NATIVE SON, a novel written in 1940 by Richard Wright, tells the story of 20-year of Bigger Thomas, an African American youth living in utter poverty in a poor area on Chicago's South Side in 1939. While not apologizing for Bigger's crimes, Wright portrays a systemic inevitability behind them, making the case that there is no escape from his destiny since he is the inevitable product of the society in which he has lived since birth, faced by expectations imposed upon him by others tasked to teach him the proper way for a Black man to live in society. It is often said that those who do not learn from history are doomed to repeat it. This is certainly the case in Wright's original story which could have been written today, given the similar news stories filling the airwaves right now involving police beatings of Black men and gun violence leading to senseless murders.
A love letter to those who shape our lives, hold us together and break our hearts. IAMA Theatre Company presents theworld premiere of Mama Metal, a joyfully irreverent black comedy by 2017 Humanitas Play LA award-winner Sigrid Gilmer that entwines issues of identity with pop culture icons to tell a truly unique mother-daughter story. Deena Selenow directs for a May 23 opening atAtwater Village Theatre, where performances will continue through June 23. Low-priced previews begin May 17.
Playwright Cicely Hamilton's first productions of her DIANA OF DOBSON'S in 1908 must have been quite controversial with a, then unheard of, strong, outspoken woman Diana Massingberd as the lead character. Abigail Marks more than fills the shoes of Diana with her relentless command of the stage. Director Casey Stangl deftly guides her talented cast in a fast-talking, fast-paced journey of Diana's adventures.
Antaeus Theatre Company's production of "Native Son," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre, will open Saturday, April 20 at 8 p.m. Written by Nambi E. Kelley, based on the novel by Richard Wright and directed by Andi Chapman, "Native Son" is currently in previews and will close April 28.
The Los Angeles Drama Critics Circle announced the recipients of its 50th annual awards for distinguished achievement in theatre last night, Monday, April 8, 2019, at Pasadena Playhouse. Wenzel Jones presided over the festivities, and Christopher Raymond served as music director.
Casting is set for Antaeus Theatre Company's production of "Native Son," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre. Written by Nambi E. Kelley, based on the novel by Richard Wright and directed by Andi Chapman, "Native Son" will begin previews April 18, open April 20 and continue through April 28, 2019.
Once again, the NAACP Beverly Hills/Hollywood Branch's Theatre Viewing Committee has spoken, and the nominations are in for the 28th Annual NAACP Theatre Awards. This year's pedigreed list of nominees collectively represents a rich, extensive dossier of legacies and accolades for both stage and screen. These nominees include members of a legendary 'gospel royal family' as well as a Legend whose part of an elite group of artists in the EGOT winners circle. These, along with all their fellow nominees, will be honored for their excellence on the small and large stages during our annual awards dinner, slated to be held on Monday, June 17, 2019, 6:00 p.m.at the prestigious Millennium Biltmore Hotel in Los Angeles, California.
When poorly paid worker Diana inherits enough money to free her from a lifetime of drudgery, she impulsively decides to spend it all on a madcap, month-long taste of the high-life. But what she learns about love, money and society may surprise us all. Antaeus Theatre Companypresents a rare revival of the 1908 romantic comedyDiana of Dobson's byBritish suffragist (and friend of George Bernard Shaw) Cicely Hamilton.Casey Stangl directs a partner-cast ensemble for an April 18 and April 19opening (one opening night for each cast) at theKiki & David Gindler Performing Arts Center in Glendale, where performances continue through June 3. Low-priced previews begin April 11.
Fierce. Funny. Intense. The Echo Theater Company opens its 2019 season with theLos Angeles premiere of The Wolves, the debut play by "playwright to watch" Sarah DeLappe that was a finalist for the Pulitzer Prize. Alana Dietze (Dry Land) directs for aMarch 16 opening at Atwater Village Theatre. Pay-what-you-want previews begin March 13, and performances continue through April 22.
The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 - Nov. 30, 2018).
Fierce. Funny. Intense. The Echo Theater Company opens its 2019 season with theLos Angeles premiere of The Wolves, the debut play by "playwright to watch" SarahDeLappe that was a finalist for the Pulitzer Prize. Alana Dietze (Dry Land) directs for aMarch 16 opening at Atwater Village Theatre. Pay-what-you-want previews begin March 13, and performances continue through April 22.
This land was made for you and me" - Woody Guthrie. IAMA Theatre Company partners with the Latino Theater Company to bring the world premiere of Canyon by Jonathan Caren (The Recommendation, Need To Know) to The Los Angeles Theatre Center. Previews begin Feb. 22, with the press opening scheduled for Thursday, Feb. 28 and performances continuing through March 24.
Add Martin McDonagh's THE CRIPPLE OF INISHMAAN to the already lengthy resume of stellar productions that the always dependable Antaeus Theatre Company manages to assemble on their stage. Steven Robman sure-handedly directs his talented Irish-brogued ensemble of seven (The Fripple Frapples cast of the double castings) at a quick, smooth pace; vividly illustrating McDonagh's smart, witty and brutal tale based on the real-life filming of the 1934 documentary Man of Aran. Buried in the 'news' the town gossip Johnnypateenmike spreads, the arrival of a film crew from America looking to make a movie on the neighboring Inishmore piques everyone's interest.
Babyboomers are familiar with the original 1946 film It's a Wonderful Life starring James Stewart, Donna Reed and Lionel Barrymore. Stewart played George Bailey who was trapped in his father's Savings and Loan establishment in Bedford Falls, unable to pursue his dreams. Now through December 23 only, the Pasadena Playhouse is presenting a radio play version live onstage adapted by Joe Landry from the 1946 screenplay.
A Noise Within (ANW), the acclaimed classical repertory theatre, presents Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the Tony Award-winning play that first brought Stoppard to the attention of an international audience - a position he has held in the half century since its premiere in 1967. ANW Producing Artistic Director Geoff Elliott directs. Rosencrantz and Guildenstern Are Dead performs from October 7 to November 18 (Press Opening October 13).
The always in-demand Cameron Watson, a stalwart of the Los Angeles theatre community, will next be helming the holiday production of IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY at the Pasadena Playhouse for a brief run December 12 to 23. Cameron managed to find some time between his many creative responsibilities to answer a few of my inquisitive inquiries.
The nominees for the 29th Annual LA STAGE Alliance Ovation Awards, celebrating theatrical excellence and achievement throughout Los Angeles, were announced this week.
Lillian Hellman's THE LITTLE FOXES receives a stunning, STUNNING mounting by the always dependable Antaeus Theatre Company. Helmed with much precision by director Cameron Watson, the two-and-a-half-hour, two-intermission, three-act simply whizzes by, packed with Hellman's wonderful words coming out of the most capable troupe of actors, all.
When Della and her Goddaughter Jen have a truthful heart-to-heart about making the decision whether or not the wedding cake will be baked at Della's Sweets, even though you may need a Kleenex, listen closely to the truthful honesty with which the lines are delivered by these two actresses dedicated to showing audiences that neither side is right nor wrong, just diametrically opposed and correct to each of them. And I am not revealing whether or not Della bakes the cake or even attends the wedding as the truth is revealed during the final moments of the play when THE CAKE proves that love is always the key ingredient in life.
A Noise Within (ANW), the acclaimed classical repertory theatre, presents Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the Tony Award-winning play that first brought Stoppard to the attention of an international audience - a position he has held in the half century since its premiere in 1967. ANW Producing Artistic Director Geoff Elliott directs. Rosencrantz and Guildenstern Are Dead performs from October 7 to November 18 (Press Opening October 13).
