Gene Scheer News

OPERA America has announced the selection of Douglas Kearney as  the inaugural recipient of the Campbell Opera Librettist Prize. Kearney will receive a $7,000 award  to support his creative and career development. Conceived and funded by acclaimed librettist and  lyricist Mark Campbell, the Prize is the first award in American opera that specifically recognizes the work of  the opera librettist. 

Walnut Creek's newly revitalized Festival Opera continues its 30thAnniversary season with the world premiere of A Jake Heggie Triptych, featuring award winning composer and pianist Jake Heggie with librettos by Terrance McNally (At the Statue of Venus) and Gene Scheer (Camille Claudel: Into the Fire and For a Look or a Touch.)

The Center for the Arts at George Mason University announced the 2021/2022 season of Great Performances at Mason. The announcement includes a return to in-venue performances, featuring an outstanding lineup of national and international artists and ensembles across the disciplines of classical music, opera, jazz, global music, theater and more.

The Dallas Opera's annual spring gala has been reimagined as a special virtual fundraising event this year, and will stream on TDO's website beginning Friday, May 7 at 7 p.m.

Joby Talbot and Gene Scheer's acclaimed opera Everest will be given a bold new theatrical treatment reimagined as a graphic novel opera film, a concept where the singers are integrated into an animated environment creating a one-of-a-kind operatic experience.

This June, Music of Remembrance will stream a special all-new production of two works by composer Jake Heggie and librettist Gene Scheer: For a Look or a Touch and Intonations: Songs from the Violins of Hope.

The American Opera Project announces the return of its Composers & the Voice program for its 2021-2023 seasons. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers and up to three librettists will be selected for two-year fellowships to explore the fundamentals of writing for the voice and lyric theater.

Inspired by the success from their safe drive-in performances of La bohème in the Fall, which heralded the return of live, in-person, opera to San Diego County since the start of the pandemic, and provided over 300 jobs to many, San Diego Opera has announced a Spring season of safe, socially-distanced, drive-in performances.

In April, 2019, Pacific Opera Project performed Puccini’s Madama Butterfly 蝶々夫人 in Japanese and English at the Aratani Theatre, part of the Japanese-American Cultural Center of Los Angeles’s “Little Tokyo. With a new libretto by Josh Shaw and Eiki Isomura. See the film in which ll Japanese roles were sung in Japanese, English roles in English.

On the morning of September 22, 2015, in Renfrew County, Ontario, a single man went on a killing spree, brutally murdering three ex-partners in their separate homes. The murders devastated the rural Ottawa Valley community where baritone Joshua Hopkins grew up - his sister, Nathalie Warmerdam, was one of these women.

Opera San José has announced the extension of its stream of Three Decembers, by popular demand. World-renowned mezzo-soprano Susan Graham leads the cast of Opera San José’s first fully-staged digital production, Jake Heggie’s THREE DECEMBERS, based on Tony Award winning playwright Terrence McNally’s unpublished play “Some Christmas Letters”.

In keeping with Opera San José's mission to expand accessibility to its work, the company has announced that through the support of generous donors it is able to extend access to its hit virtual production of Jake Heggie's chamber opera, Three Decembers, now making it available on a pay-what-you-can basis for streaming on demand.

Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, announced today that extreme and ongoing COVID 19 concerns are forcing the company to cancel its March and April 2021 subscription performances, with full-scale operas in the Winspear Opera House resuming in February and March of 2022 in a brand-new 2021/2022 Season.

Opera San José hits it out of the park with its immensely moving new virtual production of Three Decembers, the chamber opera by composer Jake Heggie and librettist Gene Scheer, based on an unpublished play by Terrance McNally. Due to popular demand, streaming access has now been extended through January 31, 2021. It’s about a family of three – diva Maddie, played by world-renowned mezzo-soprano Susan Graham, and her two adult children Bea and Charlie, played by Opera San José Resident Artists Maya Kherani and Efraín Solís. In a swift 90 minutes, the three journey from a place of disconnect to a place of understanding and ultimately healing. BroadwayWorld spoke with Ms. Kherani shortly after she had completed filming 'Three Decembers.'

Due to the overwhelming demand this holiday season, Opera San José is extending the run of the hit virtual production of Jake Heggie's chamber opera, Three Decembers through January 31, 2021.

This holiday week the Virtual Opera Tour’s Magic Opera Flying Carpet is making its first stop at Opera San Jose for their magnificent online performance of Three Decembers. It costs $40 to watch on demand.The price is a bit steep, but the story is affecting, the music is fabulous and the performances are riveting. 

Talking to Khori Dastoor, General Director of Opera San José brings to mind that old quote from Elizabeth Taylor when she was faced with unimaginable adversity, “Now is the time for guts and guile.” Just one year into her tenure as GD, Dastoor is faced with an almost impossible situation due to the Covid pandemic. Out of all the arts, opera, the artform which she has made her life’s work, arguably has the biggest challenges. After all, the act of singing operatically produces enormous amounts of aerosols, the core audience is older and thus especially at risk for Covid, and the population at large may not consider opera to be essential to their lives. Since creating new works is practically impossible, many GD’s are offering a sort of greatest hits of former glories, video snippets from past years that were already in the can. Or maybe something like a “reading” of an old holiday chestnut like Der Rosenkavalier, presented Brady-Bunch style on Zoom. So what does Dastoor do instead? She goes bravely programs a brand-new, beautifully-produced production of Jake Heggie’s Three Decembers, starring no less than world-renowned opera star Susan Graham, alongside two of Opera San José’s super-talented Resident Artists, soprano Maya Kherani and baritone Efraín Solis. This immensely moving chamber work is based on an unpublished play by Terrance  McNally, adapted by librettist Gene Scheer, and tells the story of a family struggling to connect during the early years of the AIDS pandemic. The work premiered in 2008, yet somehow feels more relevant than ever, given the parallels with what we’re all going through today, as evidenced by McNally’s death from Covid earlier this year. The opera is currently available for streaming through the end of December. For more information or to purchase tickets, visit operasj.org. BroadwayWorld spoke with Dastoor shortly after the filming of Three Decembers had been completed. Dastoor was remarkably open and forthcoming about the challenges of the opera world right now, even as her passion for growing the artform burns stronger than ever. We talked about how she managed to produce Three Decembers during Covid, her successful earlier career as a lyric soprano, and the imperative to keep the arts alive during these difficult times. Her responses to my questions were invariably thoughtful, often surprising and not without humor. And, as a rare woman of color leading an opera company, her understanding of the need to open up her artform runs deep. Above all, though, she is just plain fun to talk to - effortlessly engaging, whip-smart, emotionally transparent, and without an ounce of pretension.

Faced with the inability to perform live opera because of COVID, Opera San Jose opted to film an opera that could be made to fit California health regulations in its new Fred Heiman Digital Media Studio. General director Khori Dastoor chose Jake Heggie’s three-person chamber opera, Three Decembers. Since it’s an opera that needs a big star to play famous actress Madeline Mitchell, Dastoor engaged Susan Graham.

While performing arts organizations around the world are dusting off existing productions of the usual chestnuts during the month of December, Opera San José is taking a more audacious approach with its holiday programming. They are presenting a new, fully-staged production of Jake Heggie’s immensely moving chamber opera, Three Decembers, featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís. Based on the unpublished play Some Christmas Letters by Tony-winning playwright Terrance McNally, Three Decembers follows the story of a famous actress, Madeline Mitchell, and her two adult children, Beatrice and Charlie over three decades (1986, 1996, and 2006). With a witty and touching libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers is a 90-minute fullhearted American opera about family – the ones we are born into and those we create. The world-class digital production is offered via on-demand streaming through December 31, 2020. For more information or to purchase tickets, visit operasj.org or call (408) 437-4450. BroadwayWorld speaks with charismatic baritone Efraín Solís, who plays son Charlie.

The Dallas Opera's 2020/2021 season, postponed earlier this year because of COVID 19, will commence on March 5, 2021.