Yale Repertory Theatre, in a co-production with Berkeley Repertory Theatre, presents the world premiere of The House that will not Stand by Marcus Gardley, directed by Patricia McGregor. The House that will not Stand will be performed at Yale Repertory Theatre (1120 Chapel Street) April 18-May 10. Opening Night is Thursday, April 24.
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife.
Folger Theatre Artistic Producer Janet Alexander Griffin today announced the 2014/15 season. With six full Shakespeare productions on stage at the Folger to celebrate the Bard's 450th, Folger Theatre will start the upcoming season with two special, limited engagements by London's Shakespeare's Globe. First, the acclaimed staging of Hamlet, seen at the Folger in 2012, returns in late July for just three performances as part of their Globe to Globe Hamlet, the ambitious two-year tour bringing the Danish prince to every country in the world. Then, once again in a September residency, Shakespeare's Globe will perform King Lear for eighteen shows. Joseph Marcell (TV's The Fresh Prince of Bel-Air and Jacques in Folger Theatre's 2007 As You Like It) plays the title role.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director, presents the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
In this irreverent, contemporary, and wickedly funny 'sort of adaptation' of Chekhov's The Seagull, award-winning playwright Aaron Posner stages a timeless battle between young and old, past and present, in search of the true meaning of it all.
ROCKY's Margo Seibert talks exclusively to BroadwayWorld about why her Broadway debut was truly art imitating life.
In a new collaboration with Washington, D.C.'s Folger Theatre, the Baltimore Symphony Orchestra (BSO) and Music Director Marin Alsop bring together an all-star cast of stage, film and television for Director Edward Berkeley's adaptation of the William Shakespeare comedy, A Midsummer Night's Dream. Featuring John Bolger of 'General Hospital' and Linda Powell of 'Chicago Fire,' Midsummer will premiere with the BSO on May 29 at the Music Center at Strathmore, and May 30 through June 1 at the Joseph Meyerhoff Symphony Hall. Please see below for casting and complete concert details.
Marin Theatre Company, in association with Lorraine Hansberry Theatre, will stage August Wilson's Fences, the 1950s entry into his Century Cycle (also known as his Pittsburgh Cycle) - a decade-by-decade exploration of the black experience in 20th century America. Directed by Derrick Sanders, the Pulitzer Prize and two-time Tony Award-winning play will feature veteran film and television actor Carl Lumbly as Troy Maxson, Steven Anthony Jones, the artistic director of Lorraine Hansberry Theatre, as Jim Bono and award-winning actor, playwright and director Margo Hall as Rose, as well as Oregon Shakespeare Festival's Eddy Ray Jackson as Cory, Adrian Roberts as Gabriel, Tyee Tilghman as Lyons and two Marin City youths - Jade Sweeney, who attends Willow Creek Academy, and Makaelah Bashir, Bayside Martin Luther King, Jr. Academy - splitting the role of Raynell.
Chicago Shakespeare Theater (CST) Artistic Director Barbara Gaines and Executive Director Criss Henderson announced today eight productions of the upcoming 2014/15 Season, which includes four major Shakespearean titles, plus a sequel to Shakespeare's epic tragedy and a world premiere musical based on a classic novel.
The highly celebrated New York troupe Fiasco Theater will make their Washington, DC debut with their production of William Shakespeare's clever comedy The Two Gentlemen of Verona at Folger Theatre. Directed by company members Jessie Austrian and Ben Steinfeld, The Two Gentlemen of Verona will play at the Folger from April 17 - May 25, 2014.
The Smith Center for the Performing Arts has now added a third and final week of performances for the world premiere of THE TEMPEST, which will now play April 6-27, with special preview performances April 1-4. The opening night celebration will take place on Saturday, April 5. Produced in association with the American Reparatory Theater (A.R.T.), THE TEMPEST is adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan and movement by Matt Kent of Pilobolus. THE TEMPEST will perform at The Smith Center's Donald W. Reynolds Symphony Park in a 500-seat climate-controlled tent. Tickets start at $35 for regular performances and $25 for preview performances. Tickets for the opening night celebration are $150 and include an exclusive post-show reception. All tickets are on sale now at The Smith Center box office, online at www.TheSmithCenter.com or by phone at (702) 749-2000.
The new musical ROCKY, starring Andy Karl and Margo Seibert, opens tomorrow, March 13, at Broadway's historic Winter Garden Theatre. Scroll down to learn more about the full company, plus watch footage of Sylvester Stallone's speech following the first preview of Rocky on Broadway!
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; announced today the company for the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
Imagination Stage is thrilled to collaborate with Natasha Holmes, director and cofounder of Tell Tale Hearts Children's Touring Theatre Company (U.K.), on the world premiere of Inside Out. This is the second collaboration with Tell Tale Hearts for the My First Imagination Stage season, and it builds on the free play aspect of live performance.
In this irreverent, contemporary, and wickedly funny 'sort of adaptation' of Chekhov's The Seagull, award-winning playwright Aaron Posner stages a timeless battle between young and old, past and present, in search of the true meaning of it all.
Artistic Director Molly Smith tackles a unique, in-the-round staging of Bertolt Brecht's powerhouse anti-war play Mother Courage and Her Children at Arena Stage at the Mead Center for American Theater. Iconic stage and screen actress and Academy Award nominee Kathleen Turner returns to Arena Stage following her sold-out run of Red Hot Patriot: The Kick-Ass Wit of Molly Ivins to make her professional singing debut as the tough-as-nails matriarch Mother Courage-a single mother determined to keep her family alive and her business afloat during war. Mother Courage and Her Children runs through March 9, 2014 in the Fichandler Stage. BroadwayWorld has a first look at opening night below!
Best for ages 5-10, Cinderella: the Remix runs in Imagination Stage's Annette M. and Theodore N. Lerner Family Theatre April 9-May 25, 2014. Tickets start at $10, and may be purchased online at www.imaginationstage.org, at the Imagination Stage box office, or via phone at 301-280-1660. Group rates are available.
Two additional performances for the world premiere of Measure for Measure at The New Victory Theater have been added on Thursday, March 6 at 7pm and Thursday, March 13 at 7pm for a total of 21 performances (14 public performances).
According to the news, on the same day that a giant horde of sea hawks from Seattle, Washington, pulverized an equally as large but not quite as majestic army of broncos from Colorado in East Rutherford, New Jersey, another battle was being waged in the Folger Shakespeare Theatre. This battle, however, was between Richard III and the rest of the world.
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