Proof of Love opened just last night, May 14 at the Minetta Lane Theatre (18 Minetta Lane, between MacDougal & 6th Avenue - one block south of W. 3rd Street), Audible's creative home for live performances in New York.
Good morning, BroadwayWorld! We'd like to wish a happy first performance to Hannah Corneau who is making her Broadway debut in the role of Elphaba in Wicked, beginning tonight! Break a leg, Hannah!
Now in performances, Proof of Love opens on Tuesday, May 14 at the Minetta Lane Theatre (18 Minetta Lane. Get a first look at the production below!
Proof of Love, the world premiere play by Audible-commissioned playwright Chisa Hutchinson (Surely Goodness and Mercy), directed by Jade King Carroll (The Gin Game), and starring Brenda Pressley (The Lyons, Almost Home, Seven Guitars), begins performances tomorrow, Tuesday, May 7
Proof of Love, the world premiere play by Audible-commissioned playwright Chisa Hutchinson (Surely Goodness and Mercy), directed by Jade King Carroll (The Gin Game), and starring Brenda Pressley (The Lyons, Almost Home, Seven Guitars), is now in rehearsals
Due to popular demand and critical acclaim, Ars Nova extends the world premiere of Mrs. Murray's Menagerie to May 11. Directed by Lila Neugebauer, Mrs. Murray's Menagerie opened on kicks-off Ars Nova at Greenwich House and marks The Mad Ones' first production since their critically acclaimed play Miles For Mary. The production, created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy and January LaVoy, opened on April 8.
Rattlestick Playwrights Theater has announced casting and other details for the World Premiere of Lockdown by Cori Thomas (Citizens Market, When January Feels Like Summer), directed by Kent Gash (Barbeque). This play, commissioned by Rattlestick with support from the Virginia P. Toulmin Foundation, will begin previews on April 17, 2019 at Rattlestick Playwrights Theater (224 Waverly Place), with opening night set for May 2 and a limited engagement through May 19, 2019. Tickets are on sale now at www.rattlestick.org.
Lincoln Center Theater will produce the American premiere of THE ROLLING STONE, a new play by Chris Urch, directed by Saheem Ali, beginning previews Thursday, June 20 at the Mitzi E. Newhouse Theater (150 West 65 Street).
PlayMakers Repertory Company What: "Life of Galileo" by Bertolt Brecht. Adaptation by Joseph Discher. Directed by Vivienne Benesch. When: February 27 to March 17, 2019. Opening Night & Press Opening Saturday March 2, 2019. Where: Joan H. Gillings Center for Dramatic Art, 120 Country Club Road, Chapel Hill, NC Tickets: Start at $15; Students tickets start at $10
Ars Nova, "one of the most adventurous Off-Broadway companies" (New York Times), under the leadership of Founding Artistic Director Jason Eagan and Managing Director Renee Blinkwolt, is proud to announce that tickets are on sale for Mrs. Murray's Menagerie, created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy and January LaVoy. Directed by Lila Neugebauer, Mrs. Murray's Menagerie kicks-off Ars Nova at Greenwich House and marks The Mad Ones' first production since their critically acclaimed play Miles For Mary.
This new production of Arthur Miller's rarely-produced play, on now at the Old Vic, offers some emotional and aesthetic rewards, but misses more often than it hits.
In HOW TO CATCH CREATION, a world premiere at Goodman Theatre, playwright Christina Anderson tackles universal themes: the desire for human connection, the pursuit of creative and intellectual passions, and the longing to leave a meaningful legacy. Niegel Smith directs this intricately crafted tale, which spans five decades and follows six Black American artists whose paths intersect in surprising ways.
I'm preparing. I'm expecting. I haven't figured out the path to creation yet. Christina Anderson's bold, imaginative portrait of three artist/intellectual couples exploring personal and professional legacy, How to Catch Creation makes its world premiere at Goodman Theatre. A playwright of note for more than a decade, with previous works at The Public Theater, Yale Repertory Theatre and Playwrights Horizons, Anderson makes her Goodman debut. Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman, directs Anderson's play, which appeared as a reading in the Goodman's 2017 New Stages Festival.
"I'm preparing. I'm expecting. I haven't figured out the path to creation yet."
The Old Vic today announces that Clarke Peters (The Wire, Five Guys Named Moe) will be joining the cast of Arthur Miller's The American Clock, directed by Rachel Chavkin, to play Robertson / Moe 3 / Taylor in the production until 2 March. He replaces Giles Terera who has had to withdraw from the production due to personal reasons. Sule Rimi (Sweat, Barber Shop Chronicles) takes over the roles from 4 to 30 March.
The Daily Mail has reported that award-winning actor Giles Terera has joined the cast of the upcoming Old Vic production of Arthur Miller's The American Clock.
Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, it is an examination of a violent, exploitative past from which we, as a nation, have yet to emerge.
Goodman Theatre proudly announces its cast for the world premiere of How to Catch Creation by Christina Anderson-"a gifted playwright you want to pay attention to" (Variety). A vivid portrait of three artist/intellectual couples exploring life, children and marriage-coming together and coming apart-How to Catch Creation is directed by Niegel Smith, who most recently directed the smash sensation Father Comes Home from the Wars (Parts 1, 2 & 3) last season at the Goodman.
Danai Gurira's FAMILIAR, now in its Chicago premiere at Steppenwolf, offers up a lighthearted and laugh-out-loud funny family comedy, even as the play probes questions of identity and assimilation into American culture. Director Danya Taymor's dynamite ensemble builds on the richness of the characters inherent in Gurira's script.
The Old Vic today announces initial casting for Arthur Miller's The American Clock. Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller's ground-breaking play about hope, idealism and a nation's unwavering faith in capitalism, with music by Justin Ellington.
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