On Saturday, August 26, at 8 p.m. soprano Kristine Opolais and bass-baritone Sir Bryn Terfel join BSO Music Director Andris Nelsons, the Boston Symphony Orchestra, and the Tanglewood Festival Chorus for an evening of opera and song,including Act II of Puccini's Tosca. In addition to Ms. Opolais in the title role and Sir Bryn as Scarpia, the Tanglewood Festival performance of Tosca will feature tenor Russell Thomas as Cavaradossi, bass-baritone Sir Bryn Terfel as Scarpia, tenor Matthew DiBattista as Spoletta, and baritone Douglas Williams as Sciarrone (in his BSO debut). Ms. Opolais and Sir Bryn recently performed Tosca in concert together at the Llangollen International Musical Eisteddfod on July 4, 2017, under conductor Gareth Jones.
One of Tanglewood's most popular summer traditions, John Williams' Film Night, takes place on Saturday, August 19. Boston Pops Laureate Conductor John Williams shares the podium for this performance with BSO Music Director Andris Nelsons, who will lead the first half of the concert, including music from classic cinema scores by
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, will co-present the 12th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.
21C Media Group has announced highlights from its 2017-18 selection of opera, vocal and choral music, featuring concerts, special events, broadcasts and recordings. Scroll down for details!
???????On Saturday, August 26, Boston Symphony Orchestra Music Director Andris Nelsons will lead the orchestra in Act II of Puccini's Tosca, featuring soprano Kristine Opolais in the title role, along with bass-baritone Sir Bryn Terfel as Scarpia. The performance will also feature tenor Russell Thomas as Cavaradossi; tenor Matthew DiBattista as Spoletta, and baritone Douglas Williams as Sciarrone (in his BSO debut). The Opera Gala program will also feature songs and arias from composers including Smetana, Dvo?ák, and Mozart. Ms. Opolais and Sir Bryn recently performed Tosca in concert together at the Llangollen International Musical Eisteddfod on July 4, 2017, under conductor Gareth Jones.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, will co-present the 12th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.
Orbiter 3, the acclaimed theatre company helmed by some of Philadelphia's most renowned playwrights, will produce their fifth world premiere this May. From the playwright who brought you Marcus / Emma at InterAct and Hello! Sadness! at FringeArts, comes her most ambitious play yet: Mary Tuomanen's Peaceable Kingdom.
Following a record, at-capacity run of How We Got On, Azuka Theatre continues their 2016-2017 "pay what you decide" season with the world premiere of Sh_theads. Developed in partnership with PlayPenn, playwright Douglas Williams and director Kevin Glaccum examine a down-and-out bike shop in lower Manhattan and the lives of the people who love to work there.
It probably would have been worth the trip to Bard SummerScape's production of Pietro Mascagni's IRIS—last heard at the Met in 1931--simply to make the acquaintance of soprano Talise Trevigne. Through much suffering and indignity, Trevigne sang the title role in a luxurious, plush-voiced, physical performance that made the most of the score by the composer who will always be known for CAVALLERIA RUSTIANA, that signpost of verismo opera. She's a find, and I hope to hear her again.
Azuka Theatre invites audiences to pay-what-you-decide for the entire 2016-2017 theater season with an innovative new approach to ticketing. A city that celebrates so many historic "firsts" is the perfect place to launch the only full-season model of this kind in the United States.
Music Director Nicholas McGegan-who celebrates 30 years of leading the Philharmonia Baroque Orchestra this season-returns to Carnegie Hall to conduct the ensemble in the New York premiere of Scarlatti's La Gloria di Primavera on Friday, May 6 at 7:30 p.m. in Zankel Hall. The performance of the newly re-discovered work-written 300 years ago to celebrate the birth of the heir to the Holy Roman Emperor-features soprano Suzana Ograjenšek, mezzo-soprano Diana Moore, countertenor Clint van der Linde, tenor Nicholas Phan, and bass-baritone Douglas Williams.
Azuka Theatre continues its 16th season with its 10th World Premiere by a local playwright. Emma Goidel's Local Girls is a scream rock fantasia about searching for big-time glory in a small-time town. The play runs through March 13. It opens today Saturday, February 27 at 7 p.m. All performances take place in the Proscenium Theatre at The Drake, 1512 Spruce Street. Tickets are available online at www.azukatheatre.org or by phone at(215) 563-1100.
Azuka Theatre continues its 16th season with its 10th World Premiere by a local playwright. Emma Goidel's Local Girls is a scream rock fantasia about searching for big-time glory in a small-time town. The play runsFebruary 24-March 13. It opens Saturday, February 27 at 7 p.m. All performances take place in the Proscenium Theatre at The Drake, 1512 Spruce Street. Tickets are available online at www.azukatheatre.org or by phone at(215) 563-1100.
?In late 2015 Orbiter 3, a Philadelphia playwrights producing collective, announced they were accepting applications to add an additional playwright to their ranks. After receiving nearly 40 submissions the Orbiters decided to bring on not one, but two new playwrights: Lauren Feldman and Sam Henderson.
-This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights.
This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.
Early Music Vancouver (EMV) presents George Frideric Handel's Apollo e Dafne and J.S. Bach's Orchestral Suite in C Major at The Vancouver Playhouse on Friday, March 18, 2016 at 7:30pm. Internationally renowned, Grammy award-winning soloists Yulia Van Doren and Douglas Williams will be accompanied by the Pacific Baroque Orchestra under the music direction of Alexander Weimann.
Tune in to WCRB 99.5 this Sunday, February 7 at 7:00 pm, for a broadcast of Boston Baroque's last season's opera production of Handel's Agrippina led by founder and music director Martin Pearlman.
