Acclaimed soprano Nina Stemme returns to the Met for the first time in nine years, adding the demanding title role of Ariadne auf Naxos to her company repertoire.
A new production of Bizet's Carmen, directed by Richard Eyre and starring El?na Garan?a in the title role and Roberto Alagna as Don José, premieres at a New Year's Eve gala performance. Garan?a makes her Met role debut as the gypsy femme fatale, reuniting with Alagna following their recent success in these parts at London's Royal Opera, Covent Garden.
A new production of Bizet's Carmen, directed by Richard Eyre and starring El?na Garan?a in the title role and Roberto Alagna as Don José, premieres at a New Year's Eve gala performance. Garan?a makes her Met role debut as the gypsy femme fatale, reuniting with Alagna following their recent success in these parts at London's Royal Opera, Covent Garden.
The 79th consecutive season of the Metropolitan Opera Saturday Matinee Radio Broadcasts launches on December 12, 2009 at 12:30 p.m. EST with a live performance of Puccini's Il Trittico, starring Patricia Racette singing all three leading soprano roles. Mezzo-soprano Stephanie Blythe also appears in the Puccini triple-bill.
The 79th consecutive season of the Metropolitan Opera Saturday Matinee Radio Broadcasts launches on December 12, 2009 at 12:30 p.m. EST with a live performance of Puccini's Il Trittico, starring Patricia Racette singing all three leading soprano roles. Mezzo-soprano Stephanie Blythe also appears in the Puccini triple-bill.
The 79th consecutive season of the Metropolitan Opera Saturday Matinee Radio Broadcasts launches on December 12, 2009 at 12:30 p.m. EST with a live performance of Puccini's Il Trittico, starring Patricia Racette singing all three leading soprano roles.
The Met's new production of Offenbach's Les Contes d'Hoffmann, conducted by Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on December 3.
Patricia Racette is the first soprano since Teresa Stratas 20 years ago to sing all three leading soprano roles in Puccini's Il Trittico at the Met. Comprised of three one-act operas, Il Tabarro, Suor Angelica, and Gianni Schicchi, Il Trittico returns to the Met in the production by Jack O'Brien that was a popular and critical hit at its premiere in 2007.
Karita Mattila will sing the title role in Puccini's Tosca as scheduled tomorrow evening, Saturday, October 17 at 8:00 p.m. She had cancelled Wednesday evening's performance due to illness.
Leo Janacek's final opera, From the House of the Dead, has its Metropolitan Opera premiere on November 12 in a new production by celebrated director Patrice Chereau, making his U.S. opera debut.
Franco Zeffirelli's glittering production of Puccini's Turandot returns on October 28 with Maria Guleghina in the title role and Marcello Giordani as Calàf, both singing these demanding roles for the first time in their Met careers. Marina Poplavskaya and Samuel Ramey make company role debuts as Liù and Timur respectively, and conductor Andris Nelsons makes his Met debut.
Maria Gavrilova will sing the title role in Puccini's Tosca in this evening's performance, replacing Karita Mattila, who is ill. Ms. Mattila is still scheduled to sing Tosca on the evening of October 17.
Tickets for the fourth season of The Met: Live in HD, the Metropolitan Opera's popular, award-winning series of live transmissions in movie theaters around the world, are now on sale to the general public in the U.S. The 2009-10 season, featuring nine live opera transmissions, kicks off on Saturday, October 10 at 1:00 p.m. ET with a new production of Puccini's Tosca starring Karita Mattila.
Robert Lepage's imaginative production of Berlioz's La Damnation de Faust, which premiered last season to sold out houses, returns to the Met on October 23. Three stars sing their roles for the first time at the Met: Olga Borodina as Marguerite, Ramón Vargas as Faust, and Ildar Abdrazakov as Méphistophélès.
Opera is exciting, passionate, spectacular - and expensive.
'We're constantly complaining that young people aren't being exposed to opera,' says THT executive director Douglas Anderson, 'but a primary reason is the high ticket price. We wanted to do something about that.'