This summer, the fun starts on Wednesday nights! Beginning June 21, audience favorite Villain: DeBlanks will be (VERB)_____-ing midtown at the Yotel hotel, with a different cast each week.
The nationally regarded Fulton Theatre concludes its 2016/2017 Ellen Arnold Groff Studio Series season with the emotionally powerful 4000 Days in the Tell Studio Theatre. The Peter Quilter drama runs through June 4.
Theatre for a New Audience (TFANA) has announced that it has successfully completed its capital campaign to stabilize the institution's finances and open a permanent home, surpassing the campaign's $69.1 million goal.
LCT3/Lincoln Center Theater will open its 2017-2018 season with AFTER THE BLAST, a new play by Zoe Kazan, to be directed by Lila Neugebauer, beginning performances Saturday, October 7 and running for six weeks only through Sunday, November 19 at the Claire Tow Theater (150 West 65 Street). Opening night is Monday, October 23.
92Y announces Lyrics & Lyricists Favorites: Your Choice!, the first-ever audience-choice concert for the country's preeminent American Songbook series, set for June 26, 2017.
TLAB Shares and Convergences Theatre Collective have unveiled a first look at Liz Stanton* in The Woman Who Was Me, written by Peter Grandbois and directed by Jeremy Williams. The Woman Who Was Me is currently playing through Sun, June 11th at TheaterLab NYC (357 West 36th Street, New York, NY 10018). Scroll down for photos!
It takes a true professional-both musical and comedic- to assault some of opera's most beloved arias and make it entertaining. In the Granite Theatre's production of Souvenir, the story of Florence Foster Jenkins, the joke never gets old.
"Massacre (Sing to Your Children)" is an abstract play whose meaning will depend on an individual's views of the world, and their willingness to search for the author's intent and purpose. This is a script and production for playgoers who like to probe for ideas with no need for clarity of ideas or outcomes.
For 85 years, the New London Barn Playhouse has been a vital part of the Lake Sunapee and Upper Valley communities, enriching the summer months with an annual season of top-quality, professionally-produced classic and contemporary musicals and plays. After their record-breaking 2016 season was honored with the New England Theater Conference's prestigious Moss Hart Award for Excellence in Professional Theater, now the Barn is gearing up to cross another milestone with their 85th consecutive summer season in 2017!
WaterTower Music today announced the release details of the Wonder Woman soundtrack, which features an original score by composer Rupert Gregson-Williams and the new end title track “To Be Human” by Sia Feat. Labrinth.
ArtsWest Artistic Director Mathew Wright has announced his third season, running September 2017 through July 2018. Opening with Pulitzer Prize-winner Ayad Akhtar's THE WHO AND THE WHAT, the six-production season will feature five Seattle premieres and a Tony-award winning musical.
Cherry Lane Theatre's Founder's Project will celebrate 100 years of Horton Foote as they present, in a co-production with La Femme Theatre Productions, THE TRAVELING LADY, directed by Austin Pendleton.
LUMBERYARD Contemporary Performing Arts will present the feath3r theory in: Another f**king Warhol Production, or Who's Afraid of Andy Warhol?, a new work from Raja Feather Kelly and his company the feath3r theory, June 22-24 at The Kitchen as part of the second annual LUMBERYARD in the City festival.
Artistic Directors Douglas Aibel and Sarah Stern announce that Vineyard Theatre's 2017-2018 season will include the world premiere of THE AMATEURS by Jordan Harrison (2015 Pulitzer Prize finalist for MARJORIE PRIME) directed by Oliver Butler (THE OPEN HOUSE, Obie Award for Direction).
An Octoroon is a person who has one-eighth black heritage. In 1850s Louisiana, that meant they are automatically unclean and, ultimately, a slave. Branden Jacobs-Jenkins radically reimagines Dion Boucicault's 1859 play based upon a tragic and rather melodramatic love story between white plantation owner George and his uncle's illegitimate daughter Zoe. Entwined in this is the apparent financial ruin of the plantation, which leads to a series of racially motivated violent events.
Provocative director Liesl Tommy brings Broadway savvy, storytelling flair and a revolutionary sensibility to Macbeth, Shakespeare's masterpiece of suspense. In a world beset by civil war and invasion, Macbeth and his artful lady begin a series of murders, designed to further their own ambitions, only to plunge their lives into madness.
Constables Blunt and Gobbel have one last duty to fulfil before they clock off on Christmas Eve: to tell the old couple at number 58 some terrible, terrible news. But what if the shock is too much for the frail pair to bear?