Katherine Brook News

Coming off of their Obie Award winning production of A Beautiful Day in November on the Banks of the Great Lakes at City Center in January and the critically acclaimed Heartbreak at The Bushwick Starr in May, New Georges announces their final production of 2015, the World Premiere of HOW TO GET INTO BUILDINGS by Trish Harnetiaux (If You Can Get to Buffalo with Incubator Arts Project) at The Brick (579 Metropolitan Avenue, Brooklyn; www.bricktheater.com) as part of The Brick's Resident Artist program, December 3-19.

New Georges (Susan Bernfield, Producing Artistic Director; Sarah Cameron Sunde, Deputy Artistic Director; Jaynie Saunders Tiller, Managing Director) announce the World Premiere of Trish Harnetiaux's How to Get Into Buildings at The Brick in December, along with a New Georges Supported Production, the Big Benefit in Tribeca at the end of October, and new Audrey Resident projects in The Room all year long.

The Martin E. Segal Theatre Center at The Graduate Center, CUNY presents its twelfth annual PRELUDE Festival this week, October 7, 8, 9.

Toilet Fire: Rectums in the Rectory is Eliza Bent's ceremony and celebration of the one thing that unites us all: our need to go. Using the structure of an ancient religious ritual to talk about matters of digestion, philosophy, and faith, Toilet Fire written and performed by Bent, with direction by Kevin Laibson and music accompaniment by Alaina Ferris, explodes with song, story, audience participation, and unexpected textual twists.

The Martin E. Segal Theatre Center at The Graduate Center, CUNY is pleased to announce the full lineup of its twelfth annual PRELUDE Festival on October 7, 8, 9.  Dedicated to artists at the forefront of contemporary New York City theatre and performance, PRELUDE 2015 features an array of artists working in theatrical and interdisciplinary performance. The festival gives audiences and artists a survey of the current New York moment via in-process presentations, installations, and discussions -- all completely free to the public.

Artists accepted into The Brick Resident Artist Program have demonstrated the highest level of excellence and invention in the New York theater scene.  These are the artists you have only just begun to hear of; presented alongside pedigreed artists who have already won your hearts.  They will change your expectation of Off-Off Broadway and they will reinvent the experimental and non-traditional theater world as you know it.

Artists accepted into The Brick Resident Artist Program have demonstrated the highest level of excellence and invention in the New York theater scene.  These are the artists you have only just begun to hear of; presented alongside pedigreed artists who have already won your hearts.  They will change your expectation of Off-Off Broadway and they will reinvent the experimental and non-traditional theater world as you know it.

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, today, May 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

The Public Theater presents the 11th annual UNDER THE RADAR FESTIVAL, running today, January 7-18, 2015.

The Public Theater announced the exciting international line-up today for the 11th annual UNDER THE RADAR FESTIVAL, running January 7-18, 2015. This popular and highly-anticipated program of The Public Theater's winter season will include artists from across the U.S. and around the world, including Argentina, Iran, Switzerland, Spain, Brazil, and the United Kingdom. Curated by Co-Directors Mark Russell and Meiyin Wang, this year's UNDER THE RADAR will also mark the launch of the new Devised Theater Working Group which will present eight works-in-process as part of the festival's INCOMING! Series.

Brooklyn's acclaimed Brave New World Repertory Theatre presents Gertrude Stein's Pink Melon Joy, marking the first time this work, written 100 years ago, will be produced professionally in New York City.

Brooklyn's acclaimed Brave New World Repertory Theatre presents Gertrude Stein's Pink Melon Joy, marking the first time this work, written 100 years ago, will be produced professionally in New York City.

New Georges will present World Premiere productions by Kate Benson (2014 Clubbed Thumb Biennial Commission winner), Krista Knight (Salamander Leviathan at Joe's Pub; Clementine and the Cyber Ducks at Incubator Arts Project), and Caroline V. McGraw (2013 Page 73 Playwriting Fellow) as part of The New Georges Jam On Toast, a brand-new festival featuring work by The New Georges Jam, a 'performance gym' for early-career female playwrights and directors founded in 2010 by Lucy Alibar, Jess Chayes, and Portia Krieger.

The PEN World Voices Festival is an annual, week-long festival of international literature founded by Salman Rushdie and Paul Auster. This year, the Martin E. Segal Theatre Center will host readings of nine seminal plays from five continents by some of the world's most important and exciting dramatists at their PEN World Voices: International Play Festival.

Following a 2013 world premiere at Theater Basel in Switzerland, New York City Players presents the U.S. premiere of Isolde. Returning to a core group of collaborators, Isolde, written and directed by Maxwell, features an ensemble of New York City Players veterans including Jim Fletcher, Brian Mendes, Tory Vazquez and Gary Wilmes. Maxwell's choice to not use any music in Isolde further supports a desire to excavate his own characteristically distilled approach to story telling. Isolde was inspired by the legend of Tristan and Isolde.