The Met's first cancellation due to coronavirus concerns was the revival of Rossini's LA CENERENTOLA, the opera retelling of the Cinderella story, set to star mezzo Tara Erraught in the title role and one of its biggest tenor stars, Javier Camarena as Don Ramiro, her prince. The opera holds a particular place in Camarena's history at the Met: It made him an overnight sensation when he was tapped to replace Juan Diego Florez and blew the roof off--a real-life Cinderella story.
Aun cuando se ha convertido en la primera mexicana que triunfa en las Audiciones de The Metropolitan Opera; haber conquistado el Concurso Nacional de Canto Carlo Morelli y ser seleccionada para formar parte del Studio Opera de Chicago, la soprano poblana Denis Vélez Luna no deja de soñar y continúa preparándose para compromisos todavía más grandes.
Saturday night, I heard soprano Lisette Oropesa deliver an alternatingly delicious and desperately dramatic Violetta in Verdi's LA TRAVIATA at the Met. Less than a day later, she was the emcee at the GRAND FINALS CONCERT of the Met's National Council Auditions--where she was a winner herself in 2005 and “it changed my life,” she recalled--delivering the latest batch of opera babies into the big time.
After a months-long series of competitions at the district, regional, and national levels, a panel of expert judges named five singers as the winners of the 2020 Metropolitan Opera National Council Auditions. Each winner receives a $20,000 cash prizea?"up from $15,000, the first increase since 1998a?"and the prestige and exposure that come with winning the competition that launched the careers of many of opera's biggest stars.
Following yesterday's semi-final competition, nine young singers have advanced to the final round of the Metropolitan Opera's 2020 National Council Auditions. In the public concert, finalists perform on the Met stage Sunday, March 1 at 3 p.m., for an audience of judges, agents, industry leaders, and the general public (in the auditorium and live on the radio). The finalists, chosen by a panel of opera administrators from the Met and other companies, each perform two arias with the Met Orchestra conducted by Bertrand de Billy. Prize money will increase for the first time in 20 years, with the winners receiving individual cash prizes of $20,000 (previously $15,000), and the prestigious and potentially career-launching title of National Council Auditions Winner. The remaining finalists receive $10,000 (previously $7,500).
The 23 young opera singers who have won regional auditions around the United States will compete in the semifinal round of the country's leading vocal competition, the Metropolitan Opera National Council Auditions, on Monday, February 24. The closed semifinal competition, held on the Met stage before a panel of judges, will determine the select group of finalists who will advance to the final round of the competition-the Grand Finals, which is open to the public and will be held on the Met stage on Sunday, March 1.
En una colaboración del Instituto Nacional de Bellas Artes y Literatura (INBAL), Canal 22 y Radio Educación, transmitirán en vivo este domingo 16 de febrero a las 17:00 horas la segunda función del concierto operístico de La hija del regimiento, y que dio inicio a la primera temporada de la Compañía Nacional de Opera (CNO).
Today, the Metropolitan Opera announced its 2020-21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company's Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie's Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.
Explicó que se presentará la versión semiescenificada de la ópera con un formato que se utiliza en Europa y que agiliza el proceso de montaje. “Será un espectáculo digno del Palacio de Bellas Artes. Contaremos con grandes cantantes, y en el papel actuado de la Duquesa de Crakentorp, con Florinda Meza, a quien admiro desde mi infancia y tuve la fortuna de conocer por la ópera. Agradezco la Medalla Bellas Artes, un gran honor que porto con la responsabilidad máxima de dar lo mejor de mí”.
The Joan W. and Irving B. Harris Theater for Music and Dance has announced its Harris Theater Presents season for 2020-21, its most ambitious and diverse lineup to date. With 36 performances - including one international premiere and North American exclusive, Chicago debuts, and artists representing 11 countries and countless cultural influences -the 2020-21 season reaffirms the Harris Theater's commitment to presenting a multitude of voices and genres on its stage in Millennium Park.
The International Opera Awards today announced the finalists for its 2020 Awards [Wednesday 5 February 2020]. The annual red-carpet event - which celebrates achievement in opera around the globe over the 2019 calendar year - recognises excellence in a wide range of categories that cover performance, design and direction as well as education and outreach.
I admit this is an absolutely personal, totally one-sided view of what gave one man opera thrills last year and what I will look back on with delight. Some are old works, some are new, some are individual performers, some are ensembles, some are complete productions, some are merely the highlight of an evening, most are domestic, a few are foreign. In any case, as the new decade begins, I recall that these are the vocal highlights that made my heart beat a little faster and made me look forward to the year ahead.
El Instituto Nacional de Bellas Artes y Literatura (INBAL) lamenta el deceso del tenor José Guadalupe Reyes, uno de los cantantes más destacados a nivel nacional e internacional, quien desarrolló una fructífera trayectoria desde su ingreso al Instituto en 1985, en el cual participó en numerosos conciertos al lado de músicos de renombre.
On the evening of October 20, 2019, Los Angeles Opera presented a recital by Javier Camarena and pianist Ángel Rodríguez at the Dorothy Chandler Pavilion. Camarena is the Mexican tenor who made news at the Metropolitan Opera when he and the orchestra under Fabio Luisi repeated their rendition of Don Ramiro's aria 'Si, ritrovarla io giuro' (a?oeYes, I'll find her, I sweara??) from Rossini's La Cenerentola.
The Metropolitan Opera's annual Summer HD Festival, presenting free outdoor screenings of operas in Lincoln Center Plaza, returns for the 11th time this summer, with one screening each night now through Monday, September 2, 2019 (Labor Day). The series features ten performances from the company's acclaimed Live in HD series of movie theater transmissions, including performances from the 2018 19 season as well as some of the most popular transmissions from past years. Preceding the festival, on Friday, August 23, the classic movie musical Funny Face will be screened in the plaza, in association with Film at Lincoln Center. Funny Face features songs by George and Ira Gershwin, whose opera, Porgy and Bess, will be presented in a new production to open the Met's forthcoming 2019 20 season in September.
Lighter than a macaron and every bit as deliciously Gallic, Donizetti's La fille du regiment swaps the composer's signature brand of robust, Italian comedy for something frothier, more melt-in-the-mouth. Add to that director Laurent Pelly - go-to Frenchman for whimsy and colour - and you have a classic operatic amuse-bouche.
Doce voces privilegiadas de jóvenes de entre 18 y 35 años darán muestra de lo aprendido en el Estudio de Ópera de Bellas Artes (EOBA) del Instituto Nacional de Bellas Artes y Literatura (INBAL). Los egresados de la sexta generación del EOBA se presentarán mañana a las 19:00 en la Sala Manuel M. Ponce del Palacio de Bellas Artes con un repertorio que incluye ensambles de Il trovatore y Don Carlo de Giuseppe Verdi y de La Clemenza di Tito y Le Nozze di Figaro de Wolfgang Amadeus Mozart, entre otras piezas de compositores como Giacomo Puccini y Francis Poulenc.
The Metropolitan Opera's annual Summer HD Festival, presenting free outdoor screenings of operas in Lincoln Center Plaza, returns for the 11th time this summer, with one screening each night from Saturday, August 24, to Monday, September 2, 2019 (Labor Day). The series features ten performances from the company's acclaimed Live in HD series of movie theater transmissions, including performances from the 2018 19 season as well as some of the most popular transmissions from past years. Preceding the festival, on Friday, August 23, the classic movie musical Funny Face will be screened in the plaza, in association with Film at Lincoln Center. Funny Face features songs by George and Ira Gershwin, whose opera, Porgy and Bess, will be presented in a new production to open the Met's forthcoming 2019 20 season in September.
