Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
San Diego Repertory Theatre extends the run of "R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE" due to popular demand with four additional performances. Written and directed by D.W. Jacobs, co-founder of San Diego REPertory Theatre, and performed by Ron Campbell, the return engagement now runs through April 10, 2016.
Due to popular demand Abrons Arts Center and New York City Players are adding three additional performances of Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
One of San Diego REPertory Theatre's most acclaimed productions, R. BUCKMINSTER FULLER: THE HISTORY (AND MYSTERY) OF THE UNIVERSE returns to the Lyceum Stage after 16 years. Written and directed by D.W. Jacobs, co-founder of San Diego REPertory Theatre, and performed by Ron Campbell, the show opens tonight, March 16 at 7 p.m. and runs through Sunday, April 3 on the Lyceum Stage.
Today, The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work announces that it has selected 18 projects for its fifth Summer Residency Lab featuring works from more than 30 talented artists. This June, as part of an extraordinary laboratory for collaboration, some of the nation's most prominent and promising writers, directors, designers, performers, and composers will unite at the Theatre's Harrison Street campus over an intense four-week period to share ideas, break bread, and create new plays. Dozens more local and out-of-town actors and directors will join the Summer Residency Lab, bringing the number of participating artists close to 100.
One of San Diego REPertory Theatre's most acclaimed productions, R. BUCKMINSTER FULLER: THE HISTORY (AND MYSTERY) OF THE UNIVERSE returns to the Lyceum Stage after 16 years. Written and directed by D.W. Jacobs, co-founder of San Diego REPertory Theatre, and performed by Ron Campbell, previews begin today, March 10, 2016. Opening night is on Wednesday, March 16 at 7 p.m. and runs through Sunday, April 3 on the Lyceum Stage.
The Martin E. Segal Theatre Center (MESTC) presents its second annual Segal Center Film Festival on Theatre and Performance (FTP).
The acclaimed Bang on a Can All-Stars join the Los Angeles Master Chorale for the highly anticipated west coast premiere of Julia Wolfe's 2015 Pulitzer Prize-winning Anthracite Fields, on Sunday, March 6, 2016, 7:30 pm. Performed with a multimedia backdrop by celebrated visual artist and scenic designer Jeff Sugg, the text weaves together the oral histories, interviews, union speeches and even accident reports from the Pennsylvania mining region at the turn of the 19th century. Additionally, the program, entitled "Music of the Coal Miner" and led by Artistic Director Grant Gershon, includes selections from the Sacred Harp Anthology and spirituals of Appalachia.
Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
The Martin E. Segal Theatre Center (MESTC) announces the full schedule for its second annual Segal Center Film Festival on Theatre and Performance (FTP).
Solar power confronts spirit power in a new drama by Stephen Sachs about climate change, cultural change and the moral consequences of personal choice. Cameron Watson directs Elizabeth Frances and Brian Tichnell in the world premiere of Dream Catcher, which opened on January 30 at the Fountain Theatre in Hollywood. Check out photos from the show, below!
It seems ironic--to me at least--that New York's venerable City Opera would be returning to life at Jazz at Lincoln Center's Rose Theater, just as the “Prototype: Opera/Theatre/Now” festival was finishing up its run at alternative venues in Manhattan and Brooklyn. Prototype “unleashed a powerful wave of opera-theatre and music-theatre from a new generation of classical and post-classical composers and librettists”--their words, not mine, but I won't dispute it--while City is doing a warhorse.
One of San Diego REPertory Theatre's most acclaimed productions, R. BUCKMINSTER FULLER: THE HISTORY (AND MYSTERY) OF THE UNIVERSE returns to the Lyceum Stage after 16 years.
San Francisco Opera General Director David Gockley and Music Director Nicola Luisotti today announced the Company's 2016–17 Season repertory and roster of international guest artists, conductors and creative teams scheduled to appear at the War Memorial Opera House, as well as initial programming for SF Opera Lab 2017 presentations at the Diane B. Wilsey Center for Opera's Taube Atrium Theater. The Company's 94th Season will also mark Matthew Shilvock's inaugural year as San Francisco Opera's new general director, succeeding his mentor and internationally respected impresario, David Gockley, who will step down on July 31, 2016.
Beth Morrison Projects (BMP) and HERE present the fourth annual PROTOTYPE: Opera/Theatre/Now festival, running today, January 6, through January 17, 2016, in New York City.
New York City Premiere, Dog Days is a work of contemporary opera-theatre that investigates the psychology of a working class American family pitted against a not-so-distant-future wartime scenario. Exploring the ultimate struggle of humanity—stuck between nature's indifference and society's barely restrained brutality—Dog Days asks: is it madness, delusion, or sheer animal instinct that guides us through severely trying times? Where is the line between animal and human? At what point must we give into our animal instincts merely to survive?
Solar power confronts spirit power in a new drama by Stephen Sachs about climate change, cultural change and the moral consequences of personal choice. Cameron Watson directs Elizabeth Frances and Brian Tichnell in the world premiere of Dream Catcher, opening January 30 at the Fountain Theatre in Hollywood.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, tonight, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create Who Left This Fork Here, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. Who Left This Fork Here is set for four performances only, Wednesday, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Performance Space 122's annual performance festival, COIL, returns for its eleventh edition with sixteen individual events, making it the largest COIL to date. The festival demonstrates the constant vitality of live performance in New York City and features work created locally, across the U.S., and around the world. Known for its groundbreaking contemporary performance, this year's COIL festival spans interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where and when performance is experienced.
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