The final performance of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the second production in Trevor Nunn's year as Artistic Director of the Theatre Royal Haymarket, is on Saturday 20 August 2011, as previously announced.
Shakespeare's Globe London Cinema Series continues with the London Globe Theatre's critically acclaimed production of Henry IV Part 2 starring Roger Allam, who won the Best Actor Olivier Award for his definitive performance as Falstaff in this production.
Shakespeare's Globe London Cinema Series continues with the London Globe Theatre's critically acclaimed production of Henry IV Part 2 starring Roger Allam, who won the Best Actor Olivier Award for his definitive performance as Falstaff in this production.
On August 18, Fathom Entertainment continues their unprecedented live stage-on-film series begun earlier this summer - in the form of movie theater showings of THE MERRY WIVES OF WINDSOR and HENRY IV: Part 1 in June and July, respectively - with Dominic Dromgoole's conclusion of the epic Shakespeare
Shakespeare's Globe London Cinema Series continues with the London Globe Theatre's critically acclaimed production of Henry IV Part 2 starring Roger Allam, who won the Best Actor Olivier Award for his definitive performance as Falstaff in this production.
The final performance of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the second production in Trevor Nunn's year as Artistic Director of the Theatre Royal Haymarket, is on Saturday 20 August 2011, as previously announced.
The final performance of Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the second production in Trevor Nunn's year as Artistic Director of the Theatre Royal Haymarket, is on Saturday 20 August 2011, as previously announced.
Shakespeare's Globe London Cinema Series continues with the London Globe Theatre's critically acclaimed production of Henry IV Part 1 starring Roger Allam, who won the Best Actor Olivier Award for his definitive performance as Falstaff in this production.
Shakespeare's Globe London Cinema Series continues with the London Globe Theatre's critically acclaimed production of Henry IV Part 1 starring Roger Allam, who won the Best Actor Olivier Award for his definitive performance as Falstaff in this production.
Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011.
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Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011.
The final performance of Trevor Nunn's critically acclaimed production of Terence Rattigan's Flare Path is on Saturday 11 June 2011.
Tim Curry has announced that he is withdrawing from the Chichester Festival Theatre's new London-bound production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead.
The final performance of Trevor Nunn's critically acclaimed production of Terence Rattigan's Flare Path is on Saturday 11 June 2011.
Following the opening of Terence Rattigan's Flare Path, the Theatre Royal Haymarket Company today (1 April 2011) announce a further two productions to be directed by Trevor Nunn in his role as Artistic Director.
The second play in Sheffield Theatres' David Hare season opens at the Crucible.
Full casting is today announced for The David Hare Season at Sheffield Theatres.
Sheffield Theatres has today announced some of the cast for The David Hare Season.
Shakespeare's Globe confirms further details of the 2010 Kings and Rogues theatre season, following a record-breaking 2009 which achieved the highest attendance figures ever in its 13 year history, as well as seeing the Globe reach new audiences all over the UK, Europe and the US through touring, an
Miriam Zendle takes a look at London theatre, musing on the proliferation of new plays and outdoor shows
