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Orlando Shakes Presents CYMBELINE and ROMEO AND JULIET

Orlando Shakes Presents CYMBELINE and ROMEO AND JULIET

by Beau Higgins — November 26, 2011

FALL IN LOVE AGAIN WITH TWO OF SHAKESPEARE'S TIMELESS PLAYS, CYMBELINE AND ROMEO AND JULIET Playing in Rotating Repertory January 25 - March 18 in the Margeson Theater at the Lowndes Shakespeare Center

THE IMPORTANCE OF BEING EARNEST At Orlando Shakes

by Beau Higgins — September 14, 2011

Orlando Shakespeare Theater in Partnership with UCF begins its 2011-2012 Signature Series with Oscar Wilde's THE IMPORTANCE OF BEING EARNEST, a rousing escapade of romance, mistaken identities and comic twists, playing at the John and Rita Lowndes Shakespeare Center from September 14 - October 9, 20

THE IMPORTANCE OF BEING EARNEST At Orlando Shakes

by Beau Higgins — July 20, 2011

Orlando Shakespeare Theater in Partnership with UCF begins its 2011-2012 Signature Series with Oscar Wilde's THE IMPORTANCE OF BEING EARNEST, a rousing escapade of romance, mistaken identities and comic twists, playing at the John and Rita Lowndes Shakespeare Center from September 14 - October 9, 20

BEOWULF Plays Orlando Shakespeare Theater, Closes 3/20

by BWW News Desk — March 20, 2011

Orlando Shakespeare Theater in Partnership with UCF continues its 2010-2011 Season with a searing one-man adaptation of the old English epic, Beowulf, playing at the John and Rita Lowndes Shakespeare Center from February 23 - March 20, 2011.

Orlando Shakespeare Theater Announces Schedule Of Events For Playfest

by Beau Higgins — March 12, 2011

This year, Orlando Shakes welcomes former local resident and PlayFest veteran, playwright Mark Brown (Around the World in 80 Days, The Trial of Ebenezer Scrooge, and China - The Whole Enchilada) back to the Margeson Stage for an Inside the Actor's Studio style conversation with Orlando Shakes Artist

Charlie Bethel In One Man 'Beowulf' At Orlando Shakes

by Beau Higgins — February 24, 2011

Directed by Orlando Shakes Artistic Director Jim Helsinger, Beowulf features actor/writer Charlie Bethel in a one-hour solo performance that is both a faithful adaptation and utterly accessible for those who slept through Medieval Lit.


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