Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announce that the world premiere production of HARRY CLARKE by Obie Award winner David Cale (LILLIAN) and directed by Leigh Silverman (VIOLET) will be the first production of the 2017-2018 Season.
Haven Theatre has announced two of the three productions featured in its upcoming 2017-18 Season, including one world premiere - plus an exciting Midwest premiere already set for the company's 2018-19 Season.
Today, the New York Post has reported that the Tony nominated psychedelic rock musical, Passing Strange, by musicians Stew and Heidi Rodewald could be on its way back to the Broadway stage.
Award-winning Brooklyn ensemble the TEAM will present PRIMER FOR A FAILED SUPERPOWER, a two-night-only concert event featuring a multigenerational band of teenagers, TEAM performers, and Baby Boomers, directed by the TEAM's Artistic Director and Tony Award nominee Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812).
Founding Executive Director Kathy Evans announced the 19 writers and 9 new musicals selected for development at this summer's Rhinebeck Writers Retreat.
The Lortel Awards will be presented tonight, May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event will be hosted by actor and comedian, Taran Killam, and will once again serve as a benefit for The Actors Fund.
Rhinebeck Writers Retreat is presenting the first reading of the new musical, BHANGIN' IT, book by Rehana Lew Mirza and Mike Lew and music and lyrics by Sam Willmott, on May 1 in New York City for an invited industry audience. The reading includes actors Shoba Narayan (Natasha Pierre & The Great Comet), Tony Sheldon (Amelie), Dan Rosales (Spamilton), Angel Desai (Company), and Salena Qureshi. The reading is directed by David Ruttura (School of Rock) and music directed by James Dobinson (The View UpStairs).
The Off-Broadway League today announced nominations in 19 categories for the 32nd Annual Lucille Lortel Awards for Outstanding Achievement Off-Broadway.
The Wilma Theater is pleased to announce its upcoming 2017/18 Season. The season will begin with Federico Garcia Lorca's Blood Wedding, directed by Csaba Horvath and featuring the Wilma HotHouse Company of actors.
Stew, who wrote the book and lyrics for PASSING STRANGE, recently attended Standing Room Only Productions' presentation of PASSING STRANGE at the Obsidian Theater. BroadwayWorld has a peek at photos from his visit below!
Obsidian Theater in association with SRO Productions will stage the Tony and Drama Desk award-winning Broadway rock musical PASSING STRANGE for 14 performances - February 9 though March 4. Written by Stew and with music by Heidi Rodewald and Stew, PASSING STRANGE is a comedy-drama rock musical about a young black man's journey of self-discovery about family, cultures, spirituality, love, drugs, sex and music.
Obsidian Theater (The Motherf***** With the Hat) in association with SRO Productions (Green Day's American Idiot) will open the Tony and Drama Desk award-winning Broadway rock musical PASSING STRANGE TONIGHT at Obsidian Theater.
Kathy Evans, Founding Executive Director of Rhinebeck Writers Retreat, announced that applications are open to all musical theatre writers for this summer's retreats. Rhinebeck Writers Retreat will host 9 musical theatre writing teams for 9 consecutive weeklong residencies in the Hudson Valley, New York.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, announces the details for the New Opera Showcase, taking place today, January 13 at 8:00 p.m. at historic Town Hall in the heart of New York City's Times Square.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, announces the details for the New Opera Showcase, taking place on Friday, January 13 at 8:00 p.m. at historic Town Hall in the heart of New York City's Times Square.
In a recent interview with News Chief, Public Theater Artistic Director Oskar Eustis explains that he has a different economic philosophy from the Public's founder Joe Papp. The non-profit has a 10% stake in mega-hit Hamilton, though only a small portion goes into the theatre's operating budget. Noting that the Hamilton revenue 'won't be around forever,' he explains that only $250,000 goes into the Public's operating budget an the rest is placed in cash reserves for 'artistic programs, acquisition of space, raising payments for artists.'