Jessica Meyer is an established violist and educator whose playing has been described as 'fierce and lyrical' by the The Strad. She is a member of the well-regarded new music collective counter)induction, and a widely-traveled soloist. In recent years, composition has become central to her many musical endeavors.
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?
Laura Schwendinger's new opera, Artemisia, will be given its New York Premiere today, January 7 at 1:00 PM at St Paul's Chapel, 209 Broadway in Manhattan.
For a new opera to have its second major showing less than four months after its premiere is unheard of—but then BREAKING THE WAVES, based on the Lars Von Trier film of the same name, isn't just any opera. This triumph by composer Missy Mazzoli, librettist Royce Vavrek, and direction by James Darrah—with a star-making turn by soprano Kiera Duffy in the central role of Bess—debuted at Opera Philadelphia last September and is having its New York premiere on January 6-9, 2017, over the first weekend of the Prototype Festival at NYU's Skirball Center.
Trinity Church Wall Street's annual series of concerts in January has long been a highlight of the musical season. Entitled 'Time's Arrow' to allude to Trinity's signature juxtaposition of early and modern music, the 2017 festival (Jan 1-12) celebrates the 250th anniversary of the opening of St. Paul's Chapel, the oldest church building in Manhattan.
Laura Schwendinger's new opera, Artemisia, will be given its New York Premiere on Saturday, January 7 at 1:00 PM at St Paul's Chapel, 209 Broadway in Manhattan.
Frequent collaborators, Broadway stars, and Tony Award nominees Laura Osnes and Santino Fontana join the NSO Pops and Principal Pops Conductor Steven Reineke for the National Symphony Orchestra's annual A Holiday Pops! concerts on Friday, December 9, at 8 p.m., and Saturday, December 10, at 2 p.m. and 8 p.m. at the Kennedy Center Concert Hall.
Bang on a Can's 2016-2017 season continues the "relentlessly inventive" (New York Magazine) new music collective's mission to create an international community dedicated to innovative music, wherever it is found, with performances throughout the U.S., Canada, and Europe.
Trinity Church Wall Street's annual performances of Handel's Messiah at Trinity Church have long been a holiday staple in New York City. Five years ago, Trinity branched out to include an annual Messiah performance uptown at Alice Tully Hall, Lincoln Center, establishing another holiday tradition. This year, for the first time, the Grammy-nominated Choir of Trinity Wall Street, Trinity Baroque Orchestra, and Director of Music Julian Wachner take their critically acclaimed, historically informed, period-instrument rendition of Handel's most beloved oratorio on the road, first to the State Theatre in New Brunswick, New Jersey (Nov 30) and then to three California cities (Dec 7-10).
Grammy-nominated Choir of Trinity Wall Street and Trinity Baroque Orchestra are widely regarded as some of the greatest interpreters of Handel's Messiah, with their New York performances topping critics' picks every year.
Music Director David Hayes will lead the New York Choral Society and Orchestra (NYChoral) in the United States premiere of Maltese composer Joseph Vella's The Hyland Mass: A Prayer for Unity in Diversity.
UNION UNITED METHODIST CHURCH presents Soul of Pulchritude: A Night with Stephen Salters a one night only Benefit Boston concert from an internationally renowned baritone. Stephen Salters and Randolph Fuller are proud to partner with Union United Methodist Church for their 'Called to Serve' Campaign! The updated program will be as follows:
Berkshire Fine Arts called Cerise Jacobs's Ouroboros Trilogy "the most ambitious opera undertaking Boston has ever seen" when it premiered in three complete cycles this past September at the Cutler Majestic Theater. And the Boston Globe wrote, "Ouroboros, a cycle of three mystic operas ("Naga," "Madame White Snake," and "Gilgamesh") by three profoundly distinct composers, is an enchanted exploration of the eternal mysteries humanity has always turned to mythology to explain: love, loss, hubris, mortality."
Music Director David Hayes will lead the New York Choral Society and Orchestra (NYChoral) in the United States premiere of Maltese composer Joseph Vella's The Hyland Mass: A Prayer for Unity in Diversity.
Musica Viva NY-a chamber choir of thirty professionals and highly skilled volunteers dedicated to creating imaginative programs that offer joy, solace, renewal and inspiration in a busy world-presents Heroes and Dragons: J.S. Bach and the Epic Cantata on Sunday, December 4 at 5:00 p.m. at All Souls Church.
This season, Trinity Church Wall Street's music program continues to minister to New Yorkers through an unparalleled array of free, ambitious musical offerings.
Soloists from Musica Viva, the Aeolus String Quartet and Musica Viva Artistic Director and pianist Dr. Alejandro Hernandez-Valdez are featured in Colla Voce, a program of vocal chamber music, on Sunday, September 25 at 5:00 p.m. at All Souls Church, opening Musica Viva's 39th season.
21C Media Group is delighted to announce that it now represents creator and librettist Cerise Jacobs, a project developer of irrepressible enthusiasm and vision who stands at the very center of each development process, initiating the concept, writing the text, and choosing the composer solely according to the stylistic demands of her libretto.
Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.