Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.
Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.
The Anchoress, a new monodrama by composer David Ludwig, "a composer with something urgent to say" (Philadelphia Inquirer), will have its world premiere on Wednesday, October 17, 2018 at 7:30 PM at the Kimmel Center in Philadelphia under the auspices of the Philadelphia Chamber Music Society. The next evening, Thursday, October 18, the New York premiere will take place at DiMenna Center for Classical Music. Set to texts by Katie Ford, whose poetry "possess[es] the veiled brilliance of stained glass windows seen at night" (The New York Times Book Review), The Anchoress is based on the medieval mystic tradition called anchorism and its relationship to contemporary society. It will be performed by soprano Hyunah Yu, the early music ensemble Piffaro: The Renaissance Wind Band, and all-saxophone PRISM Quartet.
Winner of the 2018 Grammy Award for Best Choral Performance, The Crossing, with conductor Donald Nally, today announces its 2018-19 season, titled Aniara. The season-which is centered around exploring mankind's place in the universe, the relationships between humans, navigating through space and life, and the passage of time - features The Crossing's New York Philharmonic and Peak Performances debuts, the world premiere of the choral-theater work Aniara: fragments of time and space; and world premieres by Gavin Bryars, Michael Gordon, Thomas Lloyd, and Toivo Tulev.
String quartet ETHEL, known for its enlivened playing and consistently groundbreaking redefinition of concert music, announces their landmark 20th anniversary season. Described as "an adventurous quartet with a rock band's zest" by The New York Times and deemed "a genre unto itself" by the Village Voice, ETHEL continues to set the standard for contemporary concert music. Celebrations begin with a June 20th benefit gala hosted by New Sound's John Schaefer, honoring ETHEL as well as fellow new music champions: Bang on a Can founders Michael Gordon, David Lang, and Julia Wolfe. ETHEL's 2018-19 season offers the New York premiere of Circus: Wandering City at the 2018 BAM Next Wave Festival, along with continued touring of the group's signature works: The River and Documerica. (Please scroll below for more details and complete 2018-19 schedule of events.)
Grand Band, a New York-based "supergroup" (New York Times) formed by pianists Erika Dohi, David Friend, Paul Kerekes, Blair McMillen, Lisa Moore and Isabelle O'Connell, makes its Midwest debut at the Ordway Concert Hall today, May 16. Their performance features the world premiere of Three Fragile Systems by Missy Mazzoli alongside music by Julius Eastman, Michael Gordon, Paul Kerekes and Kate Moore.
The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.
Grand Band, a New York-based "supergroup" (New York Times) formed by pianists Erika Dohi, David Friend, Paul Kerekes, Blair McMillen, Lisa Moore and Isabelle O'Connell, makes its Midwest debut at the Ordway Concert Hall on Wednesday, May 16. Their performance features the world premiere of Three Fragile Systems by Missy Mazzoli alongside music by Julius Eastman, Michael Gordon, Paul Kerekes and Kate Moore.
Peak Performances presents the world premiere of Spinning, a collaborative musical work written and composed by Pulitzer Prize winner and MacArthur Fellow Julia Wolfe (Anthracite Fields, 2015), and conceived with "cello goddess" (The New Yorker) Maya Beiser, with multimedia projections by innovative artist Laurie Olinder (May 10-13). Commissioned by Peak Performances and culminating their season of works by women, Spinning considers the essential labor of spinning thread-work once performed by hand by women-paying homage to the human dignity of this "women's work."
The University Musical Society (UMS), under the leadership of President Matthew VanBesien, today announces its 140th season in 2018-19 with an initial slate of 40 performances and events
The University Musical Society (UMS), under the leadership of President Matthew VanBesien, today announces its 140th season in 2018-19 with an initial slate of 40 performances and events. One of the country's most acclaimed performing arts presenters, UMS honors its past by showcasing respected ensembles and performers with whom it has enjoyed rich relationships, and fully embraces the future as initiator, incubator, and accelerator for innovative new works and projects. This potent combination infuses the anniversary season with dynamic and diverse voices and perspectives featuring artists at the top of their game - celebrating the canon, taking risks, moving genres in new directions, disrupting stereotypes, and surprising audiences.
The Center at West Park(165 West 86th Street) Linked Dance Theatre is thrilled to announce that Beloved/Departed will make its Off-Off-Broadway debut at The Center at West Park (located at 165 West 86th Street, at Amsterdam Avenue) beginning Thursday, April 26, 2018. This strictly limited engagement will run through May 18, 2018.
Bang on a Can and the Jewish Museum's 2017-18 concert season, which focuses on pioneering female artists, concludes on Thursday, April 26, 2018 at 7:30pm with a performance by cellist, composer, and improviser Tomeka Reid. Reid will perform with the Tomeka Reid Quartet, her own collection of leading Chicago and New York-based musicians, including Jason Roebke, bass; Mary Halvorson, guitar; and Tomas Fujiwara, drums. The ensemble will perform new compositions, combining her love of groove along with freer concepts, inspired by the themes in Scenes from the Collection, a new, major exhibition of the Jewish Museum's unparalleled collection featuring nearly 600 works from antiquities to contemporary art.
ETHEL, a postmodern, indie-classical quartet, pays special homage to the brilliant, gorgeous, and masterful women who are making their musical mark on the 21st century. Sometimes fierce, sometimes seductive, always full of creativity, composers like Mary Ellen Childs, Anna Clyne, Missy Mazzoli, and Pulitzer Prize-winner Julia Wolfe are warriors and champions of music today. Repertoire by these women-including the first performances of Wolfe's bluegrass-inspired Blue Dress for String Quartet-is performed with music named by the composers as their personal sources of inspiration.
Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2018 2019 season featuring approximately 170 performances by many of the world's leading artists and ensembles in classical, pop, jazz, and world music, plus a broad range of innovative education and social impact programs created by Carnegie Hall's Weill Music Institute, serving audiences in New York City and beyond.
The Winnipeg New Music Festival's (WNMF) unique relationship with Iceland its innovative composers and their uniquely evocative music has evolved over a number of seasons. This year is the 100th anniversary of an important milestone in Icelandic history: the Danish Icelandic Act, a pivotal point in Iceland's history and journey to independence. In celebration of that event, the 2018 Festival (running Jan. 27-Feb. 2, 2018) presents multiple world premieres by Icelandic composers including a major new work for orchestra and choir by Hilmar rn Hilmarsson on January 31.
Bang on a Can and the Jewish Museum's 2017-18 concert season, which focuses on pioneering female artists, continues on Thursday, February 22, 2018 at 7:30pm with a performance by Iva Bittov . Bittov is known foremost as a violinist-vocalist whose distinct music blends styles from many global music cultures eastern European folk, western classical, Indian, Middle Eastern, and American rock 'n roll.
The Kitchen presents the world premiere of Jim Findlay's Electric Lucifer, an experimental rock opera based on the 1970s concept albums of the late Canadian electronic music pioneer Bruce Haack.
On Thursday, February 15, 2018 at 7:30pm, Bang on a Can will present the 2018 Bang on a Can People's Commissioning Fund concert, one of the most anticipated and reliable launching pads for composers in New York and beyond, as part of Kaufman Music Center's Ecstatic Music Festival at Merkin Concert Hall (Kaufman Music Center, 129 W. 67th St.).
