Good fences make good neighbors...right? Neighborly rivalry escalates into an all-out border dispute in Karen Zacarias' newest hot-button comedy Native Gardens, which makes its D.C. debut at Arena Stage at the Mead Center for American Theater.
We have all had them. Whether they were the apartment down the hall that blasted their stereo or the house next door that held parties till the wee small hours of the morning, everyone has had a problem neighbor. And while many a comedy has taken place when the mantra 'good fences makes good neighbors' goes south, Native Gardens aims to do much more than make people laugh. When Native Gardens begins performances at Arena Stage next week it hopes to start a conversation.
'I think comedy is disarming. I mean literally. You let down your armor so you can laugh. And if you laugh, you're taking things in. I want people who disagree to watch this play and be able to laugh at themselves.' Mission accomplished. The new play NATIVE GARDENS by Karen Zacarias (from whom this quote comes), now playing on the Guthrie proscenium stage, accomplishes this and more. Through the lens of neighbors disagreeing about a fence, she exposes our many prejudices, fears, and defenses. Everyone in the audience can recognize themselves and the prejudices they harbor, or the ones they've faced, and laugh at the ridiculousness of it all. The two couples in the play are on opposite sides of many issues, but through this dispute they eventually come to realize that despite their differences they both want the same thing - a nice yard to live in and friendly neighbors.
Good fences make good neighbors...right? Neighborly rivalry escalates into an all-out border dispute in Karen Zacarias' newest hot-button comedy Native Gardens, which makes its D.C. debut at Arena Stage at the Mead Center for American Theater.
'The Women of Padilla,' an extraordinary show, is now being performed at Two River ater (TRT) through April 30th. Written Tony Meneses with direction by Ken Rus Schmoll, the show features an all-female cast that brings the play's characters to life on the Red Bank Stage.
Two River Theater (Artistic Director John Dias, Managing Director Michael Hurst) presents The Women of Padilla, a play by Tony Meneses, directed by Ken Rus Schmoll.
Two River Theater, under the leadership of Artistic Director John Dias and Managing Director Michael Hurst, continues its season with The Women of Padilla , a new play by Tony Meneses, directed by Ken Rus Schmoll.
The Cradle Song, Gregorio Martinez Sierra's tale of a child left at a conventand the extraordinary impact that has on the lives of the nuns, will be presented as a staged reading by The Acting Company at 7 pm tonight, March 9th at the Pearl Theater, 555 West 42nd Street (10th - 11thAvenues).
The Cradle Song, Gregorio Martinez Sierra's tale of a child left at a conventand the extraordinary impact that has on the lives of the nuns, will be presented as a staged reading by The Acting Company at 7 pm on Monday, March 9th at the Pearl Theater, 555 West 42nd Street (10th - 11thAvenues).
The Guthrie Theater and The Acting Company (TAC) reunite for a sixth year, presenting Hamlet, Shakespeare's story of a Danish prince's search for vengeance, justice and truth, in repertory with Rosencrantz and Guildenstern Are Dead, a reworking of the same tragedy from the point of view of two minor characters and their static existence in a world beyond their comprehension. This two-week engagement today, April 22 - May 4, on the McGuire Proscenium Stage, will conclude a successful seven-month 42-city tour, during which time these productions played to thousands of adults and students in large and small markets around the United States. Both Hamlet and Rosencrantz and Guildenstern Are Dead will showcase the talents of graduates of the University of Minnesota/Guthrie Theater B.F.A. Actor Training Program, as well as alumni of A Guthrie Experience for Actors in Training.
The Guthrie Theater and The Acting Company (TAC) reunite for a sixth year, presenting Hamlet, Shakespeare's story of a Danish prince's search for vengeance, justice and truth, in repertory with Rosencrantz and Guildenstern Are Dead, a reworking of the same tragedy from the point of view of two minor characters and their static existence in a world beyond their comprehension. This two-week engagement April 22 - May 4, on the McGuire Proscenium Stage, will conclude a successful seven-month 42-city tour, during which time these productions played to thousands of adults and students in large and small markets around the United States. Both Hamlet and Rosencrantz and Guildenstern Are Dead will showcase the talents of graduates of the University of Minnesota/Guthrie Theater B.F.A. Actor Training Program, as well as alumni of A Guthrie Experience for Actors in Training.
