The inaugural Explorations series continues with Elvis Costello's The Juliet Letters, Jan. 28 and 29 at the Michael and Ginger Frost Production Arts Building at the Richard J. Stern Opera Center.Explorations features eclectic programs in intimate spaces, with programming that crosses musical borders and experiments with a wide range of lyrical expression.
The inaugural Explorations series continues with Elvis Costello's The Juliet Letters, Jan. 28 and 29 at the Michael and Ginger Frost Production Arts Building at the Richard J. Stern Opera Center.Explorations features eclectic programs in intimate spaces, with programming that crosses musical borders and experiments with a wide range of lyrical expression.
Always looking for new worlds to conquer, Gioachino Rossini wrote GUILLAUME TELL in French, as Paris became the center of the opera world. Despite his successes there, this was to be his operatic swan song, a story glorifying a revolutionary character--with a message that resonated, loud and strong, at the performance the night after the troubling American election.
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
Based in New York City, George Tsypin's Opera Factory creates visions of towering gods, underwater kingdoms, skyscraping towers, and earth-bound angels. It was George Tsypin's Seaglass Carousel you saw at the Battery, his Chrysler Building in Spider-Man: Turn Off the Dark, his opening ceremony display at the 2014 Winter Olympics.
Opera Australia's interpretation of Sergei Prokofief's THE LOVE FOR THREE ORANGES returns to delight and entrance Sydney audiences. An explosion of colour, light, and fabulous physicality, this work breaks the mould of traditional opera with animated, accessible music and clever lyrics.
Casting for the third and fourth weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
Casting for the first two weeks of American Ballet Theatre's 2016 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.
THE MAGIC FLUTE Returns To Charm And Delight at Sydney Opera House
Sydney, Australia: From the creative talent that brought us The Lion King comes The Magic Flute - a fantastical theatrical adventure for audiences of all ages. Julie Taymor's wildly imaginative production returns in 2016 after hugely successful seasons in 2015, featuring whimsical stylised costumes and huge puppetry in a jaw- dropping show to entertain the child in us all. The Magic Flute plays at Sydney Opera House from tonight, 30 December 2015 to 16 January 2016.
Sydney, Australia: From the creative talent that brought us The Lion King comes The Magic Flute – a fantastical theatrical adventure for audiences of all ages. Julie Taymor's wildly imaginative production returns in 2016 after hugely successful seasons in 2015, featuring whimsical stylised costumes and huge puppetry in a jaw- dropping show to entertain the child in us all. The Magic Flute plays at Sydney Opera House from 30 December 2015 to 16 January 2016.
American Ballet Theatre opens its Fall season on Wednesday, October 21 at 6:30 P.M. with a special opening night Gala performance, highlighted by the New York City premiere of a new work by Mark Morris, with music by Johann Nepomuk Hummel (Septet in C Major, No. 2 'Military') and costumes by Issac Mizrahi, and the Company Premiere of Frederick Ashton's Monotones I and II set to music by Erik Satie with costumes by Ashton.
Programming for American Ballet Theatre's 2015 Fall season at the David H. Koch Theater was announced today by Artistic Director Kevin McKenzie. Highlighting the season will be the New York City Premiere of a new work by Mark Morris and the Company Premieres of Frederick Ashton's Monotones I and II, George Balanchine's Valse-Fantaisie and AfterEffect by Marcelo Gomes. The 2015 Fall season at the David H. Koch Theater, October 21 through November 1, marks the conclusion of ABT's 75th Anniversary celebration.
Casting for the first two weeks of American Ballet Theatre's 2015 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
American Ballet Theatre's 2015 season at the Metropolitan Opera House, May 11-July 4, will be highlighted by the New York Premiere of an all-new production of The Sleeping Beauty, a revival of Lar Lubovitch's Othello and repertory programs featuring historic works in celebration of the Company's 75th Anniversary Season. Tickets for ABT's Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 22 at 9:00 A.M.
American Ballet Theatre's 2015 season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie. The season will be highlighted by the New York Premiere of Alexei Ratmansky's all-new production of The Sleeping Beauty, a revival of Lar Lubovitch's Othello and repertory programs featuring historic works in celebration of the Company's 75th Anniversary Season.
When Glen Berger signed on to write the script for a musical adaptation of SPIDER-MAN, alongside director Julie Taymor and music team Bono and the Edge, Berger thought he was about to have a mega-hit on his hands. But as he shares on a recent episode of Geek's Guide to the Galaxy, it was not to be. Click here to listen to the full interview!
Opera Australia brings back Julie Taymor's modern interpretation of THE MAGIC FLUTE, for the 2015 Summer Season. Translated to English by J D McClatchy, this version, originally created for the Metropolitan Opera of New York in 2005 gives the 18th Century story of the education of mankind a modern pantomime treatment.
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