David Hare's "Skylight", currently playing at ACT, is a play teaming with recriminations over infidelities and the struggles of class at the heart of the demise of two people's relationship. It's packed with wonderful moments for both actors to make equally compelling arguments over who's at fault. Who's right and who's wrong. Who's got the moral high ground and who's grounded in reality. To the point that by the end you can see the good and bad in each and walk away with something to think and talk about. And then Hare adds a second ending that I can only describe as the Hollywood RomCom ending to drive his own point home, a point we already got, in a way that is at best superfluous and at worst just plain confusing.
Theatre of NOTE continues its 2018 season with its production of For The Love Of (or, the roller derby play) by Gina Femia, directed by Rhonda Kohl. For The Love Of will preview Tuesday and Wednesday, April 24 and 25 at 8pm, and will open on Thursday, April 26 at 8pm and run through Saturday, May 26 at Theatre of NOTE, 1517 N Cahuenga Blvd (just north of Sunset) in Hollywood.
Theatre of NOTE presents the world premiere of HELLO STRANGER, written by Sharon Yablon and directed by Sarah Figoten Wilson. HELLO STRANGER runs now through Saturday, November 18 at Theatre of NOTE, 1517 N Cahuenga Blvd (just north of Sunset) in Hollywood. BroadwayWorld has a first look at the cast in action below!
Theatre of NOTE announces its production of the world premiere of HELLO STRANGER, written by Sharon Yablon and directed by Sarah Figoten Wilson. HELLO STRANGER will preview Friday and Saturday, October 13 and 14, at 8pm, will open on Thursday, October 19 at 8pm and run through Saturday, November 18 at Theatre of NOTE, 1517 N Cahuenga Blvd (just north of Sunset) in Hollywood.
Theatre of NOTE announces its production of Alternative Acts, an evening of 7 one-acts including: Out To Breakfast by Andrew Tarr, Benefits of a Gauntlet by Gina Garcia-Sharp, Sandwich by Kirsten Vangsness, Mr. Picmanby Tom Cavanaugh, Youniverse by Tennyson E. Stead, VladFather by Jennifer Hugus and Transitions by Bill Robens. Alternative Actswill open on Friday, August 25 at 10pm and run through Saturday, September 16 at Theatre of NOTE, 1517 N Cahuenga Blvd (just north of Sunset) in Hollywood. Evening will begin with live music, food and drink.
Sound Theatre Company completes an exciting year with the return of their smash holiday comedy Holiday of Errors to delight Seattle audiences this December. First presented as a world premiere in 2013 to critical and audience acclaim, Sound Theatre Company's remount features most of the original cast to fill the stunning new 12th Avenue Arts Mainstage on Capitol Hill with word-play and Shakespeare.
There may not be a ton of plot going on with Theater Schmeater's current production of "Four Dogs and a Bone". I mean there's no real message or over-arching moral other than "people in Hollywood are awful". But what it does have going for it is some very funny dialog and an ensemble that, while playing self-centered and back stabbing, are completely together in this piece which makes for a highly engaging and fun night.
Oh my! It's been a hell of a year for the Seattle Theatre scene and I can say we've been quite fortunate to see the incredible shows we have. So many amazing shows in fact that picking just a few stand outs (let alone a "best") is a near impossibility. But I have searched the deep dark recesses of my memory to find the shows and performances that really stood out and stuck with me beyond the evening and throughout the year. And so, without further ado, I'm thrilled to present the BWW 2014 Seattle Critic's Choice Awards (or Jay's Picks). Let the awesomeness flow!
How many times have we all seen "Twelfth Night"? It is one of Shakespeare's most accessible and arguably one of his best plays and therefore one of his most often trotted out pieces. Even Seattle Shakespeare Company admits this current production is the fifth time they've done it in their 24 year history. So I'll admit to a less than enthusiastic attitude when I was off to see it. I mean, what can they do with "Twelfth Night" really? Well, apparently, they can fill it with a stupendous cast, direct it with a kind of 1920's yet otherworldly vibe, liven up all the comedy and flourish it with some hauntingly melancholy original music and turn it into a feast for the senses making this war horse once again a glittering show pony.
Shipwrecked romantics get washed ashore in Seattle Shakespeare Company's sparkling comedy Twelfth Night directed by Jon Kretzu at the Center Theatre at Seattle Center. Performances are October 21-November 16, 2014 (Previews October 21-23, Opening Night Friday October 24). Performance times: Wednesday-Saturday at 7:30 PM with selected Saturdays at 2PM and selected Sundays at 2PM and 7:30PM
Shipwrecked romantics get washed ashore in Seattle Shakespeare Company's sparkling comedy Twelfth Night directed by Jon Kretzu at the Center Theatre at Seattle Center. Performances are today, October 21-November 16, 2014 (Previews October 21-23, Opening Night Friday October 24). Performance times: Wednesday-Saturday at 7:30 PM with selected Saturdays at 2PM and selected Sundays at 2PM and 7:30PM
Shipwrecked romantics get washed ashore in Seattle Shakespeare Company's sparkling comedy Twelfth Night directed by Jon Kretzu at the Center Theatre at Seattle Center.? Performances are October 21-November 16, 2014 (Previews October 21-23, Opening Night Friday October 24). Performance times: Wednesday-Saturday at 7:30 PM with selected Saturdays at 2PM and selected Sundays at 2PM and 7:30PM
A Shakespearean classic directed by Sheila Daniels. Sounds like a dead lock winner right? Unfortunately Seattle Shakespeare Company's current production of "King Lear", while having some moments of power, ultimately left me wanting. Wanting for what? That's tough to say. There were so many little things needling me about the production that didn't quite work that they almost overshadowed what did. But ultimately it amounted to an inconsistency of pacing and performance that left me, like Lear, out in the cold facing the storm (such as it is but we'll get to that later).
Following a sold-out run of The Importance of Being Earnest, Seattle Shakespeare Company announced today that it will extend its production of King Lear through May 17 with four additional performances at the Cornish Playhouse. Below, BroadwayWorld has a first look at the production, which began previews last night - and opens tonight, Friday, April 25.
Seattle Shakespeare Company completes its 2013-2014 indoor season this spring with Shakespeare's tragedy of a family and country splintered by misrule and pride -- King Lear directed by Sheila Daniels.
Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.
Take equal parts Dickens and Shakespeare, add in a healthy spoonful of historical tom-foolery, the zest from a bawdy queen and stir it up til you don't know one play from another and you'll have the latest outing from one of the more impressive small theater companies in town, Sound Theatre Company, with their World Premiere of "Holiday of Errors". And while it may get slightly muddled at times and take just a bit to get started, if you sit back and let the ridiculousness of it wash over you, you're bound to have a good time.
Sound Theatre Company is pleased to announce the full cast and crew of its first-ever holiday production, Holiday of Errors (or Much Ado About Stockings).
ACT - A Contemporary Theatre welcomes Sir Alan Ayckbourn to direct an entirely local cast for the American premiere of his play Sugar Daddies at ACT, now playing through November 3, 2013. BroadwayWorld has a first look at highlights below!
Sir Alan Ayckbourn certainly knows how to bring rich and complex characters to life and then set them spinning to hilarious ends and his current production of "Sugar Daddies", making it's American Premiere at ACT, is no exception. And while it could use some trimming, he gives us a sobering yet funny look at how nothing comes without a price.
