Mark Morris Dance Group & Music Ensemble returns to Jacob's Pillow's Ted Shawn Theatre, July 17-21, restaging both new and beloved repertory. 'A tour de force of artistic storytelling' (The Los Angeles Times), this audience favorite is renowned for deeply witty and poetic dance and has amassed one of the most extensive Pillow performance records of any artist. Mark Morris Dance Group & Music Ensemble performs Prelude and Prelude-a work that has not been performed anywhere since 1992-the new work Sport, excerpts from Words, and the company classic Grand Duo.
A Celebration of Italian and International Dance Artists with guests from the U.S. and Italy, Thursday August 15 at 8 PM Ailey Citigroup Theater, 405 West 55 Street Tickets: $40; $20 for students and seniors; $90 for performance and cast party Reservations: www.eventbrite.com
The School Of American Ballet is hosting their Alumni Cocktail Reception at Lincoln Center on Friday, May 31th. This event is for SAB alums who will toast the 2019 Annual Workshop Performances.
Since 2012 today's subject Lourdes Lopez has been living her theatre life as the Artistic Director of Miami City Ballet. The company is performing May 31st through June 2nd at the Kennedy Center as part of Ballet Across America. The May 31st performance is a shared program with Dance Theatre of Harlem who will be performing May 28th through the 30th.
Empowered women run the show at XAOC Contemporary Ballet, which presents its third full evening of work on April 7, 2019 at 7pm at the NY City Center Studios. The evening will feature the all-female company in seven original ballets by artistic director and choreographer Eryn Renee Young and a live piano performance of Schubert's Fantasie in F minor.
Bryan Arias, Artistic Director of ARIAS Company, receives the Jacob's Pillow Fellowship at Tilles Center for the Performing Arts at LIU Post. The fellowship includes a $15,000 grant, a residency at the Pillow Lab, and a residency at LIU Tilles Center. The newly established Fellowship represents a shared vision between the two organizations to broaden resources that allow artists to thrive and bring new work to stages in Massachusetts, New York, and beyond.
In advance of the full Festival announcement in mid-December, Jacob's Pillow announces four companies that will be presented in 2019. Following the record-breaking ticket sales of Festival 2018 and amidst a robust season of artist residencies in the Pillow Lab and new programming which serves Berkshire County's year-round population, America's longest-running dance festival gears up for its 87th consecutive summer, June 19-August 25. Compañia Irene Rodriguez brings a particular vision of flamenco that is both Spanish and Cuban, featuring a world premiere; Caleb Teicher & Company presents More Forever, a highly anticipated new collaboration with innovative composer/pianist Conrad Tao; the Martha Graham Dance Company celebrates female power with Graham classics, a suite of Lamentation Variations, and a new work by Maxine Doyle and Bobbi Jene Smith; and Boston Ballet returns for the first time in over a decade with works by William Forsythe, resident choreographer Jorma Elo, and twentieth century Russian choreographer Leonid Yakobson.
Exploring the breadth and depth of artistry within American ballet, the Kennedy Center's Ballet Across America series returns May 28-June 2 for seven performances in the Opera House. This season's engagement features deeper looks at companies led by distinguished Artistic Directors Virginia Johnson and Lourdes Lopez with their respective companies, Dance Theatre of Harlem (DTH) and Miami City Ballet (MCB). Each company will present a full program while a one-night-only celebration on May 31 features a shared program that includes both companies in a world premiere Kennedy Center commission by renowned choreographer Pam Tanowitz.
New Jersey Ballet's seasonal presentation of the holiday classic Nutcracker comes to Mayo Performing Arts Center for 14 performances beginning Friday, December 14 at 7:30 pm. New Jersey Symphony Orchestra will provide live orchestral accompaniment. Tickets are $29-69. (all dates listed below)
Fancy Free established Jerome Robbins' as a groundbreaking American choreographer. In this installment of Anatomy of a Dance, Corps de Ballet Member Sebastian Villarini-Velez talks about his showy solo as a debonair sailor.
New York City's leading center for complete ballet education, Ballet Academy East (BAE) today announced the appointment of Jenna Lavin as Principal of the BAE Pre-Professional Division. A BAE faculty member since 2003, Lavin has been teaching ballet to young dancers throughout her career and has choreographed over 20 ballets for Ballet Academy East.
Director/producer ANTONIO FINI, native of Calabria and recent guest artist with the Martha Graham Dance Company, announces the closing event of his International Dance Festival - a Gala Celebration of Italian and international artists, with performances by guest companies from Florence, Marche, Pescara and Turin, Italy, along with U.S. based companies with an Italian connection.
Miami City Ballet has announced its 33rd season, showcasing the company's world-class artistry and rising prestige described by The New York Times as 'an exceptional troupe, by Balanchine standards, anywhere in the world.' Artistic Director Lourdes Lopez has curated a new season that includes the company premiere of Brahms/Handel, a unique choreographic collaboration between Twyla Tharp and Jerome Robbins; Paul Taylor's audience favorite Company B, set to the 1940s sounds of The Andrews Sisters; Jerome Robbins masterwork Dances at a Gathering; Justin Peck's Heatscape, inspired by the vibrant streets of Miami's Wynwood Arts District; and the highly anticipated return of George Balanchine's full-length A Midsummer Night's Dream.
Jacob's Pillow announces the participants of the 2018 National Dance Presenters' Forum, a three-day dance leadership development intensive held on its site in Western Massachusetts, July 12-14. Reinstated after over a decade and developed in collaboration with key partners from across the U.S., the immersive experience is framed as a catalytic opportunity for emerging dance presenters. The Forum will provide a learning environment for participants to discuss critical issues, strengthen curatorial practice, grow professional networks, and bolster support for the field of dance. The 2018 Forum planning committee selected 17 emerging dance presenters with diverse backgrounds as curators, cultural organizers, and service providers to artists and audiences, from a pool of over 71 applicants from 25 states and the District of Columbia.
Miami City Ballet today announced the appointment of Tania Castroverde Moskalenko as the ballet company's new Executive Director. The appointment was made after an extensive, six-month international search. Castroverde Moskalenko, who returns to the city where she immigrated with her family 30 years ago as a political refugee from Cuba, will assume the leadership role alongside City Ballet Artistic Director Lourdes Lopez on August 7, 2018. As Executive Director, she will lead the company's institutional strategy, fundraising, and operations, building upon City Ballet's achievements as it advances its vision for the future.
Choreographer Jerome Robbins was born in New York City in 1918. On this, the occasion of what would be his 100th birthday, the New York City Ballet, for whom he choreographed and became Associate Artistic Director, presents Jerome Robbins 100 with five different programs. On Friday, May 18, 2018, I was in the David Koch Theater to see program #5.
Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.
