Jane Archibald News

The Canadian Opera Company presents a 2017/2018 season that defies conventions on what opera can be and cements the art form's enduring relevance as a reflection of timeless human relations and universal themes.

San Francisco Opera Center Director Sheri Greenawald today announced the thirteen recipients of the 2017 Adler Fellowship. Nine singers, three pianist/apprentice coaches and one director will take part in the program-a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.

The Canadian Opera Company officially starts it's performance season with the following operas and free concert series in October!

The work of George Frideric Handel, a supreme artist of the Baroque era, returns to the Canadian Opera Company stage this fall in the long awaited company premiere of Ariodante.

The 33rd season of the Schwabacher Debut Recitals continues on Sunday, March 6 at the new Dianne and Tad Taube Atrium Theater with bass-baritone Daniel Okulitch and pianist John Churchwell.

Canadian Opera Company audiences find themselves ensnared in a web of erotic passions with a new production of Mozart's The Marriage of Figaro this February.

Canada's greatest achievement in music, LOUIS RIEL, is returning to the Canadian Opera Company stage in a new production to help mark the 150th anniversary of the country's confederation. LOUIS RIEL is one of six landmark operas unveiled today at the public launch of the COC's 2016/2017 season at the Four Seasons Centre for the Performing Arts.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.

Toronto –  Canadian Opera Company audiences find themselves ensnared in a web of erotic passions with a new production of Mozart's The Marriage of Figaro this February. One of the most beautiful and convincing operas about the fluid enchantments, maze-like confusions and bouts of sheer blindness brought on by love, this new staging is directed by one of the most sought-after and critically acclaimed artists of his generation, Claus Guth, with equally celebrated musical leadership by COC Music Director Johannes Debus. The Marriage of Figaro is on stage at the Four Seasons Centre for the Performing Arts for 11 performances, including a special presentation starring the young artists of the COC's Ensemble Studio training program, on February 4, 7, 9, 13, 17, 19, 21, 22*, 23, 25 and 27, 2016.

SAN FRANCISCO (October 12, 2015) –– San Francisco Opera Center Director Sheri Greenawald announced today the twelve recipients of the 2016 Adler Fellowship, a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. This prestigious training program has nurtured the development of more than 150 young artists since its inception.

New York Festival of Song returns to the peace and natural beauty of the North Fork of Long Island to launch the 2015-16 NYFOS Emerging Artists series with a residency and pair of performances: tomorrow, August 23, 2015, 5:00 p.m. at Poquatuck Hall in Orient, NY and tonight, August 22, 2015, 5:00 p.m. at Christ Episcopal Church in Bellport, NY.

New York Festival of Song returns to the peace and natural beauty of the North Fork of Long Island to launch the 2015-16 NYFOS Emerging Artists series with a residency and pair of performances: Sunday, August 23, 2015, 5:00 p.m. at Poquatuck Hall inOrient, NY and Saturday, August 22, 2015, 5:00 p.m. at Christ Episcopal Church in Bellport, NY.

New York Festival of Song returns to the peace and natural beauty of the North Fork of Long Island to launch the 2015-16 NYFOS Emerging Artists series with a residency and pair of performances: Sunday, August 23, 2015, 5:00 p.m. at Poquatuck Hall in Orient, NY and Saturday, August 22, 2015, 5:00 p.m. at Christ Episcopal Church in Bellport, NY.

Festival d'Aix-en-Provence 2015, under the leadership of General Manager Bernard Foccroulle, will present world premiere productions of operas by Handel and Mozart; the return of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream; and the French premiere of Jonathan Dove's children's opera, The Monster in the Maze, led by Sir Simon Rattle with the London Symphony Orchestra. Major vocal presentations in 2015 will also include a new production of Serbian composer Ana Sokolovi?'s uncommonly original one-act a cappella opera Svadba (Marriage), and a double bill of Persephone-Stravinsky's hybrid musical work for speaker, singers, dancers, and orchestra-with Tchaikovsky's last opera, Iolanta.

The Canadian Opera Company's production of Handel's SEMELE came to BAM's Howard Gilman Opera House complete with a marvelous 17-ton Ming Dynasty temple, transported from the town of Quhou, China. It was central to the production concept by Zhang Huan, a visual and performance artist who admits to ignorance of opera. While bringing in aspects of Buddhism along with elements of Chinese and Japanese culture doesn't do damage to this work—about the intermingling of mortals and gods—neither do they illuminate it.

?The 32nd season of the Schwabacher Debut Recitals continues on Sunday, March 29 at Temple Emanu-El's Martin Meyer Sanctuary with soprano Julie Adams and pianist John Churchwell. Adams and Churchwell will present a program of works by Alfred Bachelet, Erich Wolfgang Korngold, Edvard Grieg, Sergei Rachmaninov and Lee Hoiby.

The Canadian Opera Company is making headlines in New York on the occasion of its recent tour to the world-renowned Brooklyn Academy of Music. The COC's theatrically transcendent production of Handel'sSemele, created by famed Chinese visual and performance artist Zhang Huan, was previewed in the early days of its New York residency by the Toronto Star as “looking like an opera we can be proud that Toronto brought to the Big Apple.” It went on to open on March 4 to popular and critical acclaim withSuperconductor lauding the occasion as “a chance for this city to hear this excellent Toronto-based company in a rare American visit.”

Zang Huan's imaginative retelling of the baroque Opera at BAM as performed by the Canadian Opera Company.