SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaksrelease and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source on February 24-26 and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming.
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork.
PlayMakers Repertory Company will present a workshop production of"De Profundis," an original work being developed and directed by explosive theatre-makers Brian Mertes and Jim Findlay.
PlayMakers Repertory Company will present a workshop production of"De Profundis," an original work being developed and directed by explosive theatre-makers Brian Mertes and Jim Findlay.
Part noise concert, part Burroughs' reading tour, Decoder 2017: The Soft Machine is the latest work conceived and directed by OBIE winner Mallory Catlett ("This was the End"). Using material from The Nova Trilogy, (a 60's intergalactic space odyssey written by cutting up text and randomly reassembling it for a mind bending effect), Catlett creates a contemporary cut-up of sound, word, and image generated live by cassette tape DJ and sound artist G Lucas Crane. Together with legendary downtown artist and Obie, Bessie and Lucille Lortel award winner, Jim Findlay ("Botanica,' 'Dream of the Red Chamber') they act as both fictional characters and real-time systems operators. Along with Crane, the interactive design is completed by Keith Skretch (video) and Ryan Holsopple (interaction).
LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19. In this penetrating multimedia work, Brooklyn-based composer Ted Hearne, librettist Mark Doten, director Daniel Fish and production designer Jim Findlay dive into the media hysteria responsible for the many faces of Chelsea Manning, the U.S. Army private who infamously leaked hundreds of thousands of classified documents to WikiLeaks.
I attended the world premiere of THE HUNGER, a new operatic work by Donnacha Dennehy in collaboration with the group Alarm Will Sound, and co-produced by Opera Theatre of St. Louis this weekend, and I was blown away by how affecting and compelling this 90 minute piece is. It's a multi-media exercise that attempts to convey a sense of the seven year famine that Ireland suffered through from 1845 - 1852. It was a time of starvation and widespread disease that saw many families emigrate to other countries, cutting the overall population by a nearly a quarter. This production at the Touhill (September 17, 2016) is both harrowing and invigorating in equal measure, and an absolute must-see for people interested in modern opera.
LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19. In this penetrating multimedia work, Brooklyn-based composer Ted Hearne, librettist Mark Doten, director Daniel Fish and production designer Jim Findlay dive into the media hysteria responsible for the many faces of Chelsea Manning, the U.S. Army private who infamously leaked hundreds of thousands of classified documents to WikiLeaks.
La MaMa proudly presents I'm Bleeding All Over The Place: A Living History Tour, conceived and directed by Brooke O'Harra, text by Brooke O'Harra and Casey Llewellyn, with Erin Courtney, Kristen Kosmas and Heidi Schreck, and original music by Brendan Connelly. I'm Bleeding All Over The Place runs from June 16 - 26, 2016 at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City.
La MaMa presents I'm Bleeding All Over The Place: A Living History Tour, conceived and directed by Brooke O'Harra, text by Brooke O'Harra and Casey Llewellyn, with Erin Courtney, Kristin Kosmas and Heidi Schreck, and original music by Brendan Connelly. I'm Bleeding All Over The Place runs from June 16 - 26, 2016 at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City.
Jim Findlay's VINE OF THE DEAD, a performance produced by Joel Bassin and Collapsable Giraffe, presented by The Invisible Dog Art Center, plays three performances only at The Invisible Dog, 51 Bergen St, Brooklyn, NY 11201, beginning today, May 26, and continuing through May 28, 2016 at 9 p.m.
Jim Findlay's VINE OF THE DEAD, a performance produced by Joel Bassin and Collapsable Giraffe, presented by The Invisible Dog Art Center, will play three performances only at The Invisible Dog, 51 Bergen St, Brooklyn, NY 11201, May 26 - 28, 2016 at 9 p.m.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Vine of the Dead explores the place and meaning of ritual in the 21st century by attempting to communicate across the divide between life and death. In a series of 11 rituals, the performance channels personal experiences of death and transcendence while exploring the spirituality of skepticism.
Abrons Arts Center presents the New York City premieres of Empathy School / Love Story, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Miller Theatre at Columbia University School of the Arts will conclude its 2015-2016 Composer Portraits series with Michael Gordon featuring Yarn / Wire Jim Findlay, director and designer. All four performances slated for May 11-12, 2016 at Miller Theatre are sold out.
San Diego Repertory Theatre extends the run of "R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE" due to popular demand with four additional performances. Written and directed by D.W. Jacobs, co-founder of San Diego REPertory Theatre, and performed by Ron Campbell, the return engagement now runs through April 10, 2016.
Abrons Arts Center and New York City Players' American Playwrights Division present REALLY, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling.
