Karita Mattila News

Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.

On Thursday, April 22 at 8:00 p.m., acclaimed mezzo-soprano Frederica von Stade, with pianist Martin Katz, sings her New York farewell concert in Stern Auditorium/Perelman Stage. Her varied program includes works by some of the greatest contemporary and 20th century American composers: Ned Rorem, Jake Heggie, Virgil Thomson, Aaron Copland, Lee Hoiby, Leonard Bernstein, Carol Hall, William Bolcom, and Stephen Sondheim.

Patricia Racette will sing the title role in Puccini's Tosca on April 14, 17, 20, and 24 matinee, replacing Karita Mattila, who is ill. These will be Racette's first performances of Tosca at the Met, although she had already been invited to sing the role at the Met in a future season.

Patricia Racette will sing the title role in Puccini's Tosca on April 14, 17, 20, and 24 matinee, replacing Karita Mattila, who is ill. These will be Racette's first performances of Tosca at the Met, although she had already been invited to sing the role at the Met in a future season.

Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.

Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD

Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.

James Levine has withdrawn from the four performances of Tosca and three performances of Lulu he was scheduled to conduct in April and May. He is to undergo corrective surgery for an ongoing lower back problem. Fabio Luisi will replace Levine for both Tosca (April 14, 17, 20, and 24 mat.) and Lulu (May 8, 12, 15 mat.).

Patricia Racette will sing the title role in Puccini's Tosca on April 14, 17, 20, and 24 matinee, replacing Karita Mattila, who is ill. These will be Racette's first performances of Tosca at the Met, although she had already been invited to sing the role at the Met in a future season.

Strauss's comic masterpiece of love and intrigue in 18th-century Vienna stars Renée Fleming as the aristocratic Marschallin and Susan Graham in the trouser role of her young lover Octavian. Edo De Waart conducts a cast that includes Christine Schäfer as Sophie, Eric Cutler as the Italian singer, Thomas Allen as Faninal, and Kristinn Sigmundsson as Baron Ochs.

Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.

The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.

Christoph Eschenbach will conduct the New York Philharmonic in a program of music by German and Austrian composers from three centuries: the U.S. Premiere of Matthias Pintscher's towards Osiris, Berg's Violin Concerto with Pinchas Zukerman as soloist, and Brahms's Piano Quartet No. 1, arranged by Schoenberg, Thursday, March 18, 2010, at 7:30 p.m., Friday, March 19, at 2:00 p.m., and Saturday, March 20, at 8:00 p.m.

The Metropolitan Opera announced today that it has been awarded a $1.1 million endowment grant from the Lauritz Melchior Heldentenor Foundation, which is dissolving and turning over its assets to the Met.

Christoph Eschenbach will conduct the New York Philharmonic in a program of music by German and Austrian composers from three centuries: the U.S. Premiere of Matthias Pintscher's towards Osiris, Berg's Violin Concerto with Pinchas Zukerman as soloist, and Brahms's Piano Quartet No. 1, arranged by Schoenberg, Thursday, March 18, 2010, at 7:30 p.m., Friday, March 19, at 2:00 p.m., and Saturday, March 20, at 8:00 p.m.

Christoph Eschenbach will conduct the New York Philharmonic in a program of music by German and Austrian composers from three centuries: the U.S. Premiere of Matthias Pintscher's towards Osiris, Berg's Violin Concerto with Pinchas Zukerman as soloist, and Brahms's Piano Quartet No. 1, arranged by Schoenberg, Thursday, March 18, 2010, at 7:30 p.m., Friday, March 19, at 2:00 p.m., and Saturday, March 20, at 8:00 p.m.

Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD

Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD

Dmitri Shostakovich's The Nose has its Metropolitan Opera premiere on March 5 at 8:00 pm, conducted by Valery Gergiev, in a visually arresting new production by artist William Kentridge that features original collage, film, sculpture, and massive projections of the artist's drawings and prints. Making his Met debut, baritone Paulo Szot performs the role of Kovalyov in the story of the Russian official who wakes one morning to discover his nose has disappeared (and taken on a higher bureaucratic rank). Based on the short story of the same name by Nikolai Gogol, the opera is what Kentridge has called an exploration of "learning from the absurd." In this production, visuals include renderings of Soviet workers, snatches of newspaper, and projections of propaganda - as well as the missing appendage in adventures ranging from delivering a speech to riding a horse.

The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.