WQXR And Carnegie Hall Present CARNEGIE HALL LIVE
For the eighth season in a row, WQXR and CARNEGIE HALL proudly unite to present "Carnegie Hall Live," a series of live broadcasts from the 2018-19 season.
For the eighth season in a row, WQXR and CARNEGIE HALL proudly unite to present "Carnegie Hall Live," a series of live broadcasts from the 2018-19 season.
One of the nation's leading organizations for the advancement of early music, the San Francisco Early Music Society (SFEMS) has announced its 2018-19 season featuring some of the most exciting early music practitioners here and abroad in nine wide-ranging programs.
Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
The 2018 Schwabacher Recital Series concludes on April 4 with pianist Kevin Murphy and a quartet of current San Francisco Opera Adler Fellows-soprano Natalie Image, mezzo-soprano Ashley Dixon, tenor Amitai Pati and bass-baritone Christian Pursell-in a program celebrating the great American composer/
Handel knew how to put on a show.
Just about the most spectacular opera event of the season so far arrived at Carnegie Hall Sunday afternoon, with the English Concert and Harry Bicket making their annual foray into Handel territory, with a superb RINALDO.
Producers Sonia Friedman, Shakespeare's Globe and Paula Marie Black have announced that the Shakespeare's Globe production of FARINELLI AND THE KING, starring three-time Tony Award-winner and Academy Award winner Mark Rylance, recouped its capitalization costs on Broadway, officially entering the hi
On Sunday, March 25 at 2:00 p.
The Cleveland Orchestra and Music Director Franz Welser-Most announce further details of the upcoming festival The Ecstasy of Tristan and Isolde.
Season 12 of Great Performances at the Met continues on PBS on Sunday, March 25, at 12:00pm with the American premiere of Thomas Adès's The Exterminating Angel, a surreal fantasy about a dinner party from which the guests can't escape.
With 16 Handel and Haydn Society premieres, the first performance of Schubert's Symphony No.
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 13th season on October 6, with the Met's grand production of Verdi's Aida, starring one of the world's most acclaimed sopranos, Anna Netrebko.
Accelerating his arrival as Music Director by two seasons, Yannick Nezet-Seguin will take up the post in time for the start of the Metropolitan Opera's 2018-19 season, it was announced today.
A season filled with unforgettable music, thrilling singers from around the world, and stirring new productions goes on sale via subscription Wednesday, February 7 at 10am.
San Francisco Opera Center and Merola Opera Program present the 35th anniversary season of the Schwabacher Recital Series, opening on February 21 and continuing through April 4.
Simon Jones (The Real Thing, Benefactors), will join the cast of the Shakespeare's Globe production of FARINELLI AND THE KING on Tuesday, January 9, playing the role of opera impresario John Rich.
The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, opened last night, December 17, 2017 at Broadway's Belasco Theatre (111 West 44t
The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, opened last night, December 17, 2017 at Broadway's Belasco Theatre (111 West 44t
The critically acclaimed Shakespeare's Globe production of Farinelli and the King, starring three-time Tony Award-winner (Twelfth Night, Jerusalem, Boeing-Boeing) and Academy Award-winner (Bridge of Spies) Mark Rylance, opened last night, December 17, 2017 at Broadway's Belasco Theatre (111 West 44t
Fans of trained actors filling Broadway houses with the richness of their unamplified voices (not to mention those who believe electric lights are overrated) have reason to rejoice.