The Stage today announces the shortlist for its prestigious The Stage Debut Awards 2019, in association with Access Entertainment. Voting has also opened for The Joe Allen Best West End Debut Award 2019.
Opening The Bunker's Autumn Season the curated festival This is Black will premiere theatre productions by four new and exciting Black writers across an alternating double-bill. Exploring identity, family relationships and universal struggles, the festival will showcase All the Shit I Can't Say to My Dad by Abraham Adeyemi and Blue Beneath My Skin by Macadie Amoroso with PYNEAPPLE by Chantelle Alle and Melissa Saint and Teleportation by Ronk? Adekolu?jo.
Talawa Theatre Company has revealed the line up for Talawa Firsts 2019: the annual festival dedicated to new Black British theatre writers and makers. By offering a platform to present new work and participate in developmental workshops, Talawa Firsts champions the depth and breadth of new theatre making and writing, representing the diversity of Black voices in theatre and the performing arts. The festival will run from 19 June - 5 July 2019 at Shoreditch Town Hall.
Nicole Lecky brings her sell-out London show to Brighton Festival. Due to an unforeseen injury, this performance was adapted after Lecky suffered a twisted ankle. Directed by Jade Lewis and in collaboration between the Talawa Theatre Company and the Royal Court Theatre, Superhoe is a one-handed piece, written and performed by Lecky.
Superhoe marks Nicole Lecky's debut at the Royal Court Theatre in the venue's first collaboration with Talawa Theatre Company. Written and performed by the actress, the monologue sees 24-year-old Sasha taking one wrong turn after the next.
Extinguished Things is a new play from award-winning playwright Molly Taylor, who returns to Adelaide after her hit season of Love Letters to the Public Transport System (WINNER Adelaide Critics' Circle Award Week 2) at the 2018 Adelaide Fringe.
Nicole Lecky makes her Royal Court writing and performing debut with new play Superhoe, a co-production with Talawa Theatre Company with direction from Jade Lewis. The production runs in the Jerwood Theatre Upstairs Wednesday 30 January 2019 to Saturday 16 February 2019 with a press performance at 7pm Monday 4 February 2019.
The National Theatre production of Nine Night, Natasha Gordon's award-winning play begins previews at the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she won 'The Charles Wintour Award for Best Emerging Playwright' in last week's Evening Standard Theatre Awards.
In a unique collaborative programme, Ovalhouse's autumn season brings together an outstanding collection of six new shows plus seven FiRST BiTES that, for the first time, are all co- produced in-house by Ovalhouse. This season's pertinent theme of care highlights both the theatre's enduring passion for nurturing emerging artists - every production in this season started its life at Ovalhouse - as well as the way all of the plays deal with how we care for one another.
The National Theatre have today announced the full cast for Nine Night, Natasha Gordon's critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper's 'Debut Awards'. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast.
In the summer of 2014 I decided that I wanted to write a play. A play which would give me a platform and would allow me to tell stories that aren't always shown in the mainstream. So I took to paper and wrote my first play, On The Edge Of Me: a piece exploring graduate unemployment and mental health issues.