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BWW Review: Nothing is Off Limits for Isaac Mizrahi in Café Carlyle Debut DOES THIS SONG MAKE ME LOOK FAT?
by Troy Frisby - Feb 9, 2017


Isaac Mizrahi has a simple question to ask: Does this song make me look fat? Any variation of that prompt is normally a strong cue to walk on eggshells, but making his Cafe Carlyle debut on January 31 with a show named for and based on that query, Mizrahi took a no-holds-barred approach to the human body and just how hilarious and, at times, revolting it can be. After opening the show with a silky-smooth cover of 'Yes' (Kander & Ebb), the fashion designer-cum-cabaret singer dove in headfirst to his fascination of body horror and the body in general. When an audience member protested over the risque-for-the-room subject of 'vodka tamponing,' Mizrahi brushed it off with a sheepish, 'Oh boy, I have some racy stuff coming.'

New Date and Complete Cast Announced for ZIEGFELD FOLLIES OF THE AIR
by BWW News Desk - Jan 3, 2017


A cast of Broadway stalwarts will join Tony Award winning legend and international stage and film star Liliane Montevecchi in The Ziegfeld Society's gala benefit performance of Ziegfeld Follies Of The Air: The New 1934 Live from Broadway Broadcast Revue, devised and directed by Walter Willison with musical direction and special musical arrangements by Mark York.

Liliane Montevecchi in ZIEGFELD FOLLIES OF THE AIR
by BWW News Desk - Nov 25, 2016


Liliane Montevecchi headlines an all-star cast in The Ziegfeld Society of New York City's gala benefit performance of Ziegfeld Follies Of The Air: The New 1934 Live from Broadway Broadcast Revue.

Broadway Musical Director Jack F. Lee Passes Away at 86
by Nicole Rosky - Mar 2, 2016


Jack F. Lee (born John Francis Lee), beloved musical director of both stage and screen, passed away peacefully on March 2, 2016 in his home at the age of 86. Mr. Lee was one of Broadway's leading conductors and musical directors who worked with composers/lyricists John Kander & Fred Ebb, Cy Coleman & Dorothy Fields, Jule Styne, Richard Rogers, Stephen Sondheim, Charles Strouse, Alan Jay Lerner, Maury Yeston, Robert Wright & George Forrest, Sandy Wilson, Bob Merrill, Betty Comden & Adolph Green and Harvey Schmidt & Tom Jones.

SWEET CHARITY, 'ESSENTIAL STEPHEN SONDHEIM' Albums and More Coming This Winter
by BWW News Desk - Feb 10, 2016


It's time to put in your late winter pre-orders! Masterworks Broadway has just announced its slate of releases for Winter 2016, including three classic albums from the archives - SWEET CHARITY (February 12), SALAD DAYS (March 18), and KISMET (April 15). On February 26, Masterworks Broadway releases THE ESSENTIAL STEPHEN SONDHEIM, celebrating the 85th birthday year of the legendary theater composer and lyricist.

Spreckels Theatre Company Presents KISMET at Rohnert Park
by Sally Henry Fuller - Jan 25, 2016


Spreckels Theatre Company presents a staged concert of the 1953 Broadway musical 'Kismet.'

Review Zusammenfassung: Österreichische Erstaufführung von GRAND HOTEL in Linz
by Iris Moebius - Jan 18, 2016


Die Österreichische Erstauffuhrung des modernen Musicalklassikers GRAND HOTEL ist jetzt endlich in Linz zu erleben. Die Premiere fand am vergangenen Samstag im Arena Schauspielhaus des Landestheaters Linz statt und schuf einen unterhaltsamen Abend fur Publikum und Presse. Wir haben hier die Stimmen der Kritiker zusammengefasst:

STAGE TUBE: On This Day for 11/12/15- GRAND HOTEL
by Nicole Rosky - Nov 12, 2015


Today in 1989, Grand Hotel opened at the Martin Beck Theatre (now the Al Hirschfeld Theatre) where it ran for 1017 performances. Grand Hotel is a musical with a book by Luther Davis and music and lyrics by Robert Wright and George Forrest, with additional lyrics and music by Maury Yeston. Based on the 1929 Vicki Baum novel and play, Menschen im Hotel (People in a Hotel), and the subsequent 1932 MGM feature film, the musical focuses on events taking place over the course of a weekend in an elegant hotel in 1928 Berlin and the intersecting stories of the eccentric guests of the hotel, including a fading prima ballerina; a fatally ill Jewish bookkeeper, who wants to spend his final days living in luxury; a young, handsome, but destitute Baron; a cynical doctor; and a typist dreaming of Hollywood success.

Lyric Stage's GRAND HOTEL Begins Tonight
by BWW News Desk - Oct 30, 2015


Lyric Stage presents the Tony Award winning musical GRAND HOTEL - featuring the 32-piece Lyric Stage Orchestra playing the original Broadway orchestrations.

Mary-Margaret Pyeatt and Christopher J. Deaton Lead Lyric Stage's GRAND HOTEL
by Sally Henry Fuller - Oct 25, 2015


Lyric Stage presents the Tony Award winning musical GRAND HOTEL - featuring the 32-piece Lyric Stage Orchestra playing the original Broadway orchestrations.

Lyric Stage's GRAND HOTEL to Run 10/30-11/8
by Tyler Peterson - Oct 1, 2015


Lyric Stage presents the Tony Award winning musical GRAND HOTEL - featuring the 32-piece Lyric Stage Orchestra playing the original Broadway orchestrations.

BWW Review: In Birdland Return, Anita Gillette's Songs & Anecdotes Are Charming & Delightful in SO, AS I WAS SAYING . . .
by Alix Cohen - Sep 30, 2015


Ninety percent of the way into her ebullient show last night at Birdland, So, As I Was Saying, Anita Gillette quotes a 1977 review of her performance in Neil Simon's Chapter Two that stated the warmth she exudes could melt glaciers. (The artist wasn't bragging, but was referring to her then difficulty in finding any glaciers, i.e., men to melt.) The description applies today. A packed audience comprised both of devoted civilian fans and theatrical luminaries cheered on the latest iteration of Gillette's dramatized life. Once again directed by Barry Kleinbort with musically directed by Paul Greenwood (who also appealingly sings duets), with Ritt Henn on bass and John Redsecker on drums, the show is as sincere and bubbly as the lady herself.

NYU Steinhardt Stages GRAND HOTEL This Weekend
by BWW News Desk - Sep 24, 2015


NYU Steinhardt's Program in Vocal Performance today announced it will present the musical Grand Hotel this weekend, September 24-28, 2015. The show features book by Luther Davis, music and lyrics by George Forrest and Robert Wright, and additional music and lyrics by Maury Yeston. Dallett Norris directs.

BWW Review: Brian Stokes Mitchell's Café Carlyle Debut is a Treat for the Ear, Eye and Heart
by Alix Cohen - Sep 16, 2015


What qualities define a leading man? Charisma, soul-searching masculinity, and a deep, lustrous voice--once upon a time, we had entertainers who possessed them all. With his Cafe Carlyle debut show that opened last night, Plays With Music--following his Tony-Award winning Broadway performances, 12 years on the road in concert, a couple of recent, all too brief New York theatrical turns, and television work--Brian Stokes Mitchell proves that few such leading men exist. Soon it may be like finding unicorns.

NYU Steinhardt to Stage GRAND HOTEL, 9/24-28
by Tyler Peterson - Sep 2, 2015


NYU Steinhardt's Program in Vocal Performance today announced it will present the musical Grand Hotel on September 24-28, 2015. The show features book by Luther Davis, music and lyrics by George Forrest and Robert Wright, and additional music and lyrics by Maury Yeston. Dallett Norris directs.

BWW Review: Mark Nadler Launches New York Cabaret's Greatest Hits Series at Metropolitan Room In Tempestuous, Hilarious, Whip-Smart Style
by Alix Cohen - Aug 29, 2015


Back in January, BroadwayWorld's lead cabaret reviewer Stephen Hanks announced he was giving up critiquing shows to start his own company, Cabaret Life Productions, through which he would publicize, promote, and help book cabaret performers, and also produce cabaret shows. Hanks' first major production out of the box is a monthly series at the Metropolitan Room called New York Cabaret's Greatest Hits, that features talented artists recreating award-winning or highly-praised shows we wish we'd seen--a really good idea. Hanks' series launched Wednesday night with Mark Nadler's award-winning 2003 show Tschaikowsky (And Other Russians). The Metropolitan Room was filled to the gills and abuzz with anticipation, as most of the audience was only familiar with the show's second-hand praise and/or the CD version of Nadler's performance.

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