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Lincoln Center Theater to Host the American Premiere of THE ROLLING STONE
by Julie Musbach - Mar 4, 2019

Lincoln Center Theater will produce the American premiere of THE ROLLING STONE, a new play by Chris Urch, directed by Saheem Ali, beginning previews Thursday, June 20 at the Mitzi E. Newhouse Theater (150 West 65 Street).

Photo Flash: PlayMakers Presents Bertolt Brecht's LIFE OF GALILEO
by A.A. Cristi - Feb 27, 2019

PlayMakers Repertory Company What: "Life of Galileo" by Bertolt Brecht. Adaptation by Joseph Discher. Directed by Vivienne Benesch. When: February 27 to March 17, 2019. Opening Night & Press Opening Saturday March 2, 2019. Where: Joan H. Gillings Center for Dramatic Art, 120 Country Club Road, Chapel Hill, NC Tickets: Start at $15; Students tickets start at $10

Tickets On Sale To MRS. MURRAY'S MENAGERIE At The Mad Ones And Ensembl
by A.A. Cristi - Feb 26, 2019

Ars Nova, "one of the most adventurous Off-Broadway companies" (New York Times), under the leadership of Founding Artistic Director Jason Eagan and Managing Director Renee Blinkwolt, is proud to announce that tickets are on sale for Mrs. Murray's Menagerie, created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy and January LaVoy. Directed by Lila Neugebauer, Mrs. Murray's Menagerie kicks-off Ars Nova at Greenwich House and marks The Mad Ones' first production since their critically acclaimed play Miles For Mary.

BWW Review: THE AMERICAN CLOCK, Old Vic
by Louis Train - Feb 14, 2019

This new production of Arthur Miller's rarely-produced play, on now at the Old Vic, offers some emotional and aesthetic rewards, but misses more often than it hits.

BWW Review: HOW TO CATCH CREATION at Goodman Theatre
by Emily McClanathan - Feb 3, 2019

In HOW TO CATCH CREATION, a world premiere at Goodman Theatre, playwright Christina Anderson tackles universal themes: the desire for human connection, the pursuit of creative and intellectual passions, and the longing to leave a meaningful legacy. Niegel Smith directs this intricately crafted tale, which spans five decades and follows six Black American artists whose paths intersect in surprising ways.

HOW TO CATCH CREATION Opens Tonight At Goodman Theatre
by A.A. Cristi - Jan 28, 2019

I'm preparing. I'm expecting. I haven't figured out the path to creation yet. Christina Anderson's bold, imaginative portrait of three artist/intellectual couples exploring personal and professional legacy, How to Catch Creation makes its world premiere at Goodman Theatre. A playwright of note for more than a decade, with previous works at The Public Theater, Yale Repertory Theatre and Playwrights Horizons, Anderson makes her Goodman debut. Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman, directs Anderson's play, which appeared as a reading in the Goodman's 2017 New Stages Festival.

Photo Flash: First Look At HOW TO CATCH CREATION At The Goodman Theatre
by A.A. Cristi - Jan 24, 2019

"I'm preparing. I'm expecting. I haven't figured out the path to creation yet."

Clarke Peters Joins THE AMERICAN CLOCK
by Stephi Wild - Jan 22, 2019

The Old Vic today announces that Clarke Peters (The Wire, Five Guys Named Moe) will be joining the cast of Arthur Miller's The American Clock, directed by Rachel Chavkin, to play Robertson / Moe 3 / Taylor in the production until 2 March. He replaces Giles Terera who has had to withdraw from the production due to personal reasons. Sule Rimi (Sweat, Barber Shop Chronicles) takes over the roles from 4 to 30 March.

Giles Terera Joins Cast of THE AMERICAN CLOCK at the Old Vic
by A.A. Cristi - Dec 13, 2018

The Daily Mail has reported that award-winning actor Giles Terera has joined the cast of the upcoming Old Vic production of Arthur Miller's The American Clock.

BWW Review: Roundhouse Theatre's GEM OF THE OCEAN a Brilliant, Living Homage to August Wilson
by Andrew White - Dec 5, 2018

Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, it is an examination of a violent, exploitative past from which we, as a nation, have yet to emerge.

Karen Aldridge, Keith Randolph Smith And More Cast In World Premiere Of HOW TO CATCH CREATION
by A.A. Cristi - Dec 5, 2018

Goodman Theatre proudly announces its cast for the world premiere of How to Catch Creation by Christina Anderson-"a gifted playwright you want to pay attention to" (Variety). A vivid portrait of three artist/intellectual couples exploring life, children and marriage-coming together and coming apart-How to Catch Creation is directed by Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman.

BWW Review: FAMILIAR at Steppenwolf Theatre Company
by Rachel Weinberg - Nov 29, 2018

Danai Gurira's FAMILIAR, now in its Chicago premiere at Steppenwolf, offers up a lighthearted and laugh-out-loud funny family comedy, even as the play probes questions of identity and assimilation into American culture. Director Danya Taymor's dynamite ensemble builds on the richness of the characters inherent in Gurira's script.

Full Casting Announced For THE AMERICAN CLOCK at the Old Vic
by Stephi Wild - Nov 13, 2018

The Old Vic today announces initial casting for Arthur Miller's The American Clock. Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller's ground-breaking play about hope, idealism and a nation's unwavering faith in capitalism, with music by Justin Ellington.

AUDELCO Announces Viv Award Nominations, CARMEN JONES Leads
by Stephi Wild - Oct 29, 2018

AUDELCO has announced the nominees for their 2018 'Viv' Awards, honoring Black Theatre in New York City.

Photo Flash: First Look at FIREFLIES at Atlantic Theater Company
by A.A. Cristi - Oct 9, 2018

Atlantic Theater Company stages the world premiere production of Fireflies, written by Donja R. Love and directed by Saheem Ali. Fireflies is the second part of Donja R. Love's trilogy, which began with the acclaimed play Sugar in Our Wounds, also directed by Saheem Ali. Get a first look at the company in rehearsal below!

Geva's 2018-2019 Season Continues With THURGOOD
by Julie Musbach - Sep 25, 2018

Geva Theatre Center presents Thurgood, by George Stevens, Jr. and directed by Lou Bellamy, in the Elaine P. Wilson Stage from October 16 through November 18.

FAMILIAR By Danai Gurira Gets Chicago Premiere At Steppenwolf
by A.A. Cristi - Sep 18, 2018

Steppenwolf Theatre Company presents the Chicago premiere production of Familiar written by Danai Gurira (The Walking Dead, Black Panther, Broadway's Eclipsed) and directed by Danya Taymor, who helmed Steppenwolf's powerful 2017 production of Pass Over. As previously announced, this fiercely funny production features ensemble members Celeste M. Cooper (Nyasha) and Ora Jones (Marvelous Chinyaramwira), who appeared together in Steppenwolf's The Doppelganger (an international farce) last season. Rounding out the cast are Cheryl Lynn Bruce (Anne), Erik Hellman (Chris), Lanise Antoine Shelley, (Tendikayi), Luigi Sottile (Brad), Jacqueline Williams (Margaret Munyewa) and Cedric Young (Donald Chinyaramwira).

Photo Flash: In Rehearsal with the Atlantic's FIREFLIES
by Julie Musbach - Sep 4, 2018

Atlantic Theater Company stages the world premiere production of Fireflies, written by Donja R. Love and directed by Saheem Ali. Fireflies is the second part of Donja R. Love's trilogy, which began with the acclaimed play Sugar in Our Wounds, also directed by Saheem Ali. Get a first look at the company in rehearsal below!

Khris Davis and DeWanda Wise to Star in Atlantic's FIREFLIES
by Julie Musbach - Aug 9, 2018

Atlantic Theater Company announces casting for the world premiere production of Fireflies, written by Donja R. Love and directed by Saheem Ali. Fireflies is the second part of Donja R. Love's trilogy, which began with the acclaimed play Sugar in Our Wounds, also directed by Saheem Ali.

BWW Interview: Harriett D. Foy Is Transforming in THE HOUSE THAT WILL NOT STAND
by Naomi Serviss - Aug 9, 2018

Foy mesmerizes in this powerful slice of an early 19th century New Orleans in which women of color were often mistresses to wealthy landowners.

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