Gallery Met Shorts presents a film by artist Elizabeth Columba, which will be shown in more than 2,000 movie theaters in 73 countries during the intermission of the Met's final Live in HD performance of this season.
'Glorious,' raved the New York Times when Joyce DiDonato sang the title role of Cendrillon at the Royal Opera in 2011. 'Her performance was thoroughly enchanting.' Now, for the first time ever, Massenet's sumptuous take on the Cinderella story comes to the Met, with DiDonato starring in the title role. She is paired with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly's imaginative storybook production.
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
For the first time in its history, the Met will present Cendrillon, Jules Massenet's 1899 operatic adaptation of the classic Cinderella story, with performances beginning April 12, 2018. Joyce DiDonato stars in the title role, conducted by Bertrand de Billy in a staging by Laurent Pelly.
Good Theater closes its 16th season with Ken Ludwig's A Comedy of Tenors in its Portland premiere. This madcap comedy is the sequel to Ludwig's award-winning Lend Me a Tenor.
The Warner Theatre's Met Opera Live in HD Season closes in the Nancy Marine Studio Theatre on Saturday, April 28 at 12:55 pm with Massenet's CENDRILLON. A complimentary 45 minute pre-opera lecture by Nunzio DeFilippis will be offered in the Studio Lobby at 10:55 am.
SHEAR MADNESS has been voted "BEST COMEDY OF THE YEAR" eight times in Boston and "BEST PLAY OF THE YEAR" in both Chicago and Philadelphia. It's even listed in the GUINNESS BOOK OF WORLD RECORDS as the longest-running play in the history of the USA. The Hilarious Whodunit Hit!!!!!
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Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
Renee Fleming sings her final performances of one of her signature roles as the Marschallin in the Met's new production of Strauss's Der Rosenkavalier, opening April 13. Robert Carsen directs the new production-the company's first new staging of the piece since 1969-with Sebastian Weigle conducting all performances. The starry cast includes El?na Garan?a in her company role debut as the Marschallin's young lover, Octavian, opposite Erin Morley as Sophie, the innocent young woman who comes between Marschallin and Octavian; Gunther Groissbock as Baron Ochs, the Marschallin's oafish cousin; Marcus Bruck in his Met debut as Sophie's father Faninal; and Matthew Polenzani as the Italian Singer. Kathleen Kim sings Sophie in the April 28 and May 1 performances.
The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.
Good Theater the professional company in residence at the St. Lawrence Arts Center, 76 Congress Street, Portland, will open its next main stage production, THE MAY QUEEN on January 25. In addition the company will present three performances per week of A.R. Gurney's LOVE LETTERS. From January 25-February 26, the company will offer 33 days of continuous theater giving nine performances per week.
A two character play in which the actors sit behind a desk and read from letters for eighty minutes poses a series of challenges to any director. What is it then that makes Brian P. Allen's new production of A.R. Gurney's 1989 drama, Love Letters, so completely mesmerizing? Not only is Gurney's writing poetic and poignant, but the production, which opened at Portland's Good Theater this past week starring Kathleen Kimball and Brian Allen (his role later assumed by Tony Reilly and then Steve Underwood), is so perfectly calibrated, so subtly interiorized that it resembles a fine chamber music performance.
Good Theater, the professional theater company in residence at the St. Lawrence Arts Center, will kick off its 15th Anniversary Season with the Portland premiere of the 2013 Tony Award winning Best Play, Vanya and Sonia and Masha and Spike by Christopher Durang and directed by Good Theater's Artistic Director, Brian P. Allen The show will begin on Wednesday October 19 and play for five weeks through Sunday November 20 for a total of 30 performances.
I wonder whether James Levine imagined that Mozart's DIE ENFUHRUNG AUS DEM SERAIL (THE ABDUCTION FROM THE SERAGLIO) would be his swan song as Music Director of the Metropolitan Opera. I think he might have chosen better.
American tenor Brenton Ryan makes his Met debut as Pedrillo in Mozart's Die Entführung aus dem Serail, beginning today, April 22. The opera continues on April 27, 30, May 3, and May 7 matinee.