Artistic Director Hal Brooks has announced that the 20th Season of the Cape Cod Theatre Project, featuring staged readings of new work by Cory Hinkle, Hamish Linklater, Seth Moore and the Lobbyists, and Alena Smith is now cast. Obie Winner and Tony Nominee Johanna Day will be joined by Girls star Michael Zegen and others.
Artistic Director Hal Brooks has announced the 2014 season for Cape Cod Theatre Project, featuring staged readings of new work by Hamish Linklater, Cory Hinkle, Alena Smith, and The Lobbyists and Seth Moore. They will be joined in Falmouth, Massachusetts by writers-in-residence Sarah Burgess, Mona Mansour and Stella Ragsdale.
Kathy Evans, Founding Executive Director, announced the nine musicals and twenty-six writers selected for the 2014 Rhinebeck Writers Retreat, its fourth year of providing working retreats for musical theatre writers. For nine consecutive weeks beginning June 29th, each writing team will have an individual weeklong residency in Rhinebeck, New York to write their musical. They are provided with a private home, transportation, food, and a stipend. All costs are fully funded by donors including The ASCAP Foundation, The Dramatists Guild Fund, and The Noel Coward Foundation. Writers participating this year include Broadway's Mindi Dickstein (Little Women), this year's Kleban Prize winner Nathan Tysen (Burnt Part Boys), and Peter Mills, past winner of the Kleban, Fred Ebb Award, and Richard Rodgers prize. The musicals' subjects cover 19th century nautical mysteries, 20th century fairy tales, a 1970's gay bar, and modern-day meth addicts. Every score is original and styles include 16th century Renaissance, big band, folk, rock, and electronic music.
Miles Aubrey (Jersey Boys, Ring of Fire), Jessica Grove (A Little Night Music, Thoroughly Modern Millie) and Lora Lee Gayer (Follies) will perform The Music of Kevin Fogarty and Chris Rayis in a one-night-only concert.
Hottest Articles on BroadwayWorld.com from this weekend Sunday, June 16, 2013 - Sunday, June 16, 2013.
Chris Rayis and Douglas Waterbury-Tieman present the second installment of THE MUSE CYCLE. Each entry in this new and inventive cabaret series explores the essence of a chosen theme through the lens of musical theatre. This month the topic is, 'Work'.
Chris Rayis and Douglas Waterbury-Tieman present the second installment of THE MUSE CYCLE. Each entry in this new and inventive cabaret series explores the essence of a chosen theme through the lens of musical theatre. This month the topic is, 'Work'.
Hottest Articles on BroadwayWorld.com from this weekend Sunday, April 7, 2013 - Sunday, April 7, 2013.
Chris Rayis and Douglas Waterbury-Tieman present the first installment of THE MUSE CYCLE. Each entry in this new and inventive cabaret series will explore the essence of a chosen theme through the lens of musical theatre. From Architecture to Zoology, the theme of each subsequent production will further the completion of an entire glossary, commencing with the topic 'Beginnings.'
Chris Rayis and Douglas Waterbury-Tieman present the first installment of THE MUSE CYCLE. Each entry in this new and inventive cabaret series will explore the essence of a chosen theme through the lens of musical theatre. From Architecture to Zoology, the theme of each subsequent production will further the completion of an entire glossary, commencing with the topic 'Beginnings.'
Tall, blond and handsome-and looking for all the world like some sort of biblical superhero-Colin Cahill may be the ideal Joseph, given the sumptuous and fast paced production of Joseph and the Technicolor Dreamcoat at Cumberland County Playhouse. Cahill charms and entertains as Jacob's favorite son, surrounded by what seems like a cast of thousands, bringing Andrew Lloyd Webber's musical to life with enough energy to power every household along the Cumberland Plateau.
Curtain's up on Cumberland County Playhouse's 15th annual presentation of A Sanders Family Christmas-the holiday-flavored sequel to the enormously popular Smoke on the Mountain-a down-home musical filled with faith, family and old-fashioned fun and starring a cast of Playhouse favorites.
Austin Price and Horace Smith star as Cumberland County Playhouse brings one of the most popular-and most frequently requested-titles its almost 50-year history back to the with an exciting new production of Big River, directed by BWW Nashville Theatre Awards winner Britt Hancock. Big River runs through November 2 in Crossville.
Back in the day-1907, actually-when John Millington Synge's The Playboy of the Western World premiered at Dublin's Abbey Theater, it apparently caused riots, its tale of an apparent patricide engendering great public outrage and overt hostilities. Four years later, when the play debuted in New York City, audience members hurled epithets, rotten tomatoes and various other vegetation across the footlights, protesting the play's perceived "immorality."
Theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors to pay tribute to a group of eight remarkable people who have made indelible marks on the theater scene throughout their storied careers. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored the eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
Yankees might find the idea crazy to turn a classic Irish play into a bluegrass musical set in the Virginia Mountains, but Southerners know that the Blue Ridge Mountains were settled by Scots-Irish folks-and that a fiddle is a fiddle all over the globe. So it should come as no surprise that John Fionte, Cumberland County Playhouse's New Works Director-who describes himself as a Boston Yankee in the Cumberlands-was a bit skeptical when he first heard the premise of Golden Boy of the Blue Ridge, the new musical that opens in Crossville on Thursday, August 23.
Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut butter, banana, bacon and homemade whipped cream-the four basic food groups, according to The King.), so before we slip into a diabetic coma, here's installment #7 of Music City Confidential, all the news that's fit to print from onstage, offstage, backstage and beyond…
We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possible. So, good people of the theaterati, read on and get all the information you need to know in this, our latest installment of Music City Confidential. This is #6…
McGovern creatively opens and closes the musical with an image that evokes all the glitter and glamor of old Hollywood: the presentation of the Academy Awards in 1941, the year that Ginger Rogers beat out such adversaries as Katharine Hepburn, Bette Davis, Joan Fontaine and Martha Scott for the best actress Oscar for her performance of "knocked-up shopgirl" Kitty Foyle.
Inspired by BroadwayWorld.com's Friday Six, welcome to Nashville.BroadwayWorld.com's latest installment of The Friday Five: five questions designed to help you learn more about the talented people you'll find on stages in the Volunteer State. Today-which is Thursday, not Friday, a fact of which I am well aware-we focus our spotlight on Jessica Wockenfuss, the lovely star of Cumberland County Playhouse's Backwards in High Heels, which opens tomorrow night (which actually is a Friday-July 27) and continues through November 2.
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