Joe Ngo News

La Jolla Playhouse presents the Oregon Shakespeare Festival production of Cambodian Rock Band, by UC San Diego MFA Playwriting alumna Lauren Yee, directed by Chay Yew, featuring music by Dengue Fever. A co-production with Portland Center Stage at The Armory, Cambodian Rock Band will run November 12 – December 15 (press opening: Sunday, November 17 at 7pm) in the Playhouse's Sheila and Hughes Potiker Theatre.

La Jolla Playhouse announces the cast and creative team for its upcoming presentation of the Oregon Shakespeare Festival production of Cambodian Rock Band, by UC San Diego MFA Playwriting alumna Lauren Yee, directed by Chay Yew, featuring music by Dengue Fever. A co-production with Portland Center Stage at The Armory, Cambodian Rock Band will run November 12 a?" December 15 (press opening: Sunday, November 17 at 7pm) in the Playhouse's Sheila and Hughes Potiker Theatre.

The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about a young girl with a crucial superpower, curiosity, and the beloved fantastical dream adventure in which she tries to figure out how to stay true to who she is-under the stars when its flagship outdoor theatre opens the weekend of June 7-9, 2019. The Allen Elizabethan Theatre will feature Macbeth, directed by Jose Luis Valenzuela; Alice in Wonderland, adapted from Lewis Carroll by Eve Le Gallienne and Florida Friebus, directed by Sara Bruner; and All's Well That Ends Well, directed by Tracy Young. Previews begin May 28, and all three shows will run through the weekend of October 11-13.

The Tony Award winning Oregon Shakespeare Festival (OSF) will launch its 84th year and Bill Rauch's final season as artistic director with preview performances beginning on March 1. The 2019 season officially kicks off Friday night, March 8, in the Angus Bowmer Theatre with Shakespeare's As You Like It (director, Rosa Joshi). On Saturday afternoon, Cambodian Rock Band (director, Chay Yew) opens in the Thomas Theatre, and Hairspray The Broadway Musical (director, Christopher Liam Moore) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, the drama by Southern Oregon based playwright Octavio Solis, Mother Road (director, Bill Rauch), will see its world premiere in the Angus Bowmer Theatre.

The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 - Nov. 30, 2018).

As with each passing season, 2018 proved to be another exceptional year for theater not only in Souther California in general but also in Orange County---my home base. This year, the OC finally welcomed the debut of what has become this century's most awarded and most renowned stage musical ever about the Founding Father etched regally on the 10 dollar bill. Meanwhile, So. Cal. enjoyed a powerful surge of new stage works that explored Asian-American experiences, a positive step forward in the presentation of diverse voices we seldom hear from on the stage. A pair of touring musicals---both opening in the O.C. in early 2019---made such an impact in their Los Angeles engagements for me personally that I had to include them in my list, even though I have not 'officially' reviewed the productions for print. With that said, here is my 'Best of 2018' from Orange County and adjacent locales nearby---a mixture of outstanding shows and brilliant performances that made a lasting, memorable imprint in my theatergoing experience this year.

Talented cast knows how to some some laughs.

Baltimore Center Stage has announced the cast and artistic team for its second play of the 2018/19 season, King of the Yees. Written by award-winning playwright Lauren Yee, King of the Yees is the hilarious and heartfelt generational story of a Chinese-American family.

The preshow speech of VIETGONE is spoken by the playwright, in which we learn that the play is a love story of how Mom and Dad got together. We also learn that the Vietnamese characters will speak like action heroes/Joss Whedon archetypes and that the Americans will speak... Well, some of it will be words. As Marc de la Cruz, who plays Quang, the playwright's father, says, 'The characters speak and relate to each other as many young Americans today despite the fact that they are Vietnamese and it's 1975... Also, the play is hilarious in an 'omigosh I can't believe they went there' kind of way.' Instantly, we are aware that the universe of VIETGONE is a one of a kind place. Director, Natsu Onoda Power, elaborates: '...it allows audience to perceive 'Vietnamese' characters NOT as the 'other'; it is so rare. (In this play, 'American' is the other).' Regina Aquino, who plays Tong, the playwright's mother, adds, 'From the very first page I was immediately impressed by Qui's flipping of the stereotype script... doing to the Americans what is done to Asian characters in film/tv/theatre all the time. It was shocking and I was totally in love with how subversively clever the writing was throughout the entire play.'

A musical/play about Vietnamese refugees you will always remember.

Studio Theatre is serving up a spectacle of a show that mashes satire and high emotion. VIETGONE, directed by Natsu Onoda Power, presents a truly diverse story with the potential to challenge entrenched ideas about the Vietnam War and the immigrant experience. Playwright Qui Nguyen's fresh voice bounces off the rafters and finds its fullest embodiment in the company's impressive and expressive physicality.

Vietgone by Qui Nguyen is the Vietnamese-American playwright's own creation story-a telling of his parents' 1975 refugee camp romance in a "geek theater" spectacle that's at turns affecting, sage, raucous, and fantastical. A screenwriter for Marvel Studios and founder of Obie Award-winning company Vampire Cowboys, Nguyen's work champions representation and diversity on stage while dripping with pop culture nods, contemporary music, and action-adventure narrative. The production pairs this Studio-commissioned playwright with director and Studio Cabinet member Natsu Onoda Power. Drawing on Vietgone's comic book aesthetics, Studio's Stage 4 is transformed into a garage concert with a live band and original funk-rock-punk-n-roll score, giving audiences a front row seat to this anything-but-typical story of boy meets girl.

The tragic events surrounding the rise of the Khmer Rouge regime in mid-70's Cambodia serves as the overarching backdrop that links the past and the (near) present in Lauren Yee's stunning new play CAMBODIAN ROCK BAND---which continues its World Premiere production at Orange County's Tony Award-winning regional theatre South Coast Repertory in Costa Mesa through March 25, 2018. Commissioned by SCR as part of its CrossRoads Initiative, this powerful and searing new drama---sprinkled with welcome bits of comedy and, yes, rock concert music interludes---had its initial staged reading at last year's Pacific Playwright's Festival and is now an absorbing, full-fledged production under the admirable direction of Chay Yew.

Part comedy, part mystery and part rock concert, playwright Lauren Yee's Cambodian Rock Band explores an overlooked chapter of history-1970s Cambodia with its vibrant surf-rock music scene and then under the Khmer Rouge regime. The play features songs by the Long Beach-based band Dengue Fever. The world premiere of this South Coast Repertory commission is directed by Chay Yew on the Julianne Argyros Stage, March 4-25. Tickets are available at www.scr.org.

Leviathan Lab (Artistic Director, Flordelino Lagundino) announces a public reading of INTO THE NUMBERS by Christopher Chen today, December 13th at 6:30pm at the Museum of Chinese in America. The reading commemorates the 80th anniversary of The Nanking Massacre and is co-produced by Leviathan Lab and Museum of Chinese in America. INTO THE NUMBERS is directed by Mo Zou.

Leviathan Lab (Artistic Director, Flordelino Lagundino) announces a public reading of INTO THE NUMBERS by Christopher Chen on Wednesday, December 13th at 6:30pm at the Museum of Chinese in America. The reading commemorates the 80th anniversary of The Nanking Massacre and is co-produced by Leviathan Lab and Museum of Chinese in America. INTO THE NUMBERS is directed by Mo Zou.

Last night, Tony Award-winning playwright David Henry Hwang presented the 2017 Kesselring Prize to rising young playwright Lauren Yee at the National Arts Club. Ms. Yee earned the Kesselring for her play THE GREAT LEAP, to be produced this season by Denver Center, Seattle Rep and Atlantic Theater Company.

National Arts Club announces that a cast of 7 distinguished actors will comprise the cast for the reading of plays by Lauren Yee when the rising young playwright receives the 2017 Kesselring Prize on Sunday, Nov. 5 at 4 pm at the National Arts Club (15 Gramercy Park South

Baltimore Center Stage presents The White Snake, now playing through March 26.

Baltimore Center Stage presents The White Snake, now playing through March 26.