Maggie Siff plays Beatrice and Jonathan Cake Benedick in Theatre for a New Audience's new production of William Shakespeare's Much Ado About Nothing, directed by Arin Arbus, beginning previews Saturday, February 2 at 8:00pm for an opening Sunday, February 17, at 3:00pm at The Duke on 42nd Street, 22
Multiple Tony Award-winner JULIE TAYMOR will direct and ELLIOT GOLDENTHAL will compose original music for William Shakespeare's A Midsummer Night's Dream, the inaugural production in Theatre for a New Audience's first home in the Downtown Brooklyn Cultural District, 262 Ashland Place between Lafayet
Founded in 1979 by its artistic director Jeffrey Horowitz, Theatre for a New Audience is a modern classical theatre that produces Shakespeare alongside other major authors in a dialogue that spans centuries.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Patrick Willingham) and Theater for a New Audience (Founding Artistic Director Jeffrey Horowitz; Managing Director Dorothy Ryan and Chairman of the Board, Henry Christensen III) will present THE WALLACE SHAWN-ANDRÉ GREGORY PROJE
Acclaimed Royal Shakespeare Company (RSC) Artistic Director Michael Boyd will receive the Samuel H.
Acclaimed Royal Shakespeare Company (RSC) Artistic Director Michael Boyd will receive the Samuel H.
The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.
The Taming of the Shrew by William Shakespeare, directed by Arin Arbus, is Theatre for a New Audience's fifth and final production of the 2011 - 2012 theatre season.
The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.
The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.
Following acclaimed performances internationally, Theatre for a New Audience, in association with Baryshnikov Arts Center, will present the New York premiere of C.
The acclaimed 1994 world premiere of the Klezmer musical Shlemiel the First, was at Boston's American Repertory Theater (ART).
Following acclaimed performances internationally, Theatre for a New Audience, in association with Baryshnikov Arts Center, will present the New York premiere of C.
Theatre for a New Audience's 32nd season features boldly diverse plays by William Shakespeare, Samuel Beckett, John Ford and a joyful klezmer musical adapted by Robert Brustein from the stories of Nobel-winning Isaac Bashevis Singer.
Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.
Cymbeline is back! Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.
Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.
Theatre for a New Audience's 32nd season features boldly diverse plays by William Shakespeare, Samuel Beckett, John Ford and a joyful klezmer musical adapted by Robert Brustein from the stories of Nobel-winning Isaac Bashevis Singer.
Cymbeline is back! Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.
On Friday, Theatre for a New Audience broke ground on its new home in a city-owned parking lot in the growing BAM Cultural District, located at 262 Ashland Place bet Lafayette Avenue and Fulton Street in Brooklyn.
