James Lynch News

BritBeat, America's Premier Tribute to the Beatles, invites fans of the most famous band in history to get their 'Ticket to Ride' and once again relive the excitement of Beatlemania on The Beatles Tribute Cruise setting sail on March 28, 2010.

BritBeat, America's Premier Tribute to the Beatles, invites fans of the most famous band in history to get their 'Ticket to Ride' and once again relive the excitement of Beatlemania on The Beatles Tribute Cruise setting sail on March 28, 2010.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Redwood Theatre kicks of their 26th Season with the Washington state premiere of the acclaimed Thunderbolts and Dunderheads, a new farce by Canadian playwright Todd McGinnis, directed by Roy Arauz. Thunderbolts and Dunderheads plays in Redmond?s Fred W. Meitzer Theater, within the Redmond Civic Campus, from October 9 through October 24, 2009. Performances are Fridays and Saturdays at 8:00 pm and Sundays at 2:00 pm. The Sunday, October 18 2:00 pm performance will be interpreted for the hearing impaired.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Redwood Theatre kicks of their 26th Season with the Washington state premiere of the acclaimed Thunderbolts and Dunderheads, a new farce by Canadian playwright Todd McGinnis, directed by Roy Arauz. Thunderbolts and Dunderheads plays in Redmond?s Fred W. Meitzer Theater, within the Redmond Civic Campus, from October 9 through October 24, 2009. Performances are Fridays and Saturdays at 8:00 pm and Sundays at 2:00 pm. The Sunday, October 18 2:00 pm performance will be interpreted for the hearing impaired.

Redwood Theatre kicks of their 26th Season with the Washington state premiere of the acclaimed Thunderbolts and Dunderheads, a new farce by Canadian playwright Todd McGinnis, directed by Roy Arauz. Thunderbolts and Dunderheads plays in Redmond?s Fred W. Meitzer Theater, within the Redmond Civic Campus, from October 9 through October 24, 2009. Performances are Fridays and Saturdays at 8:00 pm and Sundays at 2:00 pm. The Sunday, October 18 2:00 pm performance will be interpreted for the hearing impaired.

Red Bull Theater presents Monday March 23, 7pm A staged reading of A NEW WAY TO PAY OLD DEBTS by Philip Massinger With characters like Justice Greedy and Sir Giles Overreach, this vicious satire is a classic battle of young love versus parent's plans, bustling in the marketplace of debtors, creditors, and everyday profligates of 17th-century Nottinghamshire.

Red Bull Theater presents Monday March 23, 7pm A staged reading of A NEW WAY TO PAY OLD DEBTS by Philip Massinger With characters like Justice Greedy and Sir Giles Overreach, this vicious satire is a classic battle of young love versus parent's plans, bustling in the marketplace of debtors, creditors, and everyday profligates of 17th-century Nottinghamshire.

Kate Burton gives a glowing performance as the formidable Miss Moffat in this Huntington Theatre restaging of the Emlyn Williams classic