James Turrell News

Peter Blum is pleased to announce the upcoming exhibition

With a special theatrical experience that is also a stroll in the park, the Wexner Center for the Arts and Franklin Park Conservatory will co-present Susurrus, an audio play designed for botanical gardens by Glasgow playwright and director David Leddy. The show will run October 14-October 24, 2010 in and around Franklin Park Conservatory.

With a special theatrical experience that is also a stroll in the park, the Wexner Center for the Arts and Franklin Park Conservatory will co-present Susurrus, an audio play designed for botanical gardens by Glasgow playwright and director David Leddy. The show will run October 14-October 24, 2010 in and around Franklin Park Conservatory.

Richard Armstrong, Director, Solomon R. Guggenheim Foundation and Museum, announced the appointment of Jeffrey Weiss to the newly established position of Curator, Panza Collection. The creation of the position is part of the Panza Collection Conservation Initiative (PCCI), which was announced last month along with a major grant from The Andrew W. Mellon Foundation of $1.23 million to support the first phase of this project. This phase will undertake a comprehensive evaluation of the Minimalist, Post-Minimalist, and Conceptual artworks, from the 1960s through the 1970s, in the Guggenheim's Panza Collection.

The Solomon R. Guggenheim Foundation has received a major grant of $1.23 million from The Andrew W. Mellon Foundation to commence work on the Panza Collection Conservation Initiative, it was announced today by Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum.

Primary Atmospheres: Works from California 1960-1970 will present to the New York public a long-overdue survey of the particular kindof minimal work that was made in and around Los Angeles, work which differentiated itself in its emphasis on surface, synthetic materials, industrial processes, and perception.

Primary Atmospheres: Works from California 1960-1970 will present to the New York public a long-overdue survey of the particular kindof minimal work that was made in and around Los Angeles, work which differentiated itself in its emphasis on surface, synthetic materials, industrial processes, and perception.