Broadway performer Keith White will present his solo show EGO SHOW at Green Room 42, showcasing an unseen side of himself through various characters, all controlled by their ego. Directed by Jordan Goodsell and accompanied by a 4 piece band.
More than 50 years after its original Broadway production, which had a Boston tryout at the Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, had its third revival in 2021, in a sprightly, cleverly reimagined, gender-swapped production that won five Tony Awards including Best Revival of a Musical.
Francis Ford Coppola's 1982 cult classic will be making a grand return! Following its limited theatrical release in January, One from the Heart: Reprise will soon be available to watch at home. The original film, released in 1982, was considered a critical and financial failure at the time but, in the years since, has developed a cult following for the colorful and musical extravaganza that it is.
The Philadelphia Artists Collective (PAC) is preparing for the Philadelphia premiere of Maxim Gorky's Children of the Sun. Adapted by Andrew Upton and directed by Megan Bellwoar, Gorky's darkly comedic tale plays a limited engagement, May 2-19, at The Bluver Theatre at The Drake.
Manhattan Theatre Club has announced three shows that will open next season, including the Broadway premiere of Stephen Sondheim's Old Friends and Eureka Day, as well as the world premiere of Vladamir, which will open off-Broadway.
Center Theatre Group (CTG) announced the North American premiere of Stephen Sondheim’s Old Friends, starring Bernadette Peters and Lea Salonga, and directed by Sir Matthew Bourne, playing at the Ahmanson Theatre from February 8—March 9, 2025.
A powerful play which explores the ongoing impact of Hillsborough on those who survived the disaster is returning to Liverpool this week in a new full-length production.
BlakDance will bring to Perth WA premieres of two bold works, The Other Side of Me by Gary Lang NT Dance Company (State Theatre Centre 30 April - 2 May), and SILENCE by Karul Projects at His Majesty’s Theatre (1-2 May).
BroadwayWorld Toronto spoke to ALL IS LOVE star Brueggergosman-Lee about her love for the show and the company, the importance of taking risks, and how her upcoming Governor General’s Lifetime Achievement Award is really an encouragement to keep creating.
BroadwayWorld readers know the theater is blessed with talented people who not only perform on the stage but also manage operations behind the scenes. From tech crews, producers, directors, and writers, to publishers, instructors, and dramaturgs, these folks have their own “stage presence” that leans toward the creative side of this craft.
The Off-Broadway production of Cowboy, based on the life of Bass Reeves will return beginning next month. Reeves holds the distinction of being the first black U.S. Deputy Marshal and this will be the first true western play to hit a Broadway or Off-Broadway stage in over 80 years.
Currently at Rogue Machine, the Los Angeles Premiere of Christian St. Croix’ Monsters of the American Cinema, which just opened April 6, 2024, at the Matrix Theatre. Rogue Machine’s producing artistic director John Perrin Flynn directs the cast of Kevin Daniels and Logan Leonardo Arditty. John took some time out of his very busy schedule to answer a few of my queries.
A lone man taking on a developer to keep his property. A woman being courted by a man of means favored by her parents and a rogue. A couple whose prosperous appearance masks deep insecurity, secrets, and recriminations. These are all familiar elements, perhaps even cliches, but in Best Medicine Repertory's new play 'Civilizing Lusby,' they are given new life in a funny and engaging production.
Aaron Nemo will perform his one-man multimedia musical comedy show Shitty Mozart to Brooklyn Comedy Collective on Saturday, April 13. A staff writer for The Late Show with Stephen Colbert, Nemo is set to bring Shitty Mozart to The Gilded Balloon for a month-long run at Edinburgh Fringe this August.
This is an excellent production of a story that is difficult to watch. The direction is sharp, the acting is flawless, and the technical theatre quality is first rate. The artists at St. Louis Actors’ studio have milked every bit of emotion they can wring from a strong script with, what was for me, a less than satisfying conclusion.