Eve Gigliotti News

While I’ve admired soprano Nadine Sierra’s before, she seemed to reach a whole new level with her glorious turn as Juliette in the season’s first performance of Gounod’s ROMEO ET JULIETTE at the Met the other night. She was vivid and a delight to watch as she inhabited the teenaged heroine of the piece. Perhaps it was her stage partner, French tenor Benjamin Bernheim, who egged her on to such heights, with his nuanced singing and boyish demeanor.

Get a first look at Puccini’s Madama Butterfly which returns to the Met stage for 16 performances, starting January 11.

Puccini’s Madama Butterfly will return to the Met stage for 16 performances, starting January 11.

The Dallas Opera announces the digital release of No One is Forgotten: An Immersive Opera, its first-ever 3D spatial opera recording, available now for streaming in Dolby Atmos Immersive Audio to subscribers of Apple Music and Tidal and in a stereo mix for non-subscribers. No One is Forgotten is available for purchase now.

Soprano Angel Blue’s Violetta didn’t seem as tragic as we’re used to seeing in Verdi’s masterwork and maybe that's right. She’s lived life on her own terms and if she’s dying of tuberculosis, well, c’est la vie. (After all, the source of the piece is French: the Alexandre Dumas fils “La Dame aux Camellias”).

The Metropolitan Opera has announced a 2023–24 season with the most new works in the company’s modern history. See show details, performances dates, and how to purchase tickets!

I’ve heard the opera a number of times at the Met over the years and this year’s run holds up with the most breathtaking of them. Despite the number of star performances among the magnificent ensemble currently being heard at the Met, the star of the show doesn’t have a single word to say or note to sing. It's the John Dexter production that does it.

The American Symphony Orchestra continues its 2022-23 season on January 27 with a program at St. Bartholomew's Church, a New York National Historic Landmark, exploring music for organ and orchestra by Camille Saint-Saëns and Dame Ethel Smyth. It features soloist Paolo Bordignon, organist and choirmaster of the church and harpsichordist of the New York Philharmonic, along with soprano Anya Matanovic, mezzo-soprano Eve Gigliotti, tenor Joshua Blue, and bass Adam Lau.  

There’s more contemporary opera in New York these days than there used to be and I’ll drink to that. But there’s nothing else that does it with the panache of the PROTOTYPE Festival, the brainchild of Beth Morrison Projects and HERE.

The American Symphony Orchestra completes its 60th anniversary season on Friday, July 15, 2022 at 8 PM. The program, part of the Orchestra’s Vanguard Series and presented in a special collaboration with the Bard Music Festival, is conducted by Music Director Leon Botstein and features the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

While I was watching the Met’s current beautiful yet somehow languid production of the Igor Stravinsky and WH Auden/Chester Kallman opera THE RAKE’S PROGRESS the other night--with only two more performances until it goes back into mothballs for probably many years--I couldn’t help wishing that the opera house was more like Broadway.

The American Symphony Orchestra celebrates its return to Carnegie Hall and its 60th anniversary season in 2021-22 on Friday, January 28, 2022 at 8 PM. The program, part of the Orchestra’s Vanguard Series conducted by Music Director Leon Botstein, features the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

The American Symphony Orchestra celebrates its return to the stage and its 60th anniversary season in 2021-22 with four full-orchestra programs at Carnegie Hall, Jazz at Lincoln Center’s Frederick P. Rose Hall, and a free opening concert titled Mahler in New York at the Cathedral of St. John the Divine on December 16. The opening program focuses on composers whom Mahler had championed during his years in New York.

The Lady or the Tiger? In this case, both are Mussorgsky’s BORIS GODUNOV—just different versions of it. Which is the preferred one? (Or, more properly, “the preferred one of several,” including one that the composer’s friend, Rimsky Korsakov, fiddled with after his death.) The Met chose Mussorgsky's original, and shorter, version for its revival of the composer's most famous opera this season.

The popular idea of a 'Liederabend' – an evening of song – goes back to Schubertiads and the flowering of German Romantic poetry and song in the 1800s. These musical salons provided the artists and ruling-class intelligentsia of their day opportunity to co-mingle ideas, music, and personal passions.

Now, in celebration of the organization's belated five year anniversary, National Sawdust and The WNET Group's ALL ARTS present Contemplations from National Sawdust, a six-episode retrospective presenting an overview of National Sawdust's impressive past, ambitious present and hopeful future.

The popular idea of a 'Liederabend' – an evening of song – goes back to Schubertiads and the flowering of German Romantic poetry and song in the 1800s. These musical salons provided the artists and ruling-class intelligentsia of their day opportunity to co-mingle ideas, music, and personal passions.

The OBIE-winning HERE has announced programming for its HERE There Everywhere winter and spring 2021 season. The season launches with the ninth annual PROTOTYPE: Opera | Theatre | Now (January 8–16), the premier global festival of opera-theatre and music-theatre which has been completely re-envisioned in light of the COVID-19 crisis.

When performance spaces were shuttered, many companies shuttered their imaginations in solidarity with the rows of seats, choosing to hibernate until they could return to live, in-person events and allowing both to collect dust in the meantime.

On October 23-27, activist opera company White Snake Projects presents the world premiere of Alice in the Pandemic, a new virtual opera composed by Jorge Sosa.