The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.
The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (through May 12).
The Kitchen presents Sasquatch Rituals, a cycle of performance ritual installations initiated by Sibyl Kempson and her 7 Daughters of Eve Thtr. & Perf. Co., tracking and responding to her consuming experiences as an investigator for the Bigfoot Field Research Organization (April 24-28).
The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role. It provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture. Engaging both The Kitchen veterans and newcomers who challenge the given formations of art and politics, lifestyle and social structures, the Spring 2018 (March 28-July 27) season probes everything from the police state to the racial imaginary to self-construction and identity, utilizing the flexibility of the institution's spaces for art that itself eludes definition.
The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (March 28-May 12).
The Archive Residency is a vital incubator for New York City's most electrifying independent theater companies. This two-year residency offers companies an artistic home for the development and presentation of a new work. Each residency culminates with a world premiere production. Now in its fifth year, the Archive Residency is a collaboration between New Ohio Theatre and IRT Theater (likeminded neighbors in the historic Archive Building in the West Village).
LUMBERYARD Contemporary Performing Arts is pleased to announce programming for its inaugural summer 2018 season, which will fill venues surrounding the organization's highly anticipated new facility in Catskill, New York-set to open its own doors in Fall 2018. The season,which runs from June 28 - September 1, represents the fullest realization to date of LUMBERYARD's unique dual promise: to make transformative contributions both to the cultural landscape and economic health of Upstate New York and to the field of contemporary performance in New York City and the U.S. by bringing renowned and emerging artists across the performing arts landscape to Catskill for out-of-town premieres, usually incubated through LUMBERYARD's signature technical residencies.
Tickets for the 42nd season of Spoleto Festival USA go on sale to the public today at 10:00am. Tickets can be purchased anytime at spoletousa.org or by phone at 843.579.3100, Monday through Saturday, 10:00am to 6:00pm. On-site box office operations will be located at the Charleston Gaillard Center beginning May 1; tickets may then be purchased in person Monday through Sunday, 9:00am to 5:00pm.
Works & Process at the Guggenheim presents a dance commission, Battleground by Ryan McNamara, January 10 - 12, 2018 at 7:30pm. Following the sold-out premiere of Battleground in 2016, Works & Process, the performing arts series at the Guggenheim, presents an encore of this 'Cosplay-Battle-Ballet' on January 10-12, 2017 at 7:30pm. During a rare residency opportunity that spanned five months, McNamara created a one-of-a-kind work made in and for the unique architecture of the Guggenheim's Peter B. Lewis Theater. Audience members act as embedded witnesses to the three dance squads battling for dominance in each of the space's three zones: the Red Choir Loft, the Green Balcony, and the Blue Stage.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston. Also, Melnick, who enjoyed a performance career with Twyla Tharp (among many others), will perform One of Sixty-Five Thousand Gestures, a solo work created in collaboration with the late Trisha Brown.
Works & Process at the Guggenheim presents a dance commission, Battleground by Ryan McNamara, January 10 - 12, 2018 at 7:30pm. Following the sold-out premiere of Battleground in 2016, Works & Process, the performing arts series at the Guggenheim, presents an encore of this 'Cosplay-Battle-Ballet' on January 10-12, 2017 at 7:30pm. During a rare residency opportunity that spanned five months, McNamara created a one-of-a-kind work made in and for the unique architecture of the Guggenheim's Peter B. Lewis Theater. Audience members act as embedded witnesses to the three dance squads battling for dominance in each of the space's three zones: the Red Choir Loft, the Green Balcony, and the Blue Stage.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston.Also, Melnick, who enjoyed a performance career with Twyla Tharp (among many others), will perform One of Sixty-Five Thousand Gestures, a solo work created in collaboration with the late Trisha Brown.
Works & Process at the Guggenheim presents a dance commission, Battleground by Ryan McNamara, January 10 - 12, 2018 at 7:30pm. Following the sold-out premiere of Battleground in 2016, Works & Process, the performing arts series at the Guggenheim, presents an encore of this 'Cosplay-Battle-Ballet' on January 10-12, 2017 at 7:30pm. During a rare residency opportunity that spanned five months, McNamara created a one-of-a-kind work made in and for the unique architecture of the Guggenheim's Peter B. Lewis Theater. Audience members act as embedded witnesses to the three dance squads battling for dominance in each of the space's three zones: the Red Choir Loft, the Green Balcony, and the Blue Stage.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston.
'Over seventy years ago, Frank Lloyd Wright sketched a room to be built under the Guggenheim. People seem to think it's a theater. In actuality, it's a set Wright prophetically designed for the sci-fi cosplay house-music ballet-battle that fell into my mind the moment I saw the space. The Peter B. Lewis Theater will realize its destiny in my piece Battleground.' - Ryan McNamara
Works & Process at the Guggenheim is pleased to announce its Spring 2018 Season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers. Programs explore the creative process through stimulating artist discussions and riveting performance highlights. Each 70-minute program takes place in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.
Works & Process at the Guggenheim has announced its spring 2018 season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers.
The Martha Hill Dance Fund is pleased to announce The 2017 Martha Hill Awards Gala, which will take place Monday, November 20, 6 to 10 PM, at the Manhattan Penthouse in New York City. This year the Lifetime Achievement Award recipients are dance historian and archivist NORTON OWEN and dance educator ALICE TEIRSTEIN. The 2017 Mid-Career Award recipients are choreographer ROBERT GARLAND and dance activist DENISE HURLIN ROBERTS. The Martha Hill Dance Fund continues to perpetuate the legacy of a remarkable woman whose influence in the world of dance and performance knew no bounds.
Part of JACK's year-long series, Reparations365 The performance collective RAKIA!, led by choreographer and dancer Rakia Seaborn, inverts playground routines into the language with which a trio of dancers communicates with the black women who died too soon. This highly-stylized immortality ritual hearkens back to a care-free time of middle school talent shows, Blue Magic hair grease & 'CrazySexyCool.' Part of JACK's Reparations365 series, myeyesdontcrynomore positions reparations as freedom from a never-ending fear of another black death. What if there were something else? Endless life, endless joy.
Cathy Weis Projects announces the fall 2017 season of Sundays on Broadway, an ongoing series of performances, film screenings, and discussions on Sunday evenings at WeisAcres.
