Birth Place: Astoria, NY, USA
Celebrating the legendary Cole Porter, The York Theatre Company launches their 50th Anniversary Celebration with the 2019 Fall Musicals in Mufti series featuring three shows which highlight the genius of the legendary Cole Porter through his music and lyrics
Award winning Book Writer/Lyricist, Stephen Cole, announces the Debut of two Musical theater creations, 'Merman's Apprentice' written with David Evans; and 'Casper the Friendly Musical, ' written with Matthew Martin Ward.
Producers Justin M. Kiska, Jessica Billones, and Way Off Broadway are teaming up to bring the Post Off-Broadway Regional Theatre Premiere of the new musical comedy The Book of Merman to Frederick for a special engagement this fall.
Hailed as 'the best party in town,' by New York's Cabaret Scenes Magazine, The Nitz/ Howe Experience marks a major milestone on Saturday, September 7th.
Madwomen's Late Nite Cabaret is a one-hour musical that celebrates mad, misunderstood and maligned women from history and literature, performing cabaret songs that uniquely pertain to their particular situations. Ethel Merman hosts and Lizzie Borden plays piano as over a dozen women, including Joan of Arc, Mata Hari, Amelia Earhart and Medusa sing favorites from 'Smoke Gets in Your Eyes' to 'Hair.'
Robert ('Bob') Ullman (left), the legendary theatre press agent, whose career included Ethel Merman and Mary Martin: Together on Broadway, A Chorus Line (from workshop to Public Theater to Broadway), Alfred Lunt and Lynn Fontanne in The Visit, Lauren Bacall in Cactus Flower, The Dining Room, Driving Miss Daisy, Sunday in the Park with George, and over 150 additional Broadway and off-Broadway plays and musicals, died on July 31, 2019 in Bayshore, Long Island, New York. He was 97. The cause of death was cardiac arrest. Bob's death was announced by Rev. Joshua Ellis, a long-time Ullman friend, a former Broadway press agent, and now, an Interspiritual minister.
On Thursday night, July 25, Moulin Rouge celebrated opening night at the Al Hirschfeld Theatre, and following in the great Broadway tradition, ensemble member Bahiyah Hibah was awarded the Legacy Robe from Beetlejuice recipient Jill Abramovitz.
Theatre By The Sea (TBTS) will welcome Christine Pedi to Theatre By The Sea on Monday, August 5 as part of the Monday Concerts and Events Series. Ms. Pedi, the daily host of a?oeThe Broadway Breakfasta?? and the co-host of a?oeDueling Divas,a?? with Seth Rudetsky on SiriusXM's On Broadway channel 72, will be performing her award-winning (New York Nightlife, Backstage Bistro, Manhattan Association of Cabarets nomination), Great Dames cabaret show.
'Forbidden' is certainly a fitting adjective for Roxy's Downtown current production entitled Forbidden Broadway. If you simply look up the word 'forbidden' in the dictionary, you will find its meaning to be prohibited, not allowed or even banned. It's a clever little title to describe this Off-Broadway parody rated PG-13 which spoofs many lyrics and shows such as Mamma Mia, Cats, and even Hairspray which would send original playwrights and performing artists rolling in their graves with laughter. Opening originally in 1982 by parodist Gerard Alessandrini, the show has gone under many revisions to include even newer musicals. Starring Julia Faust, John Keckeisen, Seth Knowles, Shaun-Michael Morse, Patty Reeder, and Christine Tasheff, Forbidden Broadway runs from now until August 24 at the 1930s cabaret venue in downtown Wichita.
Next week, FEINSTEIN'S54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.
Today's top stories: the cast of Moulin Rouge! met the press yesterday, and more!
Author John Bell announces the release of his memoir Elaine Stritch: The End of Pretend, a book about an extraordinary life and the first book about the Broadway actress who died in 2014. The End of Pretend chronicles the twilight of actress Elaine Stritch's career offering a rare first-person and no-holds-barred glimpse into the private persona behind the Broadway icon.
Gypsy, starring Olivier Award-winner Imelda Staunton as Rose, is streaming now through July 31 on Great Performances on PBS.
Bay Street Theater & Sag Harbor Center for the Arts has announced Andrea McArdle and Donna McKechnie: Celebrate Sondheim & Hamlisch on Monday, July 8 at 8 pm as part of Bay Street Theater's Music Mondays concert series. Tickets range from $79 - $125 and are on sale now at baystreet.org and through the Box Office at 631-725-9500, open daily from 11am to showtime.
This Month, FEINSTEIN'S54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.comFeinsteins or call (646) 476-3551.
From George Gershwin through such musical luminaries as Franz Lizst, Frederick Chopin, and Piotr Ilyich Tchaikovsky, the actor, playwright and composer Hershey Felder has brought the life and music of any number of musical luminaries to audiences across the United States, Canada and the world, winning himself in the process his own category on the quiz show "Jeopardy" earlier this year.
Broadway's Telly Leung (Aladdin, Allegiance, Godspell, Rent, "Glee") returns to Feinstein's54 Below on July 10 & 17 with a brand-new show and fresh, innovative arrangements of Broadway tunes done with a trio of New York's finest musicians: Gary Adler (piano), Mary Ann McSweeney (bass), and Michael Croiter (drums).
At first glance, she's an evil villain, kidnapping young women and selling them into human trafficking. It might be seen as a politically incorrect role, perpetuating a racist stereotype. And in the wrong hands, it could be.
In honor of the fiftieth anniversary of Judy Garland's death, the Axelrod Performing Arts Center, in collaboration with the Paramount Theatre in Asbury Park, presents Judy Garland at Carnegie Hall, on Sunday, June 23rd at 7PM.
Getting over the seedy scenery and the pre-recorded orchestra, I found Theatre Charlotte's THE PRODUCERS more politically incorrect - and nearly as enjoyable - as the previous three times I've seen this Mel Brooks romp.
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