Jennifer Harrison Newman News

American Modern Opera Company (AMOC*) is heading to Yale Schwarzman Center to perform John Adams's oratorio El Niño: Nativity Reconsidered. Celebrating Latin American poets and the voices of women, this work, will make a one-night-only appearance on December 15 at 7:30 pm in Commons.

 Following the success of September's Festival O22 presentation of live opera productions alongside opera films, “redefining opera on stage and screen” according to the Wall Street Journal, Opera Philadelphia will bring its renowned films to five regional movie theaters, offering audiences an opportunity to appreciate the intersection of two art forms.

O22, as Opera Philadelphia's festival was called this year, wasn’t exactly “something old, something new” but more like big fat sandwich cookie. On one side, there was a kind of “traditional” contemporary opera, Hosokawa’s THE RAVEN , a big filling of Rossini’s OTELLO opera seria in the middle, and finished with the Little-Waldman BLACK LODGE, a rock opera that was half ear-blasting concert performed live, half film.

This bold new work with a libretto by legendary poet  Anne Waldman and story, screenplay, and direction by Michael Joseph McQuilken blends opera and rock into an alchemical exploration of magic, mystery, regret, and redemption.  

Oregon Shakespeare Festival, in partnership with Artizen and Museum of Other Realities, will present the first-ever Quills Fest, an annual two-day immersive digital festival at the intersection of live theatre and Extended Reality.

Performance Space New York, with co-production partner New Georges has announced details surrounding AFROFEMONONOMY // WORK THE ROOTS, a group activation of Black femme theater artists in celebration of each other.

Performance Space New York, with co-production partner New Georges, announces details surrounding AFROFEMONONOMY // WORK THE ROOTS, a group activation of Black femme theater artists in celebration of each other.

New Georges announced today two upcoming productions for the Spring 2021 season—Dream/Home, presented as part of Post Theatrical; and All the Different Ways Commodore Matthew Perry Could Have Died Before Opening Japan But Didn’t, a new play commissioned from Julia Izumi, presented in a co-production with Theater in Quarantine.

Performance Space New York announces its Spring 2021 programming, with collaborative, connective processes and hybrid projects—embracing virtual and audio forms necessitated by the pandemic while safely welcoming the public back into the building.

The Bushwick Starr will kick off its 2019-20 Season with Waterboy and the Mighty World, a new piece created by Justin Hicks, Kenita Miller-Hicks, and Jade Hicks, the husband-wife-sister trio The HawtPlates (690 Wishes at JACK and PS122). The group features Justin Hicks, composer/performer from Lynn Nottage's Mlima's Tale (The Public Theater), Empire State Works in Progress (The Whitney Museum), and Shasta Geaux Pop(The Highline) among others.

The Bushwick Starr kicks off its 2019-20 Season with Waterboy and the Mighty World, a new piece created by Justin Hicks, Kenita Miller-Hicks, and Jade Hicks, the husband-wife-sister trio The HawtPlates (690 Wishes at JACK and PS122).

The Bushwick Starr is thrilled to kick off our 2019-20 Season with Waterboy and the Mighty World, a new piece created by Justin Hicks, Kenita Miller-Hicks, and Jade Hicks, the husband-wife-sister trio The HawtPlates (690 Wishes at JACK and PS122). The group features Justin Hicks, composer/performer from Lynn Nottage's Mlima's Tale (The Public Theater), Empire State Works in Progress (The Whitney Museum), and Shasta Geaux Pop (The Highline) among others.

Clinton Hill cultural hub and OBIE award-winner JACK launches its winter/spring 2016 season with an a cappella opera set in Zimbabwe by composer Tanyaradzwa Tawengwa, a weekend of curated works by Modesto "Flako" Jimenez, the premiere of the dirty and bracing play Tom & Eliza, by Celine Song, the English-language premiere of Argentinian playwright Rafael Spregelburd's SPAM, The Geneva Project by Jennifer Harrison Newman, Antonio Ramos' Thirsty Mind, love and starvation sitting in a lonely tree and an exploration in minimalist/pop art performance by the No Face Performance Group.  JACK also engineers the return of Walter Dundervill's ARENA (which had two sold-out runs at JACK in 2014 and 2015). 

Dancers' Group, in partnership with ZiRu Dance, is honored to have received a $50,000 award from the U.S. State Department and the Public Affairs Section of the U.S. Embassy in Beijing in support of its yearlong cultural exchange with China. The exchange will involve seven American choreographers and seven partnering organizations in Beijing, Yunnan and Daqing, all working together to build greater cross-cultural understanding and cooperation through the medium of dance.

YALE SCHOOL OF DRAMA (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents Jib, written and directed by Michael McQuilken, January 22-28 at the Iseman Theater (1156 Chapel Street, New Haven).

YALE SCHOOL OF DRAMA (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents Jib, written and directed by Michael McQuilken, January 22-28 at the Iseman Theater (1156 Chapel Street, New Haven).

YALE SCHOOL OF DRAMA (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents the musical JELLY'S LAST JAM, book by George C. Wolfe, lyrics by Susan Birkenhead, music by Jelly Roll Morton and Luther Henderson, directed by Patricia McGregor, February 13-18 at the University Theatre (222 York Street, New Haven).

YALE SCHOOL OF DRAMA (James Bundy, Dean; Victoria Nolan, Deputy Dean) presents the musical JELLY'S LAST JAM, book by George C. Wolfe, lyrics by Susan Birkenhead, music by Jelly Roll Morton and Luther Henderson, directed by Patricia McGregor, February 13-18 at the University Theatre (222 York Street, New Haven).