Hugh Landwehr News

Gregory Boyd, Artistic Director of the Alley Theatre, announces the cast and creative team of the classic drama A View from the Bridge by Arthur Miller. A View from the Bridge is the passionate and explosive story of the Carbone family and their Sicilian cousins as they discover that the American dream comes at a price.

Garson Kanin's BORN YESTERDAY premiered on Broadway in 1946, and seventy years later it still entertains and gently enlightens. Regardless of the time period, the play is far more relevant than you'd think. Directed by Jonathan Moscone, the play is about wealth, political corruption, education and opportunity. As we drag along into the current presidential election, there is plenty to say on these topics, and evidently Kanin felt the same way back in the forties.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Garson Kanin's Born Yesterday, a delicious screwball classic, beginning performances June 3. Featuring Alley Company Members and directed by Jonathan Moscone, the play is the grand finale of the inaugural season in the newly renovated Hubbard Theatre.

The feel-good family friendly show is fast paced, well-performed, and will have you laughing out loud. The show is full of wit, quips, and charm. The show will close in less than a week, and it's one that you do not want to miss this season. Don't forget to bring the kiddos. The comedy was adapted by Playwright Mark Brown, based on the 1873 novel by Jules Verne, and the production is directed by Mark Shanahan. The story is about Phileas Fogg's attempt to circumnavigate the globe within eighty days as a result of a wager with members of the London-based aristocratic group, the Reform Club.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Around the World in 80 Days, which runs March 4-April 3 in the Hubbard Theatre.

I was pleased to see many familiar faces last Wednesday at the Alley Theatre's performance of ONE MAN, TWO GUVNORS. It helped set the tone for the comedic and interactive performance that seemed to ask us to leave any egos at the door, relax, and sit back for a night of farcical storytelling and crass side-splitting humor. The show absolutely delivered.

To put it succinctly, be ready to laugh your ass off. A brilliant, witty melange of slapstick, sight gags, silly absurdity, hyperbolic acting, and even bits of good ol' reliable audience participation, ONE MAN, TWO GUVNORS, Richard Bean's exceedingly hilarious comedy of errors, misdirections, and misunderstandings is now receiving a superb West Coast premiere production at Orange County's Tony Award-winning South Coast Repertory theater through October 11.

One Man, Two Guvnors begins the Alley Theatre's 2015-2016 season in the newly renovated Hubbard Theatre on October 2, 2015. Winner of the Critics Circle Award and multiple Tony and Drama Desk Awards, this glorious comedy is a unique laugh-out-loud mix of satire, songs, and stupendous physical comedy. One Man, Two Guvnors, by Richard Bean is based on The Servant of Two Masters by Carlo Goldoni with songs by Grant Olding and directed by Gregory Boyd. Previews begin October 2, Opening Night October 7, with performances continuing through November 1, 2015.

Due to an enthusiastic reception from critics and audiences alike, Berkeley Rep is proud to announce that the madcap comedy One Man, Two Guvnors, a sassy update of Carlo Goldoni's The Servant of Two Masters, will extend for one week, closing on June 28, 2015.

Berkeley Repertory Theatre will conclude its 48th season with Richard Bean's internationally acclaimed One Man, Two Guvnors, a sassy update of Carlo Goldoni's classic knee-slapper, The Servant of Two Masters. Set in 1963 Brighton, England, One Man, Two Guvnors is a brilliantly delicious mash-up of splendid comedy, British pantomime, and music-hall revues. The uproarious plot features a disarming and doltish Francis Henshall who finds himself trapped by farce into working for two bosses - who are connected in wildly improbable ways. He just has to keep them from discovering each other. Inspired insanity, high-low antics, and nimble wordplay ensue - all backed by live musicians paying homage to rockabilly and a certain Fab Four. Directed by David Ivers - artistic director of the Utah Shakespeare Festival - and with songs by Grant Olding, One Man, Two Guvnors is a riotous blast complete with a colorful cast of characters in a topsy-turvy world of love triangles and mistaken identities. It previews today May 8, 2015, opens today, May 15, 2015, and plays through Sunday June 21, 2015. Press night for One Man, Two Guvnors will be held today, May 15, 2015. Individual tickets start at $29 and can be purchased by phone at (510) 647-2949 or online at berkeleyrep.org.

Berkeley Repertory Theatre will conclude its 48th season with Richard Bean's internationally acclaimed One Man, Two Guvnors, a sassy update of Carlo Goldoni's classic knee-slapper, The Servant of Two Masters. Set in 1963 Brighton, England, One Man, Two Guvnors is a brilliantly delicious mash-up of splendid comedy, British pantomime, and music-hall revues. The uproarious plot features a disarming and doltish Francis Henshall who finds himself trapped by farce into working for two bosses - who are connected in wildly improbable ways. He just has to keep them from discovering each other. Inspired insanity, high-low antics, and nimble wordplay ensue - all backed by live musicians paying homage to rockabilly and a certain Fab Four. Directed by David Ivers - artistic director of the Utah Shakespeare Festival - and with songs by Grant Olding, One Man, Two Guvnors is a riotous blast complete with a colorful cast of characters in a topsy-turvy world of love triangles and mistaken identities. It previews on Friday May 8, 2015, opens on Friday, May 15, 2015, and plays through Sunday June 21, 2015. Press night for One Man, Two Guvnors will be held on Friday, May 15, 2015. Individual tickets start at $29 and can be purchased by phone at (510) 647-2949 or online at berkeleyrep.org.

The Washington Ballet presents Sleepy Hollow, the third installation in its ongoing "The American Experience" series of developing original full-length ballets based on iconic American literary masterworks.

WASHINGTON, D.C. - The Washington Ballet is pleased to announce casting and libretto for the world premiere of Septime Webre's Sleepy Hollow, Wednesday, February 18 - Sunday, February 22, 2015 at the Kennedy Center's Eisenhower Theater. The Company will be joined by guest artist, Xiomara Reyes, a principal dancer at American Ballet Theatre who will premiere the role of Katrina Van Tassel. Reyes studied at Cuba's National Ballet School. Prior to joining ABT, she danced as a First Soloist at the Royal Ballet of Flanders. Reyes joined American Ballet Theatre as a Soloist in 2001 and was promoted to Principal Dancer in 2003. Her awards include the Gold Medal for the Best Soloist at the International Ballet Competition of Chiclayo, Peru (1996), Best Couple Prize at the XIV International Ballet Competition in Varna (1990) and Silver Medal at the Cinquienne Concours International de Danse de Paris (1992).

The Washington Ballet presents Sleepy Hollow, the third installation in its ongoing “The American Experience” series of developing original full-length ballets based on iconic American literary masterworks.

There are many plays out there that focus on different aspects of the Dracula myth, but the Alley Theatre's production is based on the original 1927 stage adaptation by John L. Balderston and Hamilton Dean.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

The Washington Ballet (TWB) and Artistic Director Septime Webre are pleased to announce the 2014.15 Performance Season, a bold season which includes the world premiere of Sleepy Hollow, MASTERWORKS, ALICE (in wonderland), Tour-de-Force: Serenade, The Nutcracker, and for the first time in The Washington Ballet's history, Swan Lake.

When it comes to American Theatre from the 1930s, one of the leading writing duos was George S. Kaufman and Moss Hart. This pair is integral in the development of Modern American Theatre. They are often studied in survey courses that chart the progression of the art form, as most agree that together they wrote some of America's favorite comedies. Their hilarious and heartwarming 1936 play YOU CAN'T TAKE IT WITH YOU premiered at the Booth Theater on December 14, 1936 and ran for 837 performances. It also won the 1937 Pulitzer Prize for Drama. When it was adapted for film by Frank Capra and Robert Riskin in 1938, it won Oscars for Best Picture and Best Director. Now, in 2013, The Alley Theatre is reviving the classic and hysterical masterpiece about an eccentric family that is happily surviving the Great Depression. It's 1936, and their key to bliss is embrace the love they have for one another, their hobbies, and to find ways to simply enjoy the life they've got.