Beck Center Presents Razzle Dazzle XI: True Colors Tour May 6-7
by BWW
News Desk
- May 6, 2011
Beck Center for the Arts and the Cuyahoga County Board of Developmental Disabilities (CCBDD) present Razzle Dazzle XI: True Colors Tour, 7:30 pm Friday and Saturday, May 6 and 7, and a 3:30 pm matinee performance on Saturday, May 7 in the Beck Center Music-Armory Building.
Beck Center Presents Razzle Dazzle XI: True Colors Tour May 6-7
by BWW
News Desk
- May 6, 2011
Beck Center for the Arts and the Cuyahoga County Board of Developmental Disabilities (CCBDD) present Razzle Dazzle XI: True Colors Tour, 7:30 pm Friday and Saturday, May 6 and 7, and a 3:30 pm matinee performance on Saturday, May 7 in the Beck Center Music-Armory Building.
Beck Center Presents Razzle Dazzle XI: True Colors Tour May 6-7
by Gabrielle Sierra
- May 3, 2011
Beck Center for the Arts and the Cuyahoga County Board of Developmental Disabilities (CCBDD) present Razzle Dazzle XI: True Colors Tour, 7:30 pm Friday and Saturday, May 6 and 7, and a 3:30 pm matinee performance on Saturday, May 7 in the Beck Center Music-Armory Building.
Beck Center Awarded $15K Grant from PNC Foundation
by Kelsey Denette
- Apr 26, 2011
Beck Center for the Arts has been awarded a $15,000 grant from the PNC Foundation to provide early childhood arts education programming for preschoolers enrolled in the Head Start Program through West Side Ecumenical Ministry. PNC provided the funding as part of Grow Up Great, its 10-year, $100 million initiative to improve early childhood education.
CCBMRDD Presents RAZZLE DAZZLE 9: It's About Time! 5/15, 5/16 At Beck Center
by Gabrielle Sierra
- May 11, 2009
Beck Center for the Arts and the Cuyahoga County Board of Mental Retardation & Developmental Disabilities (CCBMRDD) present Razzle Dazzle 9: It's About Time! on Friday, May 15 and Saturday, May 16, 2009, at the Beck Center for the Arts Music-Armory Building. Show time for both performances is 7:30 p.m.
Spring Awakening Tour Review: Cleveland
by Robert Taylor
- Mar 4, 2009
To create a touring production of a Broadway hit, the production team usually has to scale down large sets, trim the corners and sometimes cut down the cast. With the ?Spring Awakening? touring production, it was just the opposite: the show would have to be made bigger. Gone would be the cozy feel of The Eugene O?Neill Theater, replaced with larger two-and-three tiered touring houses with bigger stages, and as a result the set would have to be expanded, creating more of an imposing feel than the original classroom did. But, more than any logistical problems, the question became this: Would ?Spring Awakening? even be viable as a touring show?
