GOOD MORNING, THEATERATI! It's May 17, 2017, and summer - or a reasonable facsimile thereof - has arrived in Nashville, with temperatures already climbing toward the 90s! When prompts the musical question: What's on your agenda for the summer of 2017? Anything we should know about and, more importantly, write about?
Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.
Winner of 8 Tony Awards, including Best Musical, SPRING AWAKENING takes its inspiration from one of literature's most controversial masterpieces - a work so daring in its depiction of teenage self- discovery, it was banned from the stage and not performed in its complete form in English for nearly 100 years.
Voting is now underway for the Nashville Awards and continues until December 31, 2012. Winners will be announced in early January. Check out the live standings below.
Voting is now underway for the Nashville Awards and continues until December 31, 2012. Winners will be announced in early January. Check out the live standings below.
Voting is now underway for the Nashville Awards and continues until December 31, 2012. Winners will be announced in early January. Check out the live standings below.
Voting is now underway for the Nashville Awards and continues until December 31, 2012. Winners will be announced in early January. Check out the live standings below!
Voting is now underway for the Nashville Awards and continues until December 31, 2012. Winners will be announced in early January. Check out the live standings below!
Directed by Lauren Shouse, Street Theatre Company's production is unique in its casting: Cori and Tyson Laemmel play Cathy and Jamie for the final two weekends of the run, while Kacie Phillips and Ryan Greenawalt opened, to essentially unanimous and deserved acclaim, in the roles for the first two weekends. But here's an intriguing thought: How different would the show be if Cori Laemmel were paired with Ryan Greenawalt and Kacie Phillips played opposite Tyson Laemmel? It's staggering, isn't it?
Today's spotlight falls upon Cori Laemmel, who opens tonight in the reboot of Jason Robert Brown's The Last Five Years opposite her real-life husband Tyson Laemmel (following the critically acclaimed version that starred Ryan Greenawalt and Kacie Phillips for the first two weeks of the run) at Street Theatre Company.
The Last Five Years runs through May 27. Tickets are only $16 for adults and $14 for students and seniors, with specials including Talk-Back nights, Student nights, and Starving Artist nights. For specific show information, and to purchase tickets, visitwww.streettheatrecompany.org. Performances are at Street Theatre, 1933 Elm Hill Pike, just off the Briley Parkway. For more information, call 615-554-7414.
The Last Five Years, Jason Robert Brown's imaginative reminiscence/dissection of a crumbling, contemporary marriage, debuted at Street Theater Company last night (Friday, May 4), in a compelling production helmed by director Lauren Shouse and musical director Rollie Mains. Starring two relative newcomers to the Nashville stage-Kacie Phillips and Ryan Greenawalt-it's an engaging and intriguing 90-plus minutes of theater that is likely to leave you introspective and, somehow, oddly satisfied.
THE LAST FIVE YEARS is a contemporary musical that chronicles the five year life of a marriage, from meeting to break-up. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, the audience watches Jamie move forward in time as Cathy moves backward throughout the show. THE LAST FIVE YEARS is a look at the relationship between a writer and an actress told from both points of view.
THE LAST FIVE YEARS is a contemporary musical that chronicles the five year life of a marriage, from meeting to break-up. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, the audience watches Jamie move forward in time as Cathy moves backward throughout the show. THE LAST FIVE YEARS is a look at the relationship between a writer and an actress told from both points of view.
Under the sure-handed direction of Morton, who has brought together an impressive cast of adult actors with two different casts of youngsters, the whole of Oliver! is remarkable, a thoroughly delightful evening of theater that allows those older thespians to show off their talents while showcasing the budding talents of her younger charges, who display stage presence and focus throughout the tune-filled musical. In fact, it is Morton's skilled and practiced eye in regards to casting that really sets this Oliver! apart from any of the others we've seen. Frankly, the woman knows what she's doing.
Oliver! - the Lionel Bart musical about London street urchin Oliver Twist and the scores of ruffians and ragamuffins who make up something of a family for the orphaned boy - opens at Franklin's Boiler Room Theatre on Friday night, running through December 23, offering regional audiences the opportunity to fall in love with the 1960 musical once more.
Boiler Room Theatre's newest production arrives just in time for the holidays. Oliver! tells the classic Charles Dickens tale where nothing is as thrilling on the stage as a well-crafted tale, and Oliver! is just such a show. This show engages with its pathos and drama, while delighting everyone with the musical numbers 'Food, Glorious Food,' 'I'd Do Anything,' 'Where is Love?,' 'Consider Yourself,' 'As Long As He Needs Me,' and 'Who Will Buy.' Dickens' characters are brought to life-perhaps larger than life-with all their facets glowing in this production.