Twelfth Night is a romantic comedy written by William Shakespeare. Its central story revolves around twins Viola and Sebastian who were separated in a shipwreck. Viola (disguised as Cesario) falls in love with Count Orsino, who also happens to be in love with Olivia.
It's the final week left to vote for the 2023 BroadwayWorld Tampa Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
There's just two weeks left to vote and we have the latest standings as of Monday, December 18th for the 2023 BroadwayWorld Tampa Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Tampa Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
Happy Holidays! The latest wave of standings have been announced as of Monday, November 27th for the 2023 BroadwayWorld Tampa Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
The latest wave of standings have been announced as of Monday, November 20th for the 2023 BroadwayWorld Tampa Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!
Set to the “heartbeat” of an unbelievably brilliant sound design by Jeremy Douglass, Jobsite Theater’s presentation of Nick Dear’s Frankenstein, is a slow-burn, salt-in-the-wound, gripping, tour-de-force that will leave you speechless.
