Dylan Crossman News

Cultural partners Jacob's Pillow Dance and MASS MoCA present two innovative and independent New York-based contemporary dance artists, Katie Workum and Kimberly Bartosik, in a one-night-only engagement, tonight, October 24 at 8pm at the Hunter Center.

Cultural partners Jacob's Pillow Dance and MASS MoCA present two innovative and independent New York-based contemporary dance artists, Katie Workum and Kimberly Bartosik, in a one-night-only engagement, October 24 at 8pm at the Hunter Center. Noted for her 'serious and ambitious' work by Gia Kourlas of The New York Times, Katie Workum brings her new work Black Lakes, full of improvisation, risk, and humor. The second half of the program features New York Dance and Performance ('Bessie') Award winner Kimberly Bartosik's Ecsteriority4 (Part 2), which constructs a landscape of power and desire to explore violence in American culture today. Co-presentations by Jacob's Pillow and MASS MoCA are made possible by the Irene Hunter Fund for Dance.

Abrons Arts Center presents the world premieres of Kimberly Bartosik's Ecsteriority4 (Part 2) and Dylan Crossman's BOUND on a shared program as part of its new dance series, Travelogues. Performances will take place today through Saturday, May 20-23, at 8pm, in Abrons Arts Center's Experimental Theater.

Abrons Arts Center presents the world premieres of Kimberly Bartosik's Ecsteriority4 (Part 2) and Dylan Crossman's BOUND on a shared program as part of its new dance series, Travelogues. Performances will take place Wednesday through Saturday, May 20–23, at 8pm, in Abrons Arts Center's Experimental Theater.

DanceWorks, Toronto's longest running contemporary dance series, proudly presents Montreal's acclaimed Sylvain Emard Danse in the Toronto premiere of Ce n'est pas la fin du monde (It's not the end of the world). This stunning full-length work by the award-winning choreographer Sylvain Emard runs one night only on February 28 at 8pm at Harbourfront Centre's Fleck Dance Theatre as part of Harbourfront Centre's NextSteps.

DanceWorks, Toronto's longest running contemporary dance series, proudly presents Montreal's acclaimed Sylvain Emard Danse in the Toronto premiere of Ce n'est pas la fin du monde (It's not the end of the world). This stunning full-length work by the award-winning choreographer Sylvain Emard runs one night only on February 28 at 8pm at Harbourfront Centre's Fleck Dance Theatre as part of Harbourfront Centre's NextSteps. Scroll down for a sneak peek at the dancers in action!

DanceWorks, Toronto's longest running contemporary dance series, proudly presents Montreal's acclaimed Sylvain Emard Danse in the Toronto premiere of Ce n'est pas la fin du monde (It's not the end of the world). This stunning full-length work by the award-winning choreographer Sylvain Emard runs one night only on February 28 at 8pm at Harbourfront Centre's Fleck Dance Theatre as part of Harbourfront Centre's NextSteps. Scroll down for a sneak peek at the dancers in action!

DanceWorks, Toronto's longest running contemporary dance series, proudly presents Montreal's acclaimed Sylvain Emard Danse in the Toronto premiere of Ce n'est pas la fin du monde (It's not the end of the world). This stunning full-length work by the award-winning choreographer Sylvain Emard runs one night only on February 28 at 8pm at Harbourfront Centre's Fleck Dance Theatre as part of Harbourfront Centre's NextSteps.

Abrons Arts Center presents the U.S. premiere of Montreal-based choreographer Daniel Léveillé's Solitudes solo. Léveillé's performance is part of Abrons' new dance series, Travelogues, curated by Laurie Uprichard. Performances will take place Friday and Saturday, January 30-31, at 8pm, and Sunday, February 1, at 3pm, in Abrons Arts Center's Experimental Theater.

A French accent will resonate through La MaMa Moves! this spring when four Gallic dance troupes, along with 11 other experimentalists from around the world, commandeer all three theaters at La MaMa for three and a half dance-packed weeks, May 2-25.

New York Live Arts presents the world premiere of Pam Tanowitz's The Spectators, May 15 - 18 at 7:30pm. Described as a "clear-sighted postmodernist" (The New Yorker) with a "distinguishing wit" (The New York Times), Tanowitz is known for creating choreography with an "inventive, entertaining and surprising effect" (The New York Times).

Roulette presents the radical (& iconoclassical) choreographer Sally Silvers' first large group piece since 2009. After decades of her wild, post-Judson experimentation (& after 5 years dancing for Yvonne Rainer), award-winning 'downtown' choreography springboards into the witty, wistful sophistication of the Broadway stage. In an extreme mash-up, Silvers puts synchronized swimming, martial arts, roller derby, children's games, billiards, ice dancing & other instructional material into the mix at Roulette's gorgeous new Brooklyn space. With a half-dozen Stephen Sondheim musicals as a focus for her madcap lens of off-kilter, playful, inventive dance, BONOBO MILKSHAKE makes for a sexy fresh species of movement art.

Roulette presents the radical (& iconoclassical) choreographer Sally Silvers' first large group piece since 2009. After decades of her wild, post-Judson experimentation (& after 5 years dancing for Yvonne Rainer), award-winning 'downtown' choreography springboards into the witty, wistful sophistication of the Broadway stage. In an extreme mash-up, Silvers puts synchronized swimming, martial arts, roller derby, children's games, billiards, ice dancing & other instructional material into the mix at Roulette's gorgeous new Brooklyn space. With a half-dozen Stephen Sondheim musicals as a focus for her madcap lens of off-kilter, playful, inventive dance, BONOBO MILKSHAKE makes for a sexy fresh species of movement art.